Re: THX Cinema Mode Explained
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Originally Posted by JohnRice
One potential downside, depending on your priorities, is that THX skews the sub in favor of maximum output over maximum extension. Whether or not this is better depends on what you want and the capabilities of your system. It also used to re-equalize the high frequencies to compensate for soundtracks which are mixed for theaters rather than home. I don;t know if this still applies, since basically all home video material is now mastered for home use.
I have had a (full) THX certified receiver for about 10 years, and I haven't used the THX mode for probably 8. I actually don't use any processing modes. I listen to music in "Direct" mode and movies in their straight, unmodified DD or DTS modes. After the initial excitement wears off, I find post processing difficult to listen to.
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John, I think you're confusing THX processing in a prepro/receiver with the THX mode on some subwoofers, M&K being the main proponet that I can remember. The THX mode on those subwoofers would change the subsonic filter and probably apply some other equalization to faciliate meeting the THX requirements. THX didn't mandate a tradeoff of output over frequency extension, but a manufacturer, like M&K, who EQ'd some of their subs to an f3 of 20Hz, could retune that EQ to get that same sub to meet the THX output spec, which only called for extension down to 30Hz in the '90s. Today the THX output requirement extends down to 20Hz.
RE-EQ, the high frequency rolloff curve that was implemented to couteract the boosted highs a theater track exhibited at home, is user defeatable, but defaults to on when a THX mode is first engaged after powerup. Now that audio is frequently remixed for home release, this is no longer the "problem" it was in the '90s when THX standards were introduced and audio tracks were usually transferred straight without accounting for the difference between a theater and home environment. Thus, the mode is not locked on when THX processing is selected. Interestingly, Audyssey RoomEQ's "standard" target curve dials in a similar high frequency rolloff when it measures and EQs a room. This "standard" target is defined for mixing stages by some movie audio mixing standards body. On the Onkyos, if you engage a THX mode and then deactivate RE-EQ, you then get the Audyssey "flat" target curve...no high frequency rolloffs.
The only LFE channel processing THX audio modes do is "boundary mode compensation". This was introduced with the "2" in Ultra2/Select2, I believe. It defaults to off and is selected independently of the THX mode, at least in Onkyo land. As the name implies, it's intended to help offset the boominess that can come from placing a sub too close to a wall(s). Audyssey will likely dial in a compensation of its own, but you can have THX U2/S2 processing without Audyssey and vice-versa.
To the OP's original question. Everybody should listen to the various modes and choose what they prefer. Since I can't see my 805's display, I used "blind testing" to decide on my preferred modes by cycling through the surround modes until I found the mode I consistently preferred. Only then would I check the display to see where I landed. For movies, that ended up being a THX mode a majority of the time...every once in a while, it would be a DPL II Movie mode, but THX modes are mostly just an extension of this so that's not too surprising. For DVD-A/SACD, I like THX Music mode, but for plain stereo sources, I prefer the stereo mode...expansion to 5.1/7.1 can be "interesting", but it quickly sounds gimmikcy IMO.
BTW, I also used this same blind sampling to decide on RE-EQ On/Off. Even though the rolloff is only a couple of dBs at 20kHz, I still consistenly pick "off", even on something like "Planet Earth" (Attenborough, of course) which doesn't have a lot of high frequency information to speak of.
As a final BTW, all of the THX modes and processing are explained on THX's site, just as Dolby and DTS also have text and graphs to show you what effects they're trying to accomplish with their various processing modes.
-Brent