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[ Track the Films You Watch (2006) ]

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Old 02-28-2006, 12:37 PM   #511 of 2071
Holadem
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Quote:
I can PM you if you want to know the resolution.
Brook, please do. I didn't hate the movie, but I am not willing to sit thru it again anytime soon.

It's always good to see Auteuil though. Les Sous Doues was among the definitive comedies of my childhood, I need to get around to buying that.

--
H



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Old 02-28-2006, 05:37 PM   #512 of 2071
Mario Gauci
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Quote (originally posted by Haggai):

"Glad that Rules of the Game lived up to the hype for you, Marc! It does for me as well, definitely one of my favorites. On the issue of deep focus, Renoir had used that before, at least as far back as Boudu Saved from Drowning in '31, although ultimately in more sophisticated ways for Rules of the Game. I read somewhere that Von Stroheim used it as well for some of his silent films, although I haven't seen any of them."


I, too, am glad that there's another fan of THE RULES OF THE GAME (1939) among us. For me, it's not only the zenith of Renoir's art but, since I consider Renoir the greatest French film-maker, it follows that RULES is the greatest of all French films for me. What fascinates me about it is the fact that while on the surface it seems like just another frothy comedy of manners (albeit more sophisticated than most), it turns out to be one of the densest, most complex and rewarding of films; it's small wonder that it bombed on original release and the superb Criterion 2-Disc Set certainly helps in shedding more light on the subtleties of Renoir's unique vision. By the way, I really need to pick up the Criterion DVDs of BOUDU SAVED FROM DROWNING (1932) and LA BETE HUMAINE (1938)...

As for that von Stroheim-Renoir connection, it wouldn't surprise me in the least: in Andre Bazin's famous book on Renoir (completed by Truffaut after Bazin's untimely death), it is stated that von Stroheim's FOOLISH WIVES (1922) made a massive impact on the 28-year old Renoir and it was after a viewing of it that he decided to dedicate himself to the art of cinema - much as, around the same time, a viewing of Fritz Lang's DESTINY (1921) would seal the fates of Luis Bunuel and Alfred Hitchcock ! Although I own several von Stroheims on DVD - BLIND HUSBANDS (1919)/THE GREAT GABBO (1929), FOOLISH WIVES/THE MAN YOU LOVED TO HATE (1980), MERRY-GO-ROUND (1923) and QUEEN KELLY (1929) - I've yet to give them a spin on my DVD player; luckily, however, I did catch most of them on the big screen (at London's National Film Theatre) in September 2002...and from what I can recall, FOOLISH WIVES was the one which impressed me the most as well!


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Old 02-28-2006, 11:56 PM   #513 of 2071
Michael Elliott
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02/24/06

Let Me Die a Woman (1978) BOMB

Infamous Doris Wishman “documentary” that deals with men who want to be women and women who want to be men. Wishman is very well known in the exploitation field and I had heard this was her best movie so I decided to watch this one as my first. I got the exploitation but I also got real footage, which I really didn’t want to see. I personally find the subject matter gross so having to watch all of this stuff made me wanna puke. The actual operation was insane and downright disgusting as well. While this presents itself as a documentary it’s crazy enough to insult anyone who watches it. This is the one film that I wish I never bothered watching.

Lemora: A Child’s Tale of the Supernatural (1973)

A 13-year-old Christian girl (Cheryl Smith) is seduced by a lesbian vampire in this erotic horror film. I’ve seen various lesbian vampire films but it was rather nice watching one that would get a PG rating. Instead of relying on nudity and sex scenes this one here builds a rather strong atmosphere and the performance by Smith is very good. The film does a very good job at showing a child’s fears and the director perfectly captures a dreamlike nature to the film. The only problem is that it runs out of gas around the forty minute mark making it rather hard to sit through the rest.

02/25/06

Brokeback Mountain (2005)

Ang Lee’s film about two cowboys (Heath Ledger/Jake Gyllenhaal) who come to have feelings towards one another but they live in a world where they can’t be together. First things first but someone should tell the mainstream media that this isn’t the first film to feature gay men. The political storm around the movie has probably kept a lot of people away, which is a shame because this is a pretty damn good film. I think the love story between the two men is a lot less interesting than when the two men are away from one another dealing with their other lives. The stuff between Ledger and his wife (Michelle Williams) was the best part of the film for me. The three performances are all great, especially Ledger who doesn’t have much to say in the film so all the emotion has to come from his eyes.

Midnight Cowboy (1969)

I upgraded to the new DVD and I really don’t understand what people are unhappy about. I’ve seen this film countless times on VHS, the old DVD and even theatrically when MGM re-released it back in 1997 I believe. I’ve never seen the film look or sound better so… Either way, this here is one of the all time greats that keeps getting better with each new viewing. I’m not sure if there’s anything new I could add that hasn’t already been said but the performances from Voight and Hoffman keep shocking me with each viewing. It’s rather amazing to watch the work these two men bring to their characters, especially Hoffman who was coming off his dork role in The Graduate. I’ve read a lot of reviews of this film over the years and I’ve listened to various opinions on the film’s “message” or “meaning” but to me this is just a simple love story between the two men.

02/26/06

Star Wars Ep. 1: The Phantom Menace (1999)

I thought the first three films were great even though I’m certainly not a fan or anything but this sucker here was just horrid all around. Thankfully the thing got bad enough to where I could just sit back and laugh at it but without the laughs and the nice pod chase then this here would have been without any merit. The dialogue was insane and it’s hard to believe any of the actors kept a straight face but I’d go also say the poor dialogue made most of the cast just milk their performance. All of the “stars” in this film have given plenty of great performances throughout their careers but they’re all bad here, especially Portman who’s on of my favorite actresses. Whoever played the young Luke was also terrific but at least I got several laughs out of him.

02/27/06

Star Wars Ep. 2: Attack of the Clones (2002)

This here’s certainly better than the previous installment but it still suffers from the silly dialogue but it isn’t as bad. The performances are also slightly better this time out and the added bonus of Christopher Lee also works well. The biggest advantage of this film is the action scenes are a whole lot better, especially the early race scene as well as the final forty-minutes, which are full of excitement. I really think a better director (cough Spielberg) could have done more with this film but what can you do. The film could have also been helped by cutting at least twenty minutes.

Old Spanish Custom, An (1935) BOMB

Extremely cheap British film about a stupid American (Buster Keaton) who flirts with another man’s wife and then must do a Spanish custom by challenging him to a duel. This is an extremely bad film on all levels from the cheap production to the horrid direction to the screenplay, which really only allows Keaton to have water thrown on him. There’s not a single laugh to be found but there’s plenty of tears having to see Keaton doing stuff like this. Apparently Keaton remade this as a Columbia short, which is being released on DVD next week.

02/28/06

Voice of Hollywood No. 10, The (1929)

Apparently in the UK promotional shorts were made to remind the movie going public to go and check out a certain star who was making films in the UK. In this short, it’s Buster Keaton playing a small gag, which is pretty funny and shows some of his quickness on his feet. Nothing special but interesting to Keaton fans.

Hollywood on Parade No. A-6 (1932)

Paramount promotional film once again features Buster Keaton and like the above title, there’s nothing special here but just a curiosity to fans.

Seeing Stars (1922)

Here’s a rather historically incredible promotional film from First National. For years it was believe that Keaton and Charles Chaplin didn’t work together until Limelight but the two of them are together here. Filmed at the Ambassador Hotel in L.A., this film gathered together various silent stars to promote the Independent Film Guild. In the film Keaton is waiting on Chaplin and Jackie Coogan. No laughs but it’s an incredible sight to see this film.

Lady and the Tramp (1955)

I’ve seen bits and pieces of this over the years but this was the first time watching it all the way through. This certainly became from favorite Disney animation due for a number of reasons but most of all is that the characters are so well written and loveable. The characters here are developed more than even most non-animated titles and the film manages to get plenty of laughs as well as several cute moments including the wonderful dinner scene.

Throne of Blood (1957)

I plan on watching mostly foreign films throughout March but I snuck this one in early since Netflix got it to me early. Two soldiers find themselves lost in a deep forest when they come upon an evil spirit who tells them of the future. The evil spirit tells Washizu (Toshiro Mifune) that he will soon rise to power only to quickly lose it. Akira Kurosawa’s version of Macbeth works quite nicely on its own making it seem fresh and original and not inspired by Shakespeare. The greatest thing about the film is the atmosphere the director brings, especially in the opening segment in the woods as well as the dark ending. The ending also made me think of DePalma’s ending to Scarface and I’m curious if he and Oliver Stone “borrowed” it from this film. The performance by Mifune is terrific and Minoru Chiaki also does nice work. The music score is quite haunting and the ending really packs a nice little punch. This was my third film from Kurosawa and while I preferred Rashomon and Seven Samurai this is still a great film.


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Old 03-01-2006, 12:11 AM   #514 of 2071
Haggai
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Glad you were so keen on Throne of Blood, Mike. The other two Kurosawa films you mentioned, along with this one, are my three favorites by him, the ones that rate 10 out of 10 for me. I should revisit Throne one of these days pretty soon. I think it's Mifune's best performance, and Chiaki is also excellent, but there's also a third great performance in there, in Isuzu Yamada's Lady Macbeth role. She's also great in Kurosawa's version of The Lower Depths, from the same year. Two from much earlier in her career that I'd really like to see were made when she was less than 20 years old, a pair of Mizoguchi's most famous films: Osaka Elegy and Sisters of the Gion.

Regarding Phantom Menace, the young boy was actually playing Anakin Skywalker, not Luke...not that it matters all that much, as I agree that Episodes I and II pretty much suck. The main problem I have with them is that they seem to have been written like Star Wars fan fiction, where characters and ideas related to the original trilogy are just haphazardly set up to sort of mirror the earlier films, with little or no concern for any storytelling of independent interest. And while Revenge of the Sith still has a lot of lousy writing, it was finally one where I felt some real character-based connections with the original trilogy, so I felt it succeeded at least on that basis.

Interesting that you ended up watching Brokeback and Midnight Cowboy on the same day. I agree that MC is, as you say, largely a love story between two men, which does draw a connection with Brokeback, although the two movies are extremely different stylistically.


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Old 03-01-2006, 12:21 AM   #515 of 2071
Michael Elliott
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Oops about STAR WARS. :b I've only seen the originals three once back when they were re-released into theaters so perhaps that's why I had a hard time figuring out who everyone was. Either way, I thought the film needed a couple extra robots in the form of those MST3K guys.

The MC and BM same day thing was an accident but.... I agree the two films have very little in common since one deals with a sexual relationship while the other is something else. I've been discussing BM over at another forum and it's a damn shame all the jokes going around about the movie, which will cause a lot of people to stay away. I wish they hadn't pushed the gay thing too much because it is going to keep folks away plus I think it's a disservice to the film. It should have been sold as a great love story and not just a great, gay love story. I wrote those notes after seeing the film but several days later the film has really stuck with me.

I'm not sure which Kurosawa I'm going to try next. I've got around 50 foreign films lined up for the next month but they're all over the place. I was thinking about IKIRU or RAN. Before that I've got four lined up by a certain director since I promised Mario I'd watch them. I'm about a year late but better late than never.


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Old 03-01-2006, 12:36 AM   #516 of 2071
Haggai
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I actually think MC and BM do have something fairly central in common, in terms of the intimate relationship that develops between two men, but they deal with that concept in very different ways.

Tough to go too wrong with Kurosawa...I've seen a couple of his that I didn't care for too much (Kagemusha and Red Beard), but everything else I've seen by him is great, Ikiru and Ran certainly included. In case you find yourself in the mood for something kind of light-hearted in the midst of your foreign invasion, you could turn to The Hidden Fortress, a great rousing adventure that doesn't pretend to be more than what it is. I think that one was his most popular movie in Japan, actually.


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Old 03-01-2006, 10:21 AM   #517 of 2071
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An Unmarried Woman (1977)

Viewed 2/20/2006 (first viewing)

Paul Mazursky Oscar-nominated film about a woman forced to go it alone after her husband up and leaves her. Solid drama anchored by Jill Clayburgh's lead performance, but the scenario has been replayed so often since that the movie now seems trite.

out of


Zombie Honeymoon (2005)

Viewed 2/21/2006 (first viewing)

A young couple's marriage is put to the test when the husband is zombified after being barfed on by an undead beach bum. Till death do us part? Not entirely successful, but a good try at something different, sort of a Cronenberg/Romero hybrid.

out of


Ultimate Avengers (2005)

Viewed 2/21/2006 (first viewing)

Animated adaptation of Marvel Comics' Ultimates comic book. The Ultimates are the Avengers of an alternate Earth and the book is written in a more serious and realistic manner. The movie is entertaining, if watered down (though still not for the kiddies).

out of


Proof (2005)

Viewed 2/21/2006 (first viewing)

Intriguing drama about the daughter of a famous mathematician who may have inherited his genius as well as his insanity. Gwyneth Paltrow pretty much carries this one on her own.

out of


The Weather Man (2005)

Viewed 2/21/2006 (first viewing)

Pretty good drama has Nic Cage as a divorced tv weather man trying to straighten out his life. Can he reconnect with his dysfunctional kids and get back together with his wife?

out of


The Night of the Following Day (1969)

Viewed 2/21/2006 (first viewing)

Cultish crime drama finds kidnapper Marlon Brando saddled with unprofessional colleagues. Should he bail out on his latest venture or leave the victim to the whims of his demented partners?

out of


The Bitter Tea of General Yen (1932)

Viwed 2/22/2006 (first viewing)

Offbeat drama from Frank Capra stars Barbara Stanwyck as a missionary who more or less falls for a beguiling Chinese warlord.

out of


Father and Son (2003)

Viewed 2/22/2006 (first viewing)

Somber, reflective drama (from the director of Russian Ark) about the intense relationship between a father and son.

out of


Eros (2004)

Viewed 2/23/2006 (first viewing)

Anthology film exploring various facets of love. Wong Kar-Wai's tale of a tailor's (mostly) unrequited love for a prostitute is by far the best. Unfortunately Steven Soderbergh and Michelangelo Antonioni offer up jokey and obtuse stories that, while aesthetically-pleasing, weigh the film down.

out of


Flowers of Shanghai (1998)

Viewed 2/23/2006 (first viewing)

Captivating drama from Hsiao-hsien Hou follows the lives and loves of various Hong Kong "flowers" (prostitutes). Very much a chamber drama but worth the while if you've the patience for this sort of thing.

out of


Teorema (1968)

Viewed 2/24/2006 (first viewing)

Pier Paolo Pasolini's potent fable about a stranger who seduces the members of an uptight bourgeois family, causing them to reevaluate their lives.

out of


The Saphead (1920)

Viewed 2/25/2006 (first viewing)

Buster Keaton feature has the comedian playing the bored, spoiled scion of a wealthy New York family who seeks adventure in all the wrong places. Funny film jumpstarted Keaton's career.

out of


The High Sign (1921)

Viwed 2/25/2006 (first viewing)

Hilarious slapstick short has Buster Keaton getting involved with a secret society of villains known as the Blinking Buzzards. The booby-trapped mansion climax is tops.

out of


One Week (1921)

Viewed 2/25/2006 (first viewing)

Another top o' the line Buster Keaton short. This one has Buster and his bride trying to put together a prefabricated house while trying to fend off the advances of her ex-boyfriend.

out of


Funny Games (1998)

Viewed 2/26/2006 (first viewing)

Michael Haneke's disturbing tale of home invasion. Not really all that original, but it is pointedly manipulative and Haneke refuses to give the audience any relief.

out of


Lila Says (2004)

Viewed 2/27/2006 (first viewing)

Solid coming of age film about a young Arab living in post-9/11 Marseilles who becomes infatuated with a sexually-adventurous French girl.

out of


My Mother Likes Women (2005)

Viewed 2/27/2006 (first viewing)

Three sisters are shocked by their divorced mother's new love interest: a woman half her age! They then contrive to break up the affair... Pretty much a Hollywood comedy by way of Spain - everything is wrapped with a pretty bow at film's end - but Leonor Watling's charming performance as the most neurotic of the sisters makes for an engaging viewing.

out of