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I'm sorry if this already has been asked but if these Stooges collections are selling really well and they're remastered in high definition is there a chance they will be released on Blu-ray soon? I'm not trying to turn it into an Blu-ray discussion, but I was just curious about it.
Never go out with anyone who thinks Fellini is a type of cheese
My Blu-Ray/DVD Collection
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I just picked it up at Best Buy, but haven't yet had a chance to play any of the discs.
Harry
My DVD CollectionA fugitive moves on, through anguished tunnels of time, down dim streets, into dark corners. And each new day offers fear and frustration, tastes of honey and hemlock. But if there is a hazard, there is also hope. - Closing narration to THE FUGITIVE, "Death Is The Door Prize".
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ahollis
- Allen Hollis
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- online
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Watched the two 3D shorts earlier. Not a bad processes and I saw very defiant 3D effects that came out good. The opening was priceless.
I have never seen either of the two shorts in 3D or in 2D and enjoyed them, in fact, I can not remember seeing any of these shorts so this collection is going to be a very happy experience. But a couple of the shorts seem a little soft.
“For God's sake don't say yes until I've finished talking.” - Daryl F. Zanuck
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For reference, the first disc is all standard 1.37:1 width.
Disc Two starts with "Spooks!" and "Pardon My Backfire" presented first in 2-D and then 3-D. Both are widescreen 1.85:1 ratio.
Then there are two academy ratio (1.37:1) shorts, and all the rest on Disc Two are widescreen (1.85:1).
Harry
My DVD CollectionA fugitive moves on, through anguished tunnels of time, down dim streets, into dark corners. And each new day offers fear and frustration, tastes of honey and hemlock. But if there is a hazard, there is also hope. - Closing narration to THE FUGITIVE, "Death Is The Door Prize".
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Ronald Epstein
- Ronald Epstein
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- offline
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Sony is continuing to monitor the feedback our members
provide. Grover Crisp, VP of Asset Management and Film
Restoration for the studio has asked me to post this on his
behalf:
Quote:
We are well aware of how this particular short looks framed for 1.85. There are, indeed, shots that are tight as has been mentioned, but there are many shots where this is not the case. This short needs to be seen moving, like all movies. Whether or not the film was shot entirely for projection at 1.85 or not, the film was unequivically intended to be shown by the studio widescreen and that is how it was released to theatres. So, we decided to take the most historically accurate approach for this DVD as we have all along and release it widescreen as originally shown. We could have taken liberties with the framing here and there during the transfer to basically make it look more like the whole film was framed wide, but that would not have been a very accurate or authentic way to do it, and, frankly, would have been a bit of a cheat. The main title sequence was created for widescreen for the initial theatrical release, as will be obvious, and when it is framed and lined-up for normal transfer and let it go, some shots are tight, many not, and that is the way it was shown. We don't think it is any less funny because of it.
Ronald J EpsteinHome Theater Forum co-ownerEmail me at:
repstein@hometheaterforum.com To View My Massive DVD Collection
Click Here
HTF Rules and Regulations
- Joined: January 2003
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Ok, so according to Grover Crisp, fixing framing issues in Goof on the Roof would be "cheating", and not "historically accurate", nor "authentic"..
It is a shame the studio hadn't taken the historically accurate stance when it came to pitch-tweaking the audio during the climactic chase scene in "The Hot Scots"!
The film ran fast and the audio should have run fast, as well. The scene plays properly in "Scotched in Scotland", though, which is, indeed, historically accurate.
"A jerk with a quirk may do the work. Or,
a turk with a dirk may stick a clerk!"
-Shemp Howard in "Blunder Boys"