Next (Blu-Ray)
Studio: Paramount Home Video
Rated: PG13 (Intense sequences of violent action and some language)
Aspect Ratio: 2.35:1
HD Encoding: 1080p
HD Video Codec: MPEG-4 AVC
Audio: English 5.1 PCM Uncompressed; English, Spanish 5.1 Dolby Digital, French Dolby Digital 2.0
Subtitles: English, French, Spanish, Portuguese; English SDH+
Time: 96 minutes
Disc Format: 1 SS/SL BD
Case Style: Keep case
Theatrical Release Date: 2007
Blu-Ray Release Date: May 20, 2008
NOTE: Paramount is in the process of re-releasing a bunch of titles on Blu-Ray that are already out on HD-DVD. Since I have done the HD-DVD reviews, I am utilizing the same review and making any necessary changes specific or different to the Blu-Ray release.
Cris Johnson (Nicholas Cage) has the ability to see two minutes in the future. He is using his power to star in a show as “Johnny Cadillac”, a Las Vegas show where he wows the audience with his feats of mentalism. When he needs some quick cash, he wanders into the casino and plays some blackjack. Cris has somehow come to the attention of FBI Special Agent Callie Ferris (Julianne Moore), who wants to use him and his power to avert a brewing terrorist plot to set off a nuke in Los Angeles. Cris has also been having visions of a girl who he will meet in a diner, and she will allow him to see two hours into the future. When Cris’s power shows him a casino robbery, he uses his ability to stop it, but it puts him on the run from casino security, and soon enough, Callie.
Cris’s power saves him from close calls to get him to his hideout and his friend Irv (an underused and unusual casting choice in Peter Falk). Soon enough, before Callie finds him (in one future), Cris splits. He figures his destiny is to meet Liz (Jessica Biel) in the diner, so he goes there. Liz walks in and the multiple scenes play out, with Cris eventually going with Liz to Arizona. Along the way, they stop at the Grand Canyon for Liz’s work and the pair finally hooks up. Callie is close behind and she explains to Cris why they need him after a couple big action pieces. Oh, did I mention there’s some goings on with the terrorists as they have figured out what Cris can do and they want to eliminate him so they may execute their sinister plot? After some soul searching and emotional turmoil, Cris makes a decision that may not only affect his life, but those close to him…and the entire world.
I was amazed to discover that this picture was based on a Phillip K. Dick story, and it was adapted by the same writer who adapted Dick’s stories to make
Total Recall and
Minority Report, Gary Goldman. Not only is this the weakest of three adaptations (if you want to lump them together), the plot closely resembles any given season of
24. While I watched the picture, I was hoping Jack Bauer was going to show up, kill Cris, and go after the terrorists himself. The idea of “cogging”, as Cage calls it in one of the bonus features, is standard sci-fi stuff, and Goldman and director Lee Tamahori, really don’t add much to the drama. At a very lean 96 minutes, the picture could have very easily spent an extra few minutes to flesh out the supporting characters and give them a bit more depth (especially the curious use of Peter Falk’s Irv, Moore’s Clarice Starling-in-training Callie, and the terrorists). Tamahori, who is responsible for the Bond flick
Die Another Day and
xXx: State of the Union doesn’t seem to have gotten any better with his action scenes or his willingness to hang shots on his leading man. Cage does his usual emotive gesture of peaking his eyebrows and making his eyes look oh-so-soulful, but it only comes off as wimpy. I could continue to go on about the problems with this picture, but I’d hate to subject you to such vitriol.
Video:
Note: I am watching this title using a Marantz VP 11-S1 DLP projector, which has a native resolution of 1080p. I am using a Sony Playstation 3 Blu-Ray player while a Denon 3808CI does the switching and pass through of the video signal. I am utilizing the HDMI capabilities of each piece of equipment.
Next is encoded in the MPEG-4 AVC codec at 1080p with a 2.35:1 aspect ratio. The video presentation is solid, but not spectacular. Most every scene in the picture is very warm and seems almost bathed in golden light. When some outdoor scenes come up (such as when Chris makes an escape from the hotel), colors are rich and lifelike. Flesh tones are basically accurate, but tend to take on the influence of their surroundings quite easily. They also seem to show off the make-up on the actors, something I’m not sure Hollywood gets yet when it comes to HD home theater. Sharpness and detail are good, especially in close ups of the actors faces. Black levels were excellent, showing fairly good detail. Occasionally, the picture tends to show some depth, particularly in the Grand Canyon scenes, but otherwise, the picture lacks any real depth of field. This is a very recent picture, so I was not surprised to have an image that is perfectly clean and clear of any debris or dirt, edge enhancement is not noticed, nor were there any compression artifacts. There does not appear to be any differences between the BD and the HD-DVD discs.
Audio:
The uncompressed PCM 5.1 soundtrack was attained by the HDMI connection of the Sony Playstation 3 to the Denon 3808CI.
The uncompressed PCM 5.1 soundtrack is very well balanced between all the channels, encompassing the viewer in the soundstage. Fidelity is excellent producing a clean and clear presentation that is free from any distortion. Bass effects come alive in the action scenes, obviously, but they do not overshadow the rest of the soundtrack. Surrounds are very active when they pop up, again, during the actions scenes, but they are not too lively otherwise. The surrounds add a great sense of spaciousness to the soundstage. Voices are natural sounding but ADR is noticed in a couple scenes, even to the point of off syncing the track. The BD’s uncompressed PCM track is very similar, but it has a more robust sound, filling up the room slightly better than its Dolby TrueHD counterpart. The PCM track is certainly louder, but bass effects were more aggressive and fidelity and clarity is slightly improved. Between the two formats, the PCM track is the preferred one.
Bonus Material:
All bonus features are in HD.
Making the Best Next Thing (18:14): this piece is an EPK if I ever saw it. The production team and actors discuss their theories on fate, destiny and the fight we have between them. Curiously, Tamahori does not speak on any of the extras, but just about everyone else does.
The Next “Grand Idea” (6:51): cast and crew talk about the Grand Canyon scenes and the indigenous culture who reside there.
Visualizing the Next Move (7:46): pre-vis and the effects are highlighted here. I was hoping we’d get an explanation as to why the effects were so…noticeable in the feature, but that didn’t come up.
Two Minutes in the Future with Jessica Biel (2:27): Biel goes into depth (or as much as she can in two minutes) about if she’d choose to know her future if given the option. I will not ruin the surprise for you here.
Theatrical trailer.
One other cute thing I noticed is when I stopped the disc and the PS3 menu came back up, instead of it listing "BD-ROM" like it usually does, there is a thumbnail image of the
Next logo.
Conclusions:
A weak picture is coupled with a basic set of extras and an average video presentation. The uncompressed PCM soundtrack easily surpasses its Dolby TrueHD soundtrack leaving me to prefer this BD over the HD-DVD.
Also, what the hell was Julianne Moore doing slumming in this piece of shit! 
