Quote:
|
Someone a while back told me that if you see lens flares (like on car lights) that the movie was shot anamorphically
|
Not exactly. You can get flares from any lens, but there's a certain type of lens flare that's typical of anamorphic lenses. It's a wide horizontal streak; for numerous examples, see
Die Hard or
Punch-Drunk Love, in both of which the directors and cinematographers seem to have deliberately incorporated them into the visual fabric of the film.
Quote:
|
Also, why are there some super 35 movies with a lot of lower frame information (dogma, kalifornia, terminator 3) and with some it just seems like they took the bars off the top and bottom (matrix 2 and 3, lord of the rings trillogy).
|
There are a different ways to derive the theatrical framing from a Super35 negative. That's up to the filmmakers.
PREEMPTIVE WARNING: Diatribes about the supposed "evils" or "inferiority" of Super35 have been thoroughly aired in previous threads (at least one of them in the Software Archive). It's a dead issue and off-topic for this thread.
M.