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[ Track the Films You Watch (2008) ]

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Old 02-11-2008, 04:10 PM   #421 of 1674
42nd Street Freak
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Re: Track the Films You Watch (2008)


Quote:
Originally Posted by Mario Gauci
02/10/08: CUT-THROATS NINE (Jose` Luis Romero Marchent, 1972)



02/10/08: THE FIGHTING FIST OF SHANGAI JOE (Mario Caiano, 1973)

Always wanted to see "Cutthroats Nine" but the grey market DVD is so rare and expensive.

I have "Shanghai Joe" stored on the digital TV box to watch, sounds like a winner.




NEW REVIEWS: "Payroll"/"The Night Porter"/"A Day at the Races"
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Old 02-11-2008, 04:25 PM   #422 of 1674
Mario Gauci
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Re: Track the Films You Watch (2008)


Quote:
Originally Posted by 42nd Street Freak
Always wanted to see "Cutthroats Nine" but the grey market DVD is so rare and expensive.

I have "Shanghai Joe" stored on the digital TV box to watch, sounds like a winner.


Dave,


Feel free to send me a PM or an e-mail re: CUT-THROATS 9 as I've just added it to my collection yesterday...


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Old 02-11-2008, 06:10 PM   #423 of 1674
Michael Elliott
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Re: Track the Films You Watch (2008)


Quote:
Originally Posted by Joe Karlosi
Alba is currently in THE EYE. I could have used any other young teen or 20something example. I find it refreshing to see someone not as young and nubile in a film like UNTRACEABLE for a change. Much more realistic.

I'm not exactly sure what you mean by refreshing since there are countless movies out there that don't feature 20-somethings. You just need to check them out.

As for the rest of your post, if someone cheers for these people then they are fuckd up in the head. In my opinion of course. The point was connecting these make believe characters to those who do the same thing in real life.

Quote:
Why do I bother to try and hold a discussion on what you specifically mention when you just ignore everything in the reply.

Because you go off on your rants so I try to tip toe around what I say to you. In all seriousness, I'm not sure where your mind frame is so that's why I don't comment on any points you make. It seems you always add a political slant to the comments you make when I don't think they're needed. I'm not saying you're wrong but we just don't see eye to eye on the slants you bring in your reviews. This is in regards to our different views of DS. Nothing outside that film.

As for the playing God thing I said, it was aimed more at those who get killed when they've done nothing to others. I never said one of these DEATH WISH type films had people going after innocent people. Those comments were aimed at the SAW type films that people get a hard on over. If you read my reviews then I've said countless times that those DW films were made just to see bad guys get what they deserve. I then asked you where do you draw the line when deciding who dies. I said, did only rapists and murders deserve to die? Or do you go even further by including crack heads, whores and pot smokers.

Quote:
But in the long run, Roger Ebert is just another guy who likes to watch movies.

Which is why I don't understand most people when they start throwing a fit at him. At least he's actually seen the movies and gives an honest opinion on them. I'm not sure why people expect him to give someone else's opinions on a film.



Last edited by Michael Elliott : 02-11-2008 at 07:57 PM.
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Old 02-11-2008, 10:28 PM   #424 of 1674
PatW
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Re: Track the Films You Watch (2008)


The Station Agent (2003)

This is an ingenious little movie, ingenious enough to suck you in and not let go. This movie is not big on plot but is rather a study of three separate and different indiviuals who come together and develop an odd sort of friendship.

Fin (Peter Dinklage) is a loner who happens to inherit a piece of land with an old train depot on it. Fin who is a dwarf is a train enthusiast someone who craves solitude. Into his life comes Joe who runs a coffee truck and is stationed right outside of Fin's Depot. Joe is a sweet fellow, talkative in the extreme, and one who will not take Fin's rebuffs to heart and continues to try and cultivate a friendship. The third person in this little group is Olivia (Patricia Clarkson) another solitary character who is still grieving for her little boy who died two years previously. She is a neurotic and we are introduced to her when she runs Fin off the road as he's walking. Through the course of the story, these characters come together and develop a bond. Joe seems to be the middle man, the one who brings Fin and Olivia together though not romantically. Joe is the polar opposite of both Fin and Olivia but through Fin's love of trains and Joe's persistence they develop an odd sort of friendship that works for them.

The acting of the three leads is superb here. Of special note was Bobby Cannavale as Joe who brings alot of spirit, charm and enthusiasm to his character. He seemed to be the perfect balance that this story needed.
This is the type of little film that the critics love but has a difficult time being accepted by the general public as anything but boring, if members of my family are any indication. If this is the case then that's too bad because they'll be missing a delightful little gem.

Last edited by PatW : 02-12-2008 at 01:17 AM.
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Old 02-11-2008, 11:07 PM   #425 of 1674
Michael Elliott
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Re: Track the Films You Watch (2008)


02/10/08

Eye of the Devil (1962) J. Lee Thompson

British thriller about a Marquis (David Niven) who leaves his wife (Deborah Kerr) in Paris while he travels to a small city to take care of some business. The wife and two kids eventually follow him there and run into a Satanic cult being ran by Donald Pleasence. There's a lot to like about this film, which has several great moments but in the end it's just another talky, boring British film. What does work is the beautiful cinematography, which is among the best I've seen from any movie of this period. The lush B&W looks incredible and really brings out a lot in the locations. What also works is a terrific scene with Kerr being chased through the woods. The direction and editing in this scene makes it quite effective with the cinematography. The final thing that keeps this film moving is the terrific performance by the beautiful Sharon Tate who plays one of the witches. Her silent performance is really great and it's impossible to take your eyes off of her. Niven and Kerr do so-so work and Pleasence sleepwalks through his role. David Hemmings comes off pretty good as Tate's psychotic brother. Even with all this great stuff, the film still drags and goes on and on an on. I'm not a fan of British horror and this film falls into that category where there's more style than substance. It's also worth noting that it seems Polanski's Rosemary's Baby was slightly influenced by this film.

Dirk Diggler Story, The (1988) Paul Thomas Anderson

Fake documentary on porn star Dirk Diggler (Michael Stein), which director Anderson would later turn into Boogie Nights. The film was shot on videotape and edited from VCR to VCR yet you can still see the talent behind the camera. The film kept me entertained throughout its 31-minute running time. The video is raw, the performances raw and the editing is raw but it makes for an interesting little film especially when you compare it to the feature version. The ending here is a lot better than the one in Boogie Nights.

Bottle Rocket (1994) Wes Anderson

This is the short film, which director Anderson would turn into the feature a few years later. I haven't seen the feature length version so I can't compare the two but this one here also features Owen and Luke Wilson and Robert Musgrave as they try to become gangsters. I can't say I laughed out loud any but there were a few small chuckles including a scene where they go for a big robbery and walk away with just eight dollars. Neither of the Wilson brothers are their typical selves but I enjoyed this enough to seek out the feature version.

Reckless (1935) Victor Fleming

Really poor comedy/drama about a showgirl (Jean Harlow) who gets caught in a love triangle with a producer (William Powell) and a playboy (Franchot Tone). This is a pretty poor picture that fails as a comedy and then really fails as a drama in its second half. I'm not sure if Fleming couldn't handle the material or what but in all honesty he's not given too much to work with and even the cast sleepwalks through the film. This is certainly the worst I've seen Harlow and Powell as neither actor are up to their usual standards and Powell comes off quite boring. The supporting cast includes May Robson, Ted Healy and Mickey Rooney but none of them offer any laughs. The second half of the film turns into a drama, which tries to bring tears but this is the only segment that offers any laughs. The ending is downright insane and overly forced.

Dünyayi kurtaran adam (Turkish Star Wars) (1982) BOMB Cetin Inanc

Turkish film that is pretty much a scene for scene remake of Star Wars. Unlike most Turkish films, apparently this one was meant to be a serious movie but the budget is so low and everything is so poorly done that you can help but roll your eyes. I'm not a big fan of the film being "copied" so perhaps that's why I didn't enjoy this one as much but I hard a really hard time trying to sit through it. The special effects are being bad and sometimes the film resorts to using scenes from the actual Star Wars. The music score from that film is also used here but what's most shocking is that there are special effects in the film, which appear to be from an Atari game. If you're a fan of the original Star Wars then you might get more entertainment out of this than I did. There's no question this is a horrible movie but some might find it so bad it's good.

02/11/08

Night Before Christmas, The (1941) Hannah & Barbera

Oscar-nominated short has Jerry playing around the Christmas tree, which wakes up Tom and soon the two are going after one another. I can't think of too many bad Tom & Jerry films but this here is probably one of the weaker ones even though it's still very entertaining. There's plenty of nice action and of course being a Christmas film we get a nice, happy ending.

Romance of Robert Burns, The (1937) Crane Wilbur

Technicolor short from MGM tells the story behind Robert Burns' famous song Auld Lang Syne. It should go without saying that poor Robert wrote the song after a love gone wrong. The film looks terrific and director Wilbur really brings out all he can in the color department but the story is just was too over dramatic. The love story becomes quite laughable after a while. Owen King plays Burns.

Hotel Anchovy (1934) No Director Credited

A woman is about to sell her hotel so she hires the Ritz Brothers to make sure people stay there when the new owner comes so that he'll think its a busy place. I enjoyed several of the later day Ritz Brothers films but this one here just doesn't work. For the most part they come off as a rip off of The Marx Brothers and their style just doesn't make for a very funny film. There are a few funny scenes involving the brothers dealing with various people inside the hotel including a woman with one eye and a suicidal man.

Night of the Living Dead 3D (2006) BOMB Jeff Broadstreet

Zombies attack a group of teenagers and apparently they're being led by the one and only Sid Haig. It turns out this film is more of a remake of I Bury the Living than the Romero film but the producer needed a known title so they borrowed that from Romero. Either way, this film is horrid from start to finish and there's really nothing worthy in it. I went through some of the extras on the DVD where they talked about the 3D process but as far as I'm concerned these guys didn't know what they were doing. For starters, there's only one effect at the very end that comes off in 3D. Yes, I know the technology isn't the greatest but I've seen 3D videos that come off better. Very seldomly do they have anything coming towards the screen and most of the time they have objects moving away from the camera so you can't get any 3D effect. The story is stupid as well and none of the characters are interesting. Even the zombies come off very lame and their connection to Haig is just pathetic. The cast are all horrible and that sadly includes Haig who adds nothing to the film. The story makes no sense at all and there are so many unanswered questions that you have to wonder if the producer's ran out of money before everything was shot.


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Old 02-12-2008, 05:02 AM   #426 of 1674
Joe Karlosi
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Re: Track the Films You Watch (2008)


Quote:
Originally Posted by Michael Elliott
As for the rest of your post, if someone cheers for these people then they are fuckd up in the head. In my opinion of course.

It could be argued that vigilantes are sick in the head too, when they get so fed up that they run around shooting up all the bad guys and no longer have any fear or concern about breaking the law -- and yet, somehow when we watch these movies, we take their side and eat it all up (such as Bronson in DEATH WISH, and especially Part 3).

When it comes to horror-themed films, like the SAW movies, I think it's just as "f'd up in the head" to give a rat's ass about those victims who are losers in their lives... the ones who don't care about themselves and do serious destructive drugs and so forth. If they don't respect or care about themselves, why should I?

Quote:
Which is why I don't understand most people when they start throwing a fit at him. At least he's actually seen the movies and gives an honest opinion on them. I'm not sure why people expect him to give someone else's opinions on a film.

What I object to is when you mention Ebert with regard to something movie-related, as though he's God, or that his word is law, or something.

Last edited by Joe Karlosi : 02-12-2008 at 05:04 AM.
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Old 02-12-2008, 05:08 AM   #427 of 1674
george kaplan
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Re: Track the Films You Watch (2008)


Quote:
who framed roger rabbit 10 of 10

Such a great, great movie.
Indeed. Still stands up great, and this is one film for which it's a shame there was never a sequel.


"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock

"My great humility is just one of the many reasons that I am vastly superior to everyone else." - Ramrod Clerk
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