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[ Sight and Sound (2002) Greatest Films Club ]

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Old 05-02-2003, 07:27 PM   #331 of 3734
John^Lal
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I just saw Notorious, and thought it was a really good movie. I can't think well enough right now to go into detail because i am so tired, but i think i will give Notorious an A that raises my # to 61
Lew, FYI, i just saw Yojimbo also. i thought it was a great movie, and before watching it i seriously thought it was on this list. oh well. I still see things i don't like but this time, as was the case in Seven Samurai, it barely hampered it's acomplisment A



My Top 20
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S&S film club, seen 74, last one(s) Once Upon a Time in a America (A), Jules et Jim (C), A Bout de Souffle (B-)
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Old 05-02-2003, 08:14 PM   #332 of 3734
OcieB
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I also saw Notorious(A) and Yojimbo(A) with John. Notorious was very entertaining and had some brilliant camera work. Yojimbo was pretty awesome. i love Kurosawa's rich dialogue in this one, as well as most of his others; and it certainly was better than the remake Last Man Standing(F-). I didn't think it was as good as Rashomon(A+), though. This brings me to 48.



S&S Greatest Films Club: 60 viewed. Last Viewed: L\'Avventura(B+)
in no particular order: my top 20
my DVD collection
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Old 05-03-2003, 11:43 AM   #333 of 3734
Arman
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Old 05-03-2003, 04:58 PM   #334 of 3734
Nick C.
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caught a couple Antonioni pictures, and finally Hitchcock's Psycho... never got into the Antonioni films, just too art influenced, too careless character->empathy for my tastes

anyhow, my count's at 95, expecting to watch some Bresson and Bunuel these upcoming weeks



later Pooh...
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Old 05-04-2003, 01:19 PM   #335 of 3734
Lew Crippen
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Marnie brings my total to 93.

One of Hitchcock’s deeply disturbing studies of sexual power and dysfunction.
Spoiler:
I was interested to learn in the extras on the DVD that one early screenwriter was disappointed to have the male rival for Marnie’s affections (that is if she had any) eliminated from the screenplay and even more interested to learn that Evan Hunter (another screenwriter) had been fired after he strongly suggested that the rape during the honeymoon be eliminated. I am always disturbed by the rape scene and I’m sure that Hitchcock wanted the audience to be ambivalent towards the Sean Connery character.



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Old 05-04-2003, 05:56 PM   #336 of 3734
Matt<>Broon
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Well I've just finished watching Dreyer's Ordet.

I was very impressed by the film all in all although frankly I did begin to find it dragging about half way through.

It picked up again though and I can see why it's rightly regarded as a cinematic masterpiece.

Certain scenes will doubtless remain indelibly printed upon my mind. For example the scene of the father crying out for his son on the dunes as well as pretty much every scene with the riveting Johannes in. He reminded me very much of Nosferatu in the classic B&W film of the same name, with many similar mannerisms and an almost equal sense of being alien to the world around him.

Ordet receives a straight A from me. Not quite an A+.

Once I feel a little less emotionally drained I shall tackle Gertrud or possibly Day of Wrath. (Thank you Criterion).



S&S Greatest Films Club: 116 seen. Last Film: Un Chien andalou
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Old 05-05-2003, 01:00 AM   #337 of 3734
Kirk Tsai
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139 was The Passion of Joan of Arc. This is a stunning film in almost any way I can think of. Most important of all is probably the performance of Maria Falconetti. So many of the shots are closeups on her face, and she seems to be both expressive and not so at the same time. I wonder how tiring it must have been to act emotionally so close to the camera.

The reaction shots to Falconetti are also superb. Outrage, anger, fear, calculation, admiration, and so on are all beautifully expressed. There are shots of flying birds during the finale, and it somehow captures the mood perfectly, too. I saw the film with the Voices of Light piece, very powerful.
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Old 05-05-2003, 09:01 AM   #338 of 3734
Lew Crippen
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La Strada brings my total to 94.

Great movie—one which sets the stage for the masterpieces of Fellini’s middle period.



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Old 05-06-2003, 09:20 AM   #339 of 3734
Lew Crippen
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Le Mépris or Contempt as it is better known in the States is Jean-Luc Godard’s single foray into mainstream (Hollywood) filmmaking.

The Criterion 2-disk DVD is well worth a purchase, with some choice extras: a discussion with Godard and Fritz Lang (who acts in the film) plus an informative interview with cinematographer Raoul Coutard.

And the best demonstration I’ve ever seen of the difference between a P&S and OAR format.



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Old 05-06-2003, 03:02 PM   #340 of 3734
Brook K
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But did you like it?


Watched Spirited Away again and will finally watch the Criterion Rashomon soon, but I think it will still be awhile before I watch anything I haven't already seen from the poll. I don't have anything coming from Netflix for a couple of months and Solaris and Contempt are near the bottom of my unwatched pile.



Yes, Captain Hammer's here, hair blowing in the breeze. The day needs my saving expertise! - Captain Hammer, Corporate Tool

2002 Sight & Sound Challenge: 314 Last Watched: An Autumn Afternoon

Last 10 Films Watched:
Mon Oncle Antoine - B / Late Autumn - A-
Paranoid Park - B / An Autumn Afternoon - A
Forgetting Sarah Marshall - B / Run, Fatboy, Run - B
Get Smart - C- / Rendition - B-
Springtime in a Small Town - B+ / Evan Almighty - C


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Old 05-07-2003, 07:03 AM   #341 of 3734
Matt<>Broon
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Watched Gertrud (Very nice I'll give her A-) & Day of Wrath (A+) both by Dreyer.

Funnily enough I came to the exact opposite conclusion to Arman in that I preferred the latter film.

There's clearly no accounting for taste.



S&S Greatest Films Club: 116 seen. Last Film: Un Chien andalou
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