[Brett_M]

from director John Hillcoat (The Proposition) with a screenplay by Joe Penhall.

For those of you who don't know, "The Road" is the 2007 Pulitzer Prize winner for fiction. It's set in a post-apocalyptic southeastern United States. A father and son are traveling to the coast, searching for food and avoiding bands of cannibalistic fellow survivors. That sounds outlandish but the real story is the relationship between the father and the son (each the other's "world eternal"). Many have called it the best fiction this year.

I was telling my wife about it last night and wondered which director could capture the tension and darkness of the novel, but also it's hope. I thought Peter Weir would be an excellent choice. I looked it up today and saw John Hillcoat's name -- PERFECT CHOICE. In many ways, The Proposition has the same tone and quality of the novel.

I finished the novel last night and, to put it mildly, I was devastated. I have never experienced anything like it. The book is fabulous.

I intend to read "No Country for Old Men" next, which is already making waves as a return to form from the Cohen Bros. Can't wait for that to hit theaters later this year.

Have you read "The Road" yet? Thoughts?

[Brett_M]

An article from CHUD:

http://www.chud.com/index.php?type=news&id=9571

[William Creamer]

I finished this book last week. I had read that after a nuclear war "the living would envy the dead" but I just glossed over the concept without really considering what the scientists were getting at with statments like that, after reading this book I now understand.

[Chris]

I found the book profound and creepy. But I'm really interested to see how this becomes a film without making it overly action oriented, which would be bad. This is a book that is defined in large part by the fact that the actors (the man and the boy) can say very little. (most common dialog: "OK?" "I'm OK" ) And is built around the reassurance that it's OK that they are still alive. That's going to be a real trick making it into an effective film.

[Brett_M]

Quote:

Originally Posted by William Creamer

I finished this book last week. I had read that after a nuclear war "the living would envy the dead" but I just glossed over the concept without really considering what the scientists were getting at with statments like that, after reading this book I now understand.

A truly horrifying concept. I hope the film can capture the tone of McCarthy's prose -- should make for a scary film.

Do any passages or situations stick with you?

[Andy Sheets]

Maybe if these new Cormac McCarthy adaptations do well, someone will finally think about maybe letting Billy Bob release his longer cut of All the Pretty Horses...

[Brett_M]

Quote:

Originally Posted by Andy Sheets

Maybe if these new Cormac McCarthy adaptations do well, someone will finally think about maybe letting Billy Bob release his longer cut of All the Pretty Horses...

I thought the same thing. I liked aspects of ATPH (and there are some fans of it) but, for me, it was so uneven that it ultimately just dissappoints.

[Brett_M]

Quote:

Originally Posted by Chris

I found the book profound and creepy. But I'm really interested to see how this becomes a film without making it overly action oriented, which would be bad. This is a book that is defined in large part by the fact that the actors (the man and the boy) can say very little. (most common dialog: "OK?" "I'm OK" ) And is built around the reassurance that it's OK that they are still alive. That's going to be a real trick making it into an effective film.

I agree. I think that's why I was glad that John Hillcoat got the director's gig. The film should be visually striking but it's the character moments that will speak volumes. It's not a sci-fi/action/adventure. There are aspects of each but I hope it's a character-driven drama. There's enough tension to make it exciting (if that's the right word) but there's more heart than anything. I want to be moved, not excited. The Road is on par with The Green Mile for me -- emotionally devastating.

I think the worst thing that could happen is it turns into a PG-13 action film.

[Sandro]

I read a lot of fiction and The Road is probably the best contemporary novel I have ever read. As a father to a 13 year old boy, it is certainly the most affecting.

However I feel that this is one case where a film simply cannot do justice to the novel which achieves a lot of its power from McCarthy's extraordinary prose. I also did not like The Proposition.

No Country For Old Men is a very different book and was generally seen as a disappointment by McCarthy fans but I enjoyed it immensely. I am very interested to see what the Coens do with it.