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I have not received a review copy of either set as of this instant (haven't gotten home to see if the Fedex fairies have visited my house today or not.)
Regards,
Ken McAlinden
Livonia, MI USA
- Joined: February 2001
- Location: Livonia, MI USA
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I received my review copy of the set late yesterday along with the Karloff/Lugosi set and two other titles. I may have a tough time getting through it all before street date, but in the meantime, I would be happy to answer any questions in this thread.
Regards,
Ken McAlinden
Livonia, MI USA
- Joined: February 2001
- Location: Livonia, MI USA
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All six films have English SDH and French subtitle streams. No subtitles on the vintage shorts, though.
Regards,
Ken McAlinden
Livonia, MI USA
- Joined: February 2001
- Location: Livonia, MI USA
- Post Count: 5,476
Here is my in-progress update (pre-review?), having watched the first four titles in the set so far [Thrill Of A Romance (1945), Fiesta (1947), This Time For Keeps (1947), and Pagan Love Song (1950)]. All are of reasonable quality for vintage Technicolor sourced materials. Thrill of Romance is by far the best of the bunch with deeply saturated colors, nicely balanced contrast, and only a few shots where regstration is a tiny bit off. Fiesta is the most visually problematic of the four, although it is by no means a disaster. It looks like a lot of work went into it, with different source issues noticeable to critical viewers depending on what reels you are watching. The first reel is the closest to unacceptable as there is unusually heavy high contrast edge ringing (not limited to titles/opticals) that does not look source-related. Fortunately, this does not continue through the rest of the film. This Time for Keeps is very good although not as consistent in its color and density as Thrill of Romance. Pagan Love Song is not quite as sharp as the others with possibly a bit more fading.
Audio wise, they all sound pretty similar (non-mag sources with light sporadic crackling and only mild noise reduction artifacts) except that there is a lot of "optical crackle" during portions of the first reel of Pagan Love Song, including during Howard Keel's first "House of Singing Bamboo" musical number. It sounds like they had to go with a lower generation source for this part of the film.
Regards,
Edited by Ken_McAlinden - 10/5/09 at 9:42am
Ken McAlinden
Livonia, MI USA
- Joined: February 2001
- Location: Livonia, MI USA
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MDM is next in the queue, so I will let you know after watching it tonight.
Quote:
Originally Posted by
Richard M S 
I am looking forward to your full review; thanks. I am especially interested in how MILLION DOLLAR MERMAID looks.
Ken McAlinden
Livonia, MI USA
- Joined: February 2001
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Million Dollar Mermaid looks very good, although the image is a touch softer, the grain is a bit coarser, and there are more (although not excessive) apparent instances of film element damage than for Thrill of Romance. Audio is the best so far.
Regards,
Ken McAlinden
Livonia, MI USA
- Joined: February 2001
- Location: Livonia, MI USA
- Post Count: 5,476
Easy to Love turned out to be one of the best looking titles in the set. There is a hint of contrast manipulation, but nothing severe. There were a couple of shots that looked like they had very slight "fringing". I may be wrong, but I do not think this was a three-strip Technicolor production. Those may be shots where YCM protection elements were used. The sound was the least noisy in the set. The high end sounds slightly rolled-off, and some of the musical numbers were recorded "hot" so you get some distortion when they get loud, but it is otherwise very good.
I will try to get the review written up by tomorrow (Thursday).
Regards,
Ken McAlinden
Livonia, MI USA
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Quote:
Originally Posted by
Ken_McAlinden
Easy to Love turned out to be one of the best looking titles in the set. There is a hint of contrast manipulation, but nothing severe. There were a couple of shots that looked like they had very slight "fringing". I may be wrong, but I do not think this was a three-strip Technicolor production. Those may be shots where YCM protection elements were used. The sound was the least noisy in the set. The high end sounds slightly rolled-off, and some of the musical numbers were recorded "hot" so you get some distortion when they get loud, but it is otherwise very good.
I will try to get the review written up by tomorrow (Thursday).
Regards,
This is good news for Easy To Love. I always thought the laserdisc looked dull and washed out I look forward to seeing it in a better presentation as this film is in my top three Esther Williams movies along with Million Dollar Mermaid and Dangerous When Wet.
Thanks for your observations.
“For God's sake don't say yes until I've finished talking.” - Daryl F. Zanuck
- Joined: February 2001
- Location: Livonia, MI USA
- Post Count: 5,476
I finally got my review posted. It should show up as a "related thread" and on the "related gear" page, both linked on the right side of this screen.
Regards,
Edited by Ken_McAlinden - 10/9/09 at 1:27pm
Ken McAlinden
Livonia, MI USA