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Ten Most Amazingly-Scored Cues (No Main Titles!)
1. “Battle on the Ice,” Alexander Nevsky (Sergei Prokofiev)
2. “Miracle,” Lawrence of Arabia (Maurice Jarre)
3. “Andante Cantabile,” The Ghost and Mrs. Muir (Bernard Herrmann)
4. “Epilogue,” Things to Come (Arthur Bliss)
5. “The Tennis Match,” Strangers On a Train (Dimitri Tiomkin)
6. “The Ecstasy of Gold, The Good, the Bad, and the Ugly (Ennio Morricone)
7. “The Miser’s Waltz,” The Devil and Daniel Webster (Bernard Herrmann)
8. “Harmonica Love Theme,” The Sea Wolf (Erich Wolfgang Korngold)
9. “The Barrel Chase,” Jaws (John Williams)
10. “Farewell-The Tower,” Vertigo (Bernard Herrmann)
"By conservative estimate, the goddamned-ist thing ever seen." - James Agee on Bill and Coo (1948)
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