And then I stayed up extra late to get Tigerland in as well. One question, how did hack Schumacher get this film out the door? If I were a teacher I'd doing an investigation of plagerism or cheating because I don't think he did the work.
Somehow a truly great film came out of his hands, maybe simply by having a good script, good young actors, and most certainly in no small part thanks to having Matthew Libatique (Pi, Requiem) do the cinematography. However it happened, I'm glad it did. It's a great story of an interesting non-conformist hero that somehow manages to glorify him without getting sappy about it, even in the end.
Instead, the characters are allowed to fall into who they are. Not only that but the film establishes early on how things are going to go down
| Spoiler: |
| that the guy who is trying to get out of the war will end up getting every guy who wants to be in out instead and will wind up being the only one who will go |
and yet it was a joy to watch it unfold.
For some reason the hero here (Bozz) reminded me of Crudup's character (Fuckhead) in Jesus' Son. Bozz is more of a hero at heart, maybe it was just their quirkiness or maybe it was the style or flow of the films.
Anyway, I thought it was damn good, almost a top 10 film.
Also, I rearranged my list a bit with Snatch improving the most on reconsideration of everything for now.
And one final note here, is 2000 just the year of the quirky misanthrope hero (ala Cool Hand Luke)? I see at least You Can Count on Me, Jesus Son, Tigerland, Wonder Boys, and even a bit of Virgin Suicides to strongly feature such characters/philosophies.