Re: The Eternal Beatles Discussion Thread
I first got into The Beatles in 1993 when The Red and The Blue albums were released for the first time on CD. I became obsessed, started reading up on the group, and memorizing statestics for their albums and songs (hanging out in a bar one night, I challenged my friend to name all 20 #1 American hits...natch, he couldn't do it, the wanker).
During this time, I also discovered Manson, and was always intrigued by the "coincidences" with Manson and The Beatles. For example: Maxwell's Silver Hammer is very telling of the Manson Family trial. Rose and Valerie, screaming from the gallery, Maxwell must go free... - during the trial, Manson's girls often interrupted the trial by yelling out. Could be art imitating life ("Maxwell" was written before the Manson murders), or it could be life imitating art (the girls knew the song in 1969, then acted out during the trial to mimick the record). Irregardless, Beatles tracks like Sexy Sadie are eerie because of the Manson angle.
The Beatles...what a bunch of Moes. Oh, what life could have been like if they had not been so good. I believe their manager, Brian Epstein, did miracles for this band, as he managed to promote the hell out of them. In the very beginning, The Beatles were really no different from other british bands of 1961 or 1962. But because of expert managing, the Beatles rose above them all. With their "mop tops," they did adapt The Three Stooges Moe Howard's hair-style. Nobody made fun of them because they were very good. Had they not been, who knows. Speaking of their hair-styles in the early 60's, I'm surprised this wasn't covered on the Beatles Anthology.