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1. The French Connection. I know, I know...this one comes recommended by everyone. I suspect it hasn't dated well, particularly when we can see equally hard-boiled crime drama on network television every week. I just didn't get the hub-bub.
2. The Phantom Menace. Not the worst film ever, by any means, but certainly the cinematic disappointment of the century as far as millions of fans were concerned. A textbook example of a powerful filmmaker losing the edge he possessed in earlier, leaner times.
3. The Imposters. A good friend of mine recommended this one highly. I turned it off less than halfway through (and I never turn movies off halfway through). This sort of cartoonish farce with characters constantly chasing each other a la Benny Hill just isn't my cup of tea, I guess.
4. Another vote for Batman. I'm just not a fan of this series overall, I guess. I can only stomach Batman Returns.
5. Eyes Wide Shut. The fascinating, frustrating, ultimately disappointing final film from the man whom I consider to have held the title of greatest living film director from 1968 to the time of his death in 1999. I'm reminded of a comment from Terry Gilliam, who said that he almost wished Kubrick had died halfway through the production. Then EWS could have remained his tantalizing last "unfinished masterpiece."
6. Casino. Now, I actually really like Casino, but I still felt it was a letdown after a string of unqualified masterpieces from Scorsese - The Last Temptation of Christ, Goodfellas, Cape Fear, The Age of Innocence. Well, maybe I'd qualify Cape Fear a little bit, but it's still a hell of a ride.
That's all that comes to mind for the moment.
--Jefferson Morris
"If fakes, they were masterpieces."
--The New York Times commenting on Willis O'Brien's dinosaurs in The Lost World (1925).
"From the two trailers I've seen, the movie looks like AIDS."
--Recent thread post on AICN
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