[Steve Christou]

A poll by 44,000 Classic FM radio listeners has voted Howard Shore's Lord of the Rings score, best movie soundtrack of all time, for the 2nd year running. Here is the top 50.

01 The Lord of the Rings, Howard Shore
02 Gladiator, Hans Zimmer/Lisa Gerrard
03 Star Wars, John Williams
04 Schindler’s List, John Williams
05 Out of Africa, John Barry/Mozart
06 The Mission, Ennio Morricone
07 Titanic, James Horner
08 Dances with Wolves, John Barry
09 Lawrence of Arabia, Maurice Jarre
10 Jurassic Park, John Williams.

11 Gone with the Wind, Max Steiner
12 Harry Potter, John Williams
13 The Piano, Michael Nyman
14 The Magnificent Seven, Elmer Bernstein
15 Brief Encounter, Sergei Rachmaninov
16 Doctor Zhivago, Maurice Jarre
17 West Side Story, Leonard Bernstein
18 Amadeus, Mozart
19 Saving Private Ryan, John Williams
20 Braveheart, James Horner.

21 Blade Runner, Vangelis
22 Last of the Mohicans, Trevor Jones
23 Chariots of Fire, Vangelis
24 Indiana Jones, John Williams
25 The Godfather, Nino Rota
26 The Big Country, Jerome Moross
27 Death in Venice, Gustav Mahler
28 2001: A Space Odyssey, Richard Strauss
29 ET, John Williams
30 The Great Escape, Elmer Bernstein.

31 Fantasia, Various
32 Dangerous Moonlight (Warsaw Concerto), Richard Adinsell
33 The English Patient, Gabriel Yared
34 The World is Not Enough, David Arnold
35 The Hours, Philip Glass
36 Once Upon a Time in The West, Ennio Morricone
37 The Shawshank Redemption, Mozart/Thomas Newman
38 The Third Man, Anton Karas
39 Platoon, Samuel Barber
40 The Dambusters, Eric Coates.

41 The Deer Hunter, Stanley Myers
42 The Good the Bad and the Ugly, Ennio Morricone
43 Star Trek, Jerry Goldsmith
44 Once Upon A Time in America, Ennio Morricone
45 Sense and Sensibility, Patrick Doyle
46 Edward Scissorhands, Danny Elfman
47 Ben Hur, Miklos Rosza
48 Amelie, Yann Tiersen
49 1492: Conquest of Paradise, Vangelis
50 Much Ado about Nothing, Patrick Doyle.

Here we go again, lots of favorites in the list, nice to see good ol' Wolfgang Amadeus in there somewhere.
John Williams famous Jaws theme is missing again, oh for shame!
Wait a minute where the hell is the great Bernard Herrmann on the list? Gaah! That's it I'm outta here [slams door].

[Kirk Tsai]

I remember when they announced last year's poll, as well as the HTF reaction thread. I would not shed a tear if they decided to never host this poll again.


To put these lists to shame (remember that EW soundtrack list?), I wish an organization such as the Film Music Society, or even Film Score Monthly, would assemble an "essentials" type of list for the general movie/music audience. No doubt it would be more comprehensive and well balanced, as well as being a better acknowledgment to the unappreciated art of film scoring. Imagine anyone writing about The Adventures of Robin Hood and not mentioning Korngold's score. Impossible? Not so even in the distinguished hands of Mr. Ebert.

[Daniel J.S.]

Ugh, there is no way Shore's score is better than Prokofiev's Alexander Nevsky score. It's one of the only film scores in the concert repertoire (thanks to the cantata Prokofiev derived from it), which should tell you something. That it's not even on the list, let alone it's rightful spot as #1, is a farce.

EDIT
I just noticed that this was an FM radio poll; no wonder the voters were completely ignorant of the Prokofiev score. I agree with the above post: these lists should be left to the experts.

[Eric Peterson]

What a freakin' joke? Who did they poll for this?

Bernard Herrmann (Arguably the greatest film composer of all-time) is completely absent. I consider myself a big fan of music scores and especially classic movies, but there's only a handful of these that I own or ever intend on owning.

A small sampling Hermann's genius scores.

• Citizen Kane
• Magnificent Ambersons
• Devil & Daniel Webster
• Vertigo
• North By Northwest
• Psycho
• The Day the Earth Stood Still
• The 3 Worlds of Gulliver
• Fahrenheit 451
• Taxi Driver

[george kaplan]

I too noticed the complete absence of Hermann. Pathetic. Yes there are some good soundtracks on there, but the top 50 of all time. Not even close.

[Lew Crippen]

I commented last time.

It is pretty clear that polling the same people will lead to the same results.

[DeeF]

I suppose the moniker "soundtrack" is pretty loaded. It could refer to the score, or to the score plus sound effects, or these plus the soundstage, or perhaps it's referring mostly to how the movie's sound has been transferred to a separate recording, and how well it works in its new medium, or how well it sounds over FM, or... you see the point.

Many great scores are missing, including those of Herrmann, but I don't see Aaron Copland there either, arguably the greatest U.S. composer of the 20th Century. At least 2 of his scores are defensively great, The Red Pony and The Heiress.

Speaking of great scores, anybody note the music/soundstage of the recent movie Punch-Drunk Love? There was never a better use of music in a movie.

[Steve Christou]

Quote:

these lists should be left to the experts.

And if it was left to the so-called experts, would there be many film scores that regular movie-goers have actually heard of in that list? Which would make the list pointless wouldn't you say? I've never heard of the Alexander Nevsky score, should I hide my head in shame?

I'd be far more upset that Jaws or Vertigo isn't up there, than something only a handful of people have heard.

Never mind Nevsky where's Basil Poledouris excellent score for Conan The Barbarian? Oh I give up!

[Walter Kittel]

It depends upon the point of the list, doesn't it? Since it is a poll, obviously it is going to reflect the tastes and experience of the respondents. An expert's list would be more representative of the 'Greatest Soundtracks' and would provide those who wish to expand their horizons with a better list of candidates with which to acquaint themselves. ( If that is the point of the list. )

I'm not surprised by the list and its preponderence of 'recent' films, relatively speaking. There are some good choices, but in addition to Korngold and Hermann, I would have liked to have seen at least one selection from Franz Waxman. ( Nice to see Steiner and Moross on the list though. )

- Walter.

[Lou Sytsma]

Still one would think the listeners of a Classic FM station would be more discerning that if the poll had been done at a pop or rock station.

[Rob Gillespie]

The top of the list are all the big sweeping 'epic' sounding scores. The ones that whisk you up and pound you with grandeur.

I love 'em, and I have no qualms about admitting it. Shore's Fellowship was the single best orchestral score I'd heard in the last twenty years.

Quote:

I too noticed the complete absence of Hermann. Pathetic

While I love Hermann's work within the context of the films I have little patience with them on CD. Since the poll is from a popular radio channel, I imagine the 'standalone' quality of track rides pretty high on the agenda.

Quote:

Ugh, there is no way Shore's score is better than Prokfiev's Alexander Nevsky score.... That it's not even on the list, let alone it's rightful spot as #1, is a farce.

Maybe so, but people aren't going to vote for something they've never heard (of).