Herb Kane

Jason... Great review!

I also agree that Hoffman deserved the award and Cruise should (at the very least), have been nominated. I also felt Hans Zimmer should have taken the statue for his work with the wonderful score. This is a great film that bests many of the “neurological wannabes” that have jumped on the bandwagon since its release.

I’ll be picking this one up for sure.

Herb.

My Top 25 Noirs:

25. 711 Ocean Drive (1950), 24. Odds Against Tomorrow (1959), 23. Desperate (1947), 22. Pushover (1954), 21. The Blue Dahlia (1946), 20. The File on Thelma Jordon (1949), 19. He Ran All the Way (1951), 18. The Asphalt Jungle (1950), 17. The Killing (1956), 16. I Walk Alone (1948), 15. They Live by Night (1948), 14. The Postman Always Rings Twice (1946), 13. The Narrow Margin (1952), 12. Kiss of Death (1947), 11. Conflict (1945), 10. Pickup on South Street (1953), 9. Where the Sidewalk Ends (1950), 8. Side Street (1950), 7. In a Lonely Place (1950), 6. Criss Cross (1949), 5. Angel Face (1952), 4. The Killers (1946), 3. Out of the Past (1947), 2. Double Indemnity (1944) and 1. The Maltese Falcon (1941)


Projector ISF calibrated by Gregg Loewen at www.lionav.com