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If you use your set primarily for 4:3 material, and plan to do so over the next couple years, then clearly a 4:3 set might be a better choice; no weird stretching, and you'll be able to pick up a rather large 4:3 set for pretty cheap. But DVD's (particularly anamorphic transfers) aren't going to look quite as sharp as on a widescreen, unless your TV has a 16:9 compression mode to focus the resolution on the center of the screen.
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I'm glad to hear someone say this, because it often seems overlooked in the discussion. Many HD 4:3 sets today seem able to do the "anamorphic squeeze", the result being larger black bars top & bottom compared to a 16:9 set (which might have none if the source is 1.77:1). But haven't we fans of widescreen movies been telling people all along "watch the movie, not the tv"; in other words, who cares about the black bars?
So in the end, if you save a couple hundred and get a larger 4:3 set (and you watch a good amount of 4:3 material, especially older movies), it doesn't seem like a bad way to go.
And yes, I know future TV programming is 16:9, but doesn't that get treated like an anamophic DVD i.e. given the "anamorphic squeeze"?
I always thought the wide sets had real cool appeal, but that the _need_ for them was overstated. I am, however, open to thoughtful correction (especially since I'll probably plunk down my $$ sometime in the future for an HD set).