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Track the Films You Watch (2009)

#841
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Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Michael Elliott
...
For those in the U.S. who want to get see a Tourneur short via TCM:

Wednesday, June 3, 2009

8:37am ET/5:37am PT Short Film: One Reel Wonders: Man In The Barn, The (1937)

Thanks, Michael. I know I liked ROMANCE OF RADIUM more than you did, but I remember you rated MAN IN THE BARN even higher than that, so I will be sure to tape this.
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#842
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Re: Track the Films You Watch (2009)

Ultimate Avengers 2: Rise of the Panther
This is the first time I ever seen this one. It is another movie I got for my birthday today. After enjoying the first part so much I couldn't wait to check this one out as well. Hoping I would enjoy it just as much as the first. And I was not disappointed at all... once again they did a very good job on this animated movie. I once again enjoyed every minute of it. Though there was a couple minor things in the story line that I didn't care much for. But I am thrilled I have it. I believe if you enjoyed the first one... you will enjoy this one as well. The Black Panther is one I have heard of before... but I never actually seen him in anything till now. I do like this character... very well done.
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#843
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Re: Track the Films You Watch (2009)

May Recap

46 films seen, 24 for the first time

Best films seen for the first time (out of )

Monsieur Hire 1/2
Palm Beach Story 1/2
Mad Detective 1/2
Badlands 1/2
Master and Commander: Far Side of the World
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#844
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Re: Track the Films You Watch (2009)

May Recap

14 new viewings
21 revisits

Best new discovery: 42nd Street
Worst new discovery: On the Town


I'm a bit surprised I squeezed in so many movies this month, as I've spent the entire last week (and probably all of this week) playing Final Fantasy XII. Interesting that both my best and worst picks are classic musicals.
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#845
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Re: Track the Films You Watch (2009)

MAY UPDATE

Lightest viewing month of the year. Partially because of a Memorial weekend bachelor party in Vegas (last of my group of friends is finally taking the plunge), partially because I just watch fewer movies these days for a multitude of reasons. I did end up with quite a bit of quality viewings this month.

Martin, glad to see you thought so highly of 42nd Street after disliking On the Town so much (a film I'm a fan of, though one I've probably watched fewer times than any other musical I own). I had never seen 42nd prior to buying it 9 years ago. I instantly fell in love with it and have watched it many times. Delivers on everything you'd want in a musical [quality numbers (despite Ruby Keeler's barely adequate pipes), singable songs, excellent dance numbers, just enough drama to move the plot along, and plenty of comedy (my favorite moment, and I'm not sure if this is intentionally or unintentionally comic, is the director's "You're coming back a star!" speech when he tells Ruby Keeler, who has never performed for an audience, that the whole success of the show and livelihoods of everyone associated with it depends on her, right before she's set to go on stage!)

Movies Watched: 22

Best 1st Viewing: Hobson's Choice (Just to add to Martin's comments, this is one of the best shot pure comedies I've ever seen. It should be shown in schools as an example of how to do everything associated with directing a picture masterfully.)

Honorable Mentions: The Phantom Carriage, The Big Parade, Brigadoon, The Insect Woman, Frost/Nixon, The Man Who Fell to Earth

2009 Films (Based on NY/LA Release)

Paul Blart: Mall Cop (2009, Steve Carr) (Blu-Ray Rent) - D-
Taken (2008, Pierre Morel) (Blu-Ray Rent) - B



2008 Films Viewed in '09 (Based on NY/LA Release)

Frost/Nixon (2008, Ron Howard) (Blu-Ray Rent) - B+
Last Chance Harvey (2008, Joel Hopkins) (Blu-Ray Rent) - B
The Reader (2008, Stephen Daldry) (Blu-Ray Rent) - C
The Secret Life of Bees (2008, Gina Prince-Bythewood) (Blu-Ray Rent) - B+
Valkyrie (2008, Bryan Singer) (Blu-Ray Rent) - B-
The Wrestler (2008, Darren Aranofsky) (Blu-Ray Rent) - B
Yes Man (2008, Peyton Reed) (Blu-Ray Rent) - C+



Pre-2008 Films Seen for the 1st Time

Bad Day at Black Rock (1955, John Sturges) (DVD Rent) - B+
The Big Parade (1925, King Vidor) (TCM DVR) - B+
Brigadoon (1954, Vincente Minelli) (DVD Rent) - B+
Father of the Bride (1950, Vincente Minnelli) (TCM DVR) - B+
Easter Parade (1948, Charles Walters) (DVD Rent) - B
Empire of Passion (1978, Nagisa Oshima) (DVD Rent) - B
Hobson's Choice (1954, David Lean) (DVD Rent) - A-
House of Bamboo (1955, Samuel Fuller) (DVD Rent) - B
The Insect Woman (1963, Shohei Imamura) (DVD Rent) - B+
The Man Who Fell to Earth (1976, Nicholas Roeg) (DVD Rent) - B+
The Phantom Carriage (1921, Victor Sjostrom) (DVR TCM) - A-
Séance (2000, Kiyoshi Kurosawa) (DVD Rent) - B-



Re-Visits (All DVD's owned unless otherwise noted)

Wall*E (2008, Andew Stanton) (Blu-Ray Own) - A-

2002 Sight & Sound Challenge: 320  Last Watched: Make Way For Tomorrow

Last 8 Films Watched:  The Big Red One: The Restoration - B+ / Porco Rosso - A / Vanishing Point - B+ / Public Enemies - C+ / Zombieland - B / Sorcerer - B+ / The Silences of the Palace - B+ / Bright Star - C

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#846
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Re: Track the Films You Watch (2009)

May Recap Total Seen: 119

Theatrical Viewing in RED

Best 1st Time Viewing: Star Trek, Golden Door

Also Notables: The King of Kong, We Need a Vacation, Choke, Leatherheads,

2009 Films

Star Trek (J.J. Abrams) (Cinema) 4/5

2008 Films Viewed in '09

Appaloosa (Ed Harris) (DVD, Library loan) 3/5
Baby Mama (Michael McCullers) (DVD, Library loan) 3/5
Be Kind Rewind (Michel Gondry) (DVD, Library loan) 3/5
Choke (Clark Gregg) (DVD, Library loan) 4/5
CSNY/ Déjà Vu (Bernard Shakey) (DVD, Library loan) 4/5
Expelled: No Intelligence Allowed (Nathan Frankowski) (DVD, Library loan) 2/5
Fly Me to the Moon (Ben Stassen) (DVD, Library loan) 2/5
Leatherheads (George Clooney) (DVD, Library loan) 4/5
Nim's Island (Mark Levin, Jennifer Flackett) (DVD, Library loan) 2/5
Space Chimps (Kirk DeMicco) (DVD, Library loan) 3/5
The Spirit (Frank Miller) (DVD, Library loan) 1/5
Star Wars: The Clone Wars (Dave Filoni) (DVD, Library loan) 3/5
The Tale of Despereaux (Sam Fell, Rob Stevenhagen) (DVD, Library loan) 3/5
Three Monkeys (Üç Maymun) (Nuri Bilge Ceylan) (Cinema) 2/5
What Happens in Vegas (Tom Vaughan) (DVD, Library loan) 3/5
The X Files: I Want to Believe (Chris Carter) (DVD, Library loan) 4/5

Pre-2008 Films Seen for the 1st Time


The Alley Cat (1941|Hugh Harman) (DVD, Library loan) 2/5
Block-Heads (1938|John G. Blystone) (DVD, Library loan) 3/5
Bratz (2007|Sean McNamara) (DVD, Library loan) 1/5
The Bride Came C.O.D. (1941|William Keighley) (DVD Rent) 3/5
California Split (1974|Robert Altman) (DVD, Library loan) 3/5
Captains of the Clouds (1942|Michael Curtiz) (DVD Rent) 3/5
Carnival of Rhythm (1941|Stanley Martin) (DVD Rent) 1/5
Charlie Bartlett (2007|Jon Poll) (DVD, Library loan) 3/5
Chickens Come Home (1931|James W. Horne) (DVD, Library loan) 3/5
The Chubbchubbs Save Xmas (2007|Cody Cameron) (DVD, Library loan) 2/5
Crazy Eights (2006|James K. Jones) (DVD, Library loan) 2/5
Crows Zero (Kurôzu Zero) (2007|Takashi Miike) (DVD, Own) 3/5
Dancing on the Ceiling (1937|Murray Roth) (DVD, Library loan) 2/5
The Discontented Canary (1934|uncredited) (DVD, Library loan) 2/5
Double Wedding (1937|Richard Thorpe) (DVD, Library loan) 3/5
Evelyn Prentice (1934|William K. Howard) (DVD, Library loan) 3/5
Forty Boys and a Song (1941|Irving Applebaum) (DVD, Library loan) 3/5
Four Jills in a Jeep (1944|William A. Seiter) (DVD, Library loan) 3/5
Fresh Hare (1942|uncredited) (DVD, Library loan) 2/5
Golden Door (Nuovomondo) (2006|Emanuele Crialese) (DVD, Library loan) 4/5
Good Luck Chuck (2007|Mark Helfrich) (DVD, Library loan) 2/5
Goofy Movies Number Three (1934|uncredited) (DVD, Library loan) 2/5
Goofy Movies Number Two (1934|uncredited) (DVD, Library loan) 2/5
The Hamiltons (2006|The Butcher Brothers) (DVD, Library loan) 3/5
Hello Frisco, Hello (1943|Bruce Humberstone) (DVD, Library loan) 3/5
Hollywood Cavalcade (1939|Irving Cummings, Malcom St. Clair) (DVD, Library loan) 3/5
Hollywood Hobbies (1939|George Sidney) (DVD, Library loan) 2/5
Home on the Range (1940|uncredited) (DVD, Library loan) 2/5
The Hospital (1971|Arthur Hiller) (DVD, Library loan) 3/5
The Hound and the Rabbit (1937|uncredited) (DVD, Library loan) 2/5
I Don't Know Jack (2002|Chris Leavens) (DVD, Own) 4/5
I Love You Again (1940|W.S. Van Dyke II) (DVD, Library loan) 3/5
I'll See You in My Dreams (1951|Michael Curtiz) (DVD Rent) 4/5
In This Our Life (1942|John Huston) (DVD, Library loan) 3/5
Jack Pot (1940|Roy Rowland) (DVD, Library loan) 2/5
Karla (2006|Joel Bender) (DVD Rent) 2/5
The King of Kong: A Fistful of Quarters (2007|Seth Gordon) (DVD, Library loan) 4/5
Letters from Iwo Jima (2006|Clint Eastwood) (DVD, Library loan) 3/5
The Libertine (2004|Laurence Dunmore) (DVD, Library loan) 3/5
License to Wed (2007|Ken Kwapis) (DVD, Library loan) 3/5
Little Man (2006|Keenen Ivory Wayans) (DVD, Library loan) 3/5
Love Crazy (1941|Jack Conway) (DVD, Library loan) 3/5
Lovelorn Leghorn (1951|Robert McKimson) (DVD, Library loan) 3/5
Manhattan Melodrama (1934|W.S. Van Dyke) (DVD, Library loan) 3/5
March On, America! (1942|uncredited) (DVD, Library loan) 2/5
The Marine (2006|John Bonito) (DVD, Library loan) 3/5
Married Life (2007|Ira Sachs) (DVD, Library loan) 3/5
Mongol (2007|Sergei Bodrov) (DVD, Library loan) 3/5
The Old Pioneer (1934|uncredited) (DVD, Library loan) 2/5
Panic in the Streets (1950|Elia Kazan) (DVD, Library loan) 3/5
Passionada (2002|Dan Ireland) (DVD, Library loan) 3/5
Play Dirty (1968|André De Toth) (DVD Rent) 2/5
Porky's Pooch (1941|uncredited) (DVD, Library loan) 2/5
The Purple Heart (1944|Lewis Milestone) (DVD, Library loan) 3/5
The Reckoning (2003|Paul McGuigan) (DVD, Library loan) 4/5
Reservation Road (2007|Terry George) (DVD, Library loan) 4/5
Rhapsody in Rivets (1941|uncredited) (DVD Rent) 3/5
Rocky Mountain Big Game (194?|uncredited) (DVD, Library loan) 2/5
The Romance of Astrea and Celadon (Les Amours d'Astrée et de Céladon) (2007|Eric Rohmer) (DVD, Library loan) 2/5
The Screen Director (1951|uncredited) (DVD, Library loan) 2/5
Shoot 'Em Up (2007|Michael Davis) (DVD, Library loan) 1/5
Spanish Fiesta (1942|Jean Negulesco) (DVD, Library loan) 2/5
Surf's Up (2007|Ash Brannon, Chris Buck) (DVD, Library loan) 2/5
Sydney White (2007|Joe Nussbaum) (DVD, Library loan) 2/5
Talk to Me (2007|Kasi Lemmons) (DVD, Library loan) 3/5
Tom Turkey and His Harmonica Humdingers (1940|uncredited) (DVD, Library loan) 2/5
The Transformers: The Movie (1986|Nelson Shin) (DVD, Library loan) 1/5
War (2007|Philip G. Atwell) (DVD, Library loan) 2/5
We Need a Vacation (Fais-Moi des Vacances) (2002|Didier Bivel) (DVD, Own) 4/5
What's Cookin' Doc? (1944|Robert Clampett) (DVD, Library loan) 3/5
Who's Who in the Zoo (1942|uncredited) (DVD, Library loan) 3/5
The Witman Boys (Witman Fiúk) (1997|János Szász) (DVD, Library loan) 2/5
Woman Is the Future of Man (Yeojaneun Namjaui Miraeda) (2004|Sang-soo Hong) (DVD, Own) 2/5
You Kill Me (2007|John Dahl) (DVD, Library loan) 3/5
You, Me and Dupree (2006|Anthony & Joe Russo) (DVD, Library loan) 3/5

Re-Visits

1900 (1976|Bernardo Bertolucci) (DVD, Own) 5/5
The Abandoned (2006|Nacho Cerdà) (DVD, Library loan) 3/5
All or Nothing (2002|Mike Leigh) (DVD, Own) 5/5
Allegro non Troppo (1977|Bruno Bozzetto) (DVD, Library loan) 3/5
The Barefoot Contessa (1954|Joseph L. Mankiewicz) (DVD, Library loan) 3/5
Battle Beneath the Earth (1967|Montgomery Tully) (DVD, Own) 2/5
Boom Town (1940|Jack Conway) (DVD, Library loan) 3/5
Burn! (Queimada) (1969|Gillo Pontecorvo) (DVD, Own) 3/5
The Chubbchubbs! (2002|Eric Armstrong) (DVD, Library loan) 3/5
The End (1978|Burt Reynolds) (DVD, Library loan) 2/5
Firestarter (1984|Mark L. Lester) (DVD, Library loan) 2/5
The Gauntlet (1977|Clint Eastwood) (DVD, Library loan) 3/5
Humoresque (1946|Jean Negulesco) (DVD, Library loan) 3/5
Hush...Hush, Sweet Charlotte (1964|Robert Aldrich) (DVD, Library loan) 3/5
I Don't Want to Sleep Alone (Hei Yan Quan) (2006|Ming-liang Tsai) (DVD, Own) 4/5
The Italian Job (1969|Peter Collinson) (DVD, Library loan) 3/5
Kwaidan (1964|Masaki Kobayashi) (DVD, Own) 4/5
Linda Linda Linda (2005|Nobuhiro Yamashita) (DVD, Library loan) 3/5
Marooned (1969|John Sturges) (DVD, Library loan) 3/5
Moon Zero Two (1969|Roy Ward Baker) (DVD, Own) 2/5
Pink Floyd The Wall (1982|Alan Parker) (DVD, Own) 5/5
Spider-Man 2 (2004|Sam Raimi) (DVD, Own) 3/5
Tarzan, the Ape Man (1981|John Derek) (DVD, Library loan) 2/5
Transformers (2007|Michael Bay) (DVD, Own) 3/5
The Ultimate Warrior (1975|Robert Clouse) (DVD, Own) 3/5
Way Out West (1937|James W. Horne) (DVD, Library loan) 4/5
Wild Child (L'enfant Sauvage) (1970|François Truffaut) (DVD Rent) 4/5

       

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#847
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Re: Track the Films You Watch (2009)

London By Night (1937) Wilhelm Thiele

Mystery film from MGM has London being stalked by a mad killer who uses an umbrella as his disguise to prevent being seen. A local reporter (George Murphy) links up with a rich woman (Rita Johnson) to try and figure out who the mysterious figure is. Apparently the working title of this film was THE UMBRELLA MAN was the working title for this film and that probably would have fit it a lot better. I've seen so many mysteries like this over the years to the point where I'm feeling there aren't too many out there left for me to watch. This one here is about middle ground as there's nothing too bad but there's nothing too good either. The one thing the director does get right is the atmosphere as the film has a very dark and fog filled look to it. This here is a major plus as is the casting of George Zucco in the role of a good guy. You don't get to see that very often so it was nice to see it here. He's pretty good in the role as is Virginia Field and Leo G. Carroll in their parts. I wasn't too interested in either league, which was one of the film's faults and I'd also say the identity of the killer was given away rather early even though the "secret" is held to the end. I think most will be able to figure things out. If, like me, you've seen the majority of these types of movies then you might as well check this one out as well. If you haven't seen too many of what the genre has to offer then there are many others you should check out before catching this one of TCM.

Bottle and the Throttle, The (1968) No Director Credited

Sid Davis produced this scare film that tries to show teenagers the dangers of driving. In the short a man and his girlfriend leave a beach party after only two beers and end up hitting a mother and her young child. Timothy Rarrell (GLEN OR GLENDA?) narrates this short and while I was expecting something campy the movie actually turned out to be pretty well made. You might get a chuckle out of the clothe styles or even the old fashioned beer cans but for the most part the film is well made and gets it message across. There's some animated footage used to show what alcohol does to the body and this too was well done. I've seen quite a few of these type of films and I must say this one did a very good job at breaking down what alcohol can do to the body. Farrell will be known by "Z" movie fans for such stuff as GLEN OR GLENDA?, JAIL BAIT, THE DEVIL'S SLEEP and TEST TUBE BABIES. This here was his last work in film.

Cassandra Crossing, The (1977) George P. Cosmatos

Sophia Loren, Richard Harris, Martin Sheen, O.J. Simpson, Lee Strasberg, Ava Gardner and Burt Lancaster pick up paychecks in this 70's disaster film that seems to have been forgotten over the years. Three terrorists try to blow up a hospital in Geneva but things go even worse when one comes into contact with a Bubonic Plague and escapes capture. The sick man then jumps on board a train and soon a government man (Lancaster) isn't going to let anyone off. A doctor (Harris) and his ex-wife (Loren) try to help those on board but things take an even bigger turn when they learn they have to cross a bridge that won't hold the weight of the train. It seems this film hasn't the reputation of some of the more popular disaster films, which is a little surprising because this here is a pretty good movie in its own right. Perhaps the government propaganda gets in the way for some but this was only one minor issue in the film. For the most part it featured some pretty fun performances, a tense story and an ending that I didn't see coming. Simpson as a preacher was pretty funny before the twist as was Sheen playing the boy-toy to Gardner. Gardner seems to be having the time of her life playing the diva and barking orders to the younger man. Both Loren and Harris turn in fine performances and I thought their melodrama actually worked pretty well. Lancaster plays a guy you really love to hate and he too delivers a fine performance. The film certainly deserves its R-rating as we also get some pretty graphic violence along the way so be sure you're not watching the edited down PG version. In the end I'm really not sure why this film seems to have been forgotten but fans of the genre will certainly want to check it out. While it's certainly more political than some of the films that came before it, there's still plenty here to enjoy.

27th Day, The (1957) William Asher

There were dozens and dozens of science fiction movies released throughout the 1950's and for everyone like THE DAY THE EARTH STOOD STILL you got at least ten "Z" movies like PLAN 9 FROM OUTER SPACE. The movie here seems to be forgotten even by the biggest sci-fi fans. I had personally never heard of the film, which is saying quite a bit because of the amount I read on various message boards. When sci-fi films were mentioned this one here never came up and that's a shame because it's a real gem. The film has an alien from a dying planet giving capsules to five people. These capsules have the power to destroy life on Earth, which would give the aliens a place to move. The humans can determine their fate but sure enough there are some bad people who want to use the capsules for their own gain even though they don't fully understand their power. During the decade people in this country were afraid of aliens from space and anything dealing with the Cold War so this movie combines both and makes a very entertaining movie out of it. There's really not too much "action" that goes on here and the monsters don't have four eyes or green bodies. Instead the monsters are pretty much certain humans who want to do bad in the world. The way the film makes this capsules so important and powerful was a nice move but so is the pay off at the end. The very final thing in the movie is a tad bit too preachy but the message is still there. Gene Barry, Valerie French, George Voskovec and Stefan Schnabel add nice performances as well. When people think of sci-fi from the 1950's it's doubtful they'll think of this movie but it's a real shame because here's a gem that needs to be rediscovered.

Houston Story, The (1956) William Castle

Gene Barry plays an ambitious oil worker who gets involved with a Mob boss (Edward Arnold) because he hopes to work his way up. Barry comes up with a way to steal about $5 million in oil each year but he soon learns there's always a way to get yourself knocked off. Here's another gem that rarely gets talk about and even though the thing starts to get dragged out towards the end, this is still highly entertaining. Castle is best known for his horror films but this is perhaps the best directed film I've seen from him. He does a great job with the visual style of the film and I'd also add that he handles all the action quite well. It certainly doesn't hurt that Barry turns in a remarkable performance. He is so incredibly good in the role and believable because you can't help but feel his desire to succeed in not only his body language but also his voice. You can even look into his eyes and see his passion for making money. Arnold is also very good in his supporting role of the Mob boss. Barbara Hale, Paul Richards and Jeanne Cooper are also good in their work. Apparently Lee J. Cobb started out in the lead role but suffered a heart attack so he can be seen in a few of the medium shots. Apparently Castle filled in for him during the long shots before Barry eventually took over the role. When people mention film noir this film often gets overlooked and while it's not a masterpiece of the genre it's still a very entertaining little gem that's worth checking out.

Man in the Iron Mask, The (1939) James Whale

During the 17th century France, King Louis XIII has twin sons but one is given away to his favorite musketeer, D'Artagnan (Warren William). The kept son grows up to be the evil King Louis IV (Louis Hayward) while the other grows up as the charming and kind hearted Philippe (Hayward). This Dumas tale is a very good looking film but I don't think it's a complete success and considering the director I have to call the movie an overall disappointment. Again, it's far from a bad movie and in fact it's a good one but when James Whale is your director I expect a little more. I was somewhat surprised to see how un-Whale like this movie was as we didn't get any of his typical style or humor. I think the movie could have used some of the humor as it pretty much stays away from the action and focuses on the romantic side of things with the future Queen played by Joan Bennett. The costume design and set design are both top notch as there's certainly a lot of eye candy on display. The performances are also a major plus, although I must admit to not caring too much for Hayward in the role of Louis. I thought he was much better at playing the charmer. William delivers a fine performance as does Bennett. Both Peter Cushing and Dwight Frye are in the film but I didn't spot either. In the end this is a handsome production but it's doubtful I'd ever go back and give it a second viewing.

Kiss Before the Mirror, The (1933) James Whale

An attorney (Frank Morgan) defends his best friend (Paul Lukas) accused of killing his wife (Gloria Stuart) after learning she's having an affair. The attorney soon discovers that his own wife (Nancy Carroll) is having an affair so the trial because a learning process so that he can discover whether or not he could get away with murder. Fans of the director will certainly want to check this film out as it features some of his typical comedy as well as stylish director. The film is a rather dark one about madness and this comes through with the performances. Some might call the performance of Lukas over the top but I see it as pure madness. The scene where he goes over what he has done before breaking down has a nice intensity to it. Several other scenes also have this including the final courtroom scenes as well as the opening murder. The opening murder sequence is brilliantly filmed by the director who makes this one of his most stylish scenes. The way the camera captures everything in a couple rooms then cuts to the outside looking in was very well handled. Whale also mixes in some black comedy with most of it coming from an unmarried woman working with the defense who makes several jokes about women being killed. Morgan and Carroll are both very good as is Stuart in her small role. Walter Pidgeon and Donald Cook play the lovers in the film. Fans of Whale's FRANKENSTEIN will also be very interested in watching this because this film uses the same sets as the horror classic. It's was rather funny seeing the jail cell being the same place that the monster was tied up. The village is the same and several sets take place inside Frankenstein's castle. Ted Billings, a bit player in FRANKENSTEIN and THE INVISIBLE MAN, appears here briefly. Whale would remake this five years later in WIVES UNDER SUSPICION.
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#848
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Re: Track the Films You Watch (2009)

May Recap

Movies seen: 21 (First timers: 18)
Average rating = 2.74/5
Median rating = 3/5


Not a lot of great first time movies this month, though I did get out to the theater to see the Trek movie, which was fun enough. So was "Australia", in an entirely different way (droooving cgi cattle, whee).

ALL RATINGS OUT OF (FIVE) STARS


First time viewings in bold.

5/03- Australia (2008)
5/06- Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008)
5/07- The Man Without a Past (Mies Vailla Menneisyyttä) (2003)
5/10- Bedtime Stories (2008)
5/11- Twilight (2008)
5/12- Nothing But the Truth (2008)
5/13- Valkyrie (2008)
5/15- Sideways (2004)
5/17- Elegy (2008)
5/17- After This Our Exile (Fu Zi) (2006)
5/18- Tyson (2009)
5/20- Yes Man (2008)
5/21- Seven Pounds (2008)
5/23- He's Just Not That Into You (2009)
5/24- Star Trek (2009)
5/26- Death of a Cyclist (Muerte de un Ciclista) (1955)
5/28- Paranoid Park (2008)
5/28- Shine a Light (2008)
5/29- The Uninvited (2009)
5/29- Star Trek II: The Wrath of Khan (1982)
5/31- The Exorcist (1973)


Favorites (first timers): Star Trek, Elegy

[Movie Rankings / Music / DVD Collection]
Films Watched By Date: [2010/09/08/07/06]
Film Lists: [2010/09/08/07/06/05/04]
Top 10s: [2009/08/07/06/05/04/03]
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#849
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Re: Track the Films You Watch (2009)

May Summary:

11 movies viewed

7 new viewings
4 rewatches

6 Bluray
5 DVD

Best New Movie: The Exterminating Angel
Best Rewatch: TIE Sunshine & The Host

Worst of the Month: TIE Surveillance 24/7 & The Killing of a Chinese Bookie (however both were 3 stars, so the "worst" isn't horrible this month...)

5/2 / Cowards Bend the Knee / 1 / DVD
5/2 / Starship Troopers / 3? / BD
5/8 / Surveillance 24/7 / 1 / DVD
5/9 / The Exterminating Angel / 1 / DVD
5/16 / 300 / 2 / BD
5/16 / The Road Warrior / 1 / BD
5/23 / Let the Right One In / 1 / BD
5/25 / Sunshine / 2 / BD
5/31 / The Killing of a Chinese Bookie / 1 / DVD
5/31 / Km 0 / 1 / DVD
5/31 / The Host / 3 / BD

...And then there's the guy who saw the sign that said "Wet Floor", so he did.

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#850
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Re: Track the Films You Watch (2009)

05/31/09

John Nesbitt’s Passing Parade No. 36: The Film That Was Lost (1942) (short) Dir: Sammy Lee
Production: MGM

Fascinating entry in the series looks at early efforts of film preservation. Apparently the realization of celluloid’s limited shelf life was dramatically beginning to reveal itself at the time. Film which had been used to record events and observations for scientific purposes was disintegrating in labs all across the country. So a film archive was set up at MoMA in NY. There old film was re-printed, something, it was expected, that would need to be done every twenty years. Of main interest in the short are numerous glimpses of film that was saved, old loops of newsreel film like a 30 second shot of a NY ‘el’ from 1899, a boxing match from 1901, or from the same year, an auto race on a dirt road that would eventually become Wilshire Boulevard, and clips of notable people like Edison, Woodrow Wilson, William Jennings Bryan, Czar Nicholas II, Rasputin and Queen Victoria, “one of the most valuable pieces of film known.”

out of 4



John Nesbitt’s Passing Parade No. 5: Angel of Mercy (1939) (short) Dir: Edward L. Cahn
Production: MGM

Amidst the restrictive, male-dominated Victorian era and background of the Civil War, Clara Barton endures ridicule and the dismissive attitude of men and women to combat the notion that injured soldiers lying on a battlefield for five days until they die should be a normal part of war. Once members of Clara’s “petticoat regiment” themselves start getting injured and dying from attacks on field hospitals, negative public reaction puts an end to her work. Years later a broken Clara is approached by an international agency to lobby the United States, the last holdout to sign a charter recognizing the Red Cross and its symbol. When Clara is forced to ask for the aid of the Canadian Red Cross during a disaster (which looks to be the Chicago fire), American sentiment is finally moved and the Red Cross is founded. As you can see, there is a lot of story in this short, it could have easily been a feature with someone like Irene Dunne or Rosalind Russell as Clara. Interesting as it is, though. A couple of ‘Andy Hardy’ regulars figure, with Sara Haden as Clara and Ann Rutherford as a young protégé.

out of 4



James A. FitzPatrick’s Traveltalks: Romantic Nevada (1943) (short)
Production: MGM

Opens with quite a scenic drive through Cave Rock which we see opens up into a rather stunning view of Lake Tahoe. Next, it’s to the north, and Pyramid Lake, which once covered over 8,000 square miles of land. When the lake receded, it left many fortunes in gold and silver deposits, much like the famous Comstock Mine in Virginia City, which we see is now reduced to a ghost town. Nevada’s low taxes and lenient divorce laws made it a popular destination for both fiscal and romantic deadbeats (Fitz’s scandalous numbers: nearly 20% of marriages end in divorce). Then to Reno, ‘the biggest little city in the world’, whose rise to chintzy prominence was predicated on its making a cottage industry of marriage and divorce. This entry is more tongue-in-cheek than others, it even has some staged action showing the divorce customs in Reno (newly single ladies kiss a courthouse pillar, others cast their obsolete wedding rings in a river). Then again, I’m not sure how you take 1940’s Reno seriously.

out of 4



The Explosive Generation (1961) Dir: Buzz Kulik
Production: Vega Productions/United Artists

The awesome power of the PTA is mobilized when a hip teacher opens up a classroom discussion with his high school students on….SEX! Following a wild, all-night party (alright, not really all that wild) where Janet Summers (Patty McCormack) and her boyfriend Dan Carlyle (Lee Kinsolving) come perilously close to doing it, Janet suggests, in the class of everyone’s favorite teacher, Mr. Gifford (William Shatner), that the number one issue among teens is sex. Seeing the kids’ obvious need to talk about some of their problems, Mr. Gifford decides to build a lesson around it. When word quickly spreads around to the outraged parents, Gifford is suspended. The kids then get together and plan to do some mobilizing of their own to save Mr. Gifford.

There is some, ahem, novice acting and it is not the most expensive looking production--this film should be easy to sneer at--but it treats the subject so sincerely and earnestly that it won me over. And you know, these are not antiquated issues for teenagers. Janet struggles with being pressured into having sex with her boyfriend. That’s the type of problem that is the most important thing in a girl’s life at that moment, at least she thinks it is. The film recognizes how important stuff like that is to kids and treats it as such. There are some sharp points about the hypocrisies of the parents (the overprotective ones alienate their kids, as do the neglectful ones) and the school’s rules about what is appropriate in a classroom (the kids can bring up religion, army, h-bomb, war, etc., but not sex). There is of course some unintentional hilarity. One of the girls has a nervous breakdown worthy of Bette Davis after it’s discovered she stayed out all night. Some of the authority figures are over the top unreasonable, presumably to pander to the teenage audience. But it’s a modest success overall and it has a pre-Shatner Shatner, if you follow me. A couple of other familiar faces as well--Edward Platt plays the principal, Beau Bridges is one of the students, Arch Johnson is a particularly outraged father and Virginia Field his wife. Billy Gray from THE DAY THE EARTH STOOD STILL has a good role as a rich kid whose car dealer father would rather buy his love with a new convertible. Director Kulik’s first film after a decade in TV.

out of 4
-----------------------------------------------
BUZZ KULIK – “Oddities, One-Shots, Newcomers”
The Explosive Generation (1961)



06/01/09

Yolanda and the Thief (1945) Dir: Vincente Minnelli
Production: MGM

A young woman raised in a convent comes of age, inherits a fortune, and is targeted by two con men. Yolanda Aquaviva (Lucille Bremer) has reached the age where she must take control of the Aquaviva empire, whose interests provide all of the essentials for the people of Patria. This makes her very, very rich, and it attracts the attention of two fugitive con men, Johnny Riggs (Fred Astaire) and Victor Trout (Frank Morgan), out to grift themselves a nice take. When Johnny spies an overwhelmed Yolanda praying for some guidance, he takes the opportunity to introduce himself as ‘Mr. Brown’, her actual, Heavenly guardian angel. From there it’s a cinch to get Yolanda to sign over her power of attorney (yes, that is the plan and it does work). But still, Victor’s warning to Johnny lingers--never try to cheat a beautiful woman, you always ruin it by falling in love…

Extravagant visually, but rather empty story-wise, the film is sort of considered the extreme example of Minnelli as a stylist, either to the detriment of the rest of the picture or as a saving grace to a story that wasn’t much to begin with. The Technicolor is sumptuous and each ornamental frame is dressed to capacity. But the songs (by Harry Warren and Arthur Freed) aren’t particularly memorable. Lucille Bremer doesn’t make much of an impression. Astaire could only be a con man in an MGM musical. Frank Morgan is his partner, like Victor Moore in SWING TIME (although there’s a distinction between those depression-era rascals and the wanted crooks played here, Astaire is plausible as the former, not so much the latter). Mildred Natwick as Yolanda’s aunt adds a little humor. Leon Ames is Mr. Candle, a suspicious character always hanging around that Johnny and Victor think they’re competing with. The standout moments are contained in a few of the musical numbers, starting with the wild surrealisms of “Will You Marry Me?”, a dream sequence where Johnny first ‘meets’ Yolanda and his conflicted state of mind about what he’s planning to do reveals itself. Then there’s “Coffee Time”, a number with Astaire and Bremer in good form, but the hook is they are dancing on a floor with some kind of trippy optical illusion. I had to watch it twice to get a handle on it. Despite the ‘insane plot’ (as Minnelli called it), the film is still memorable for its look if nothing else, which is at least some sort of accomplishment.

Note: A significant flop, made at nearly $2.5 million and lost more than half of that in its initial release, which is thought to have contributed to Astaire’s mini-retirement. The script was based on a short story co-written by Ludwig Bemelmans of ‘Madeline’ fame.

out of 4
-------------------------------------------
VINCENTE MINNELLI – “Far Side Of Paradise”
Yolanda and the Thief (1945) , The Pirate (1948)



Be Your Age (1926) (short) Dir: Leo McCarey
Production: Hal Roach Studios/Pathé Exchange

Charley Chase short. Charley plays a “bashful clerk” who needs to raise $10,000 quickly to send back home for his father’s broken leg, which happened when his father put out a fire that was started by the cook who was….whoops, that’s one of the better jokes. Anyway, Charley will do anything to raise the dough. His attorney boss gladly lends him the money which Charley dutifully mails home. All Charley has to do to pay it back, the attorney says, is marry the rich old widow who just walked out of the office and make sure the attorney gets to manage the estate. The humor comes from Charley’s awkward and timid wooing (he buys a toy drum for the widow’s son, who ends up being a grown man, played by Oliver Hardy) or through the great lengths he goes to avoiding the woman (he disguises himself as a woman and joins in with the flamenco dancers at a party). Some decent gags and the title cards are pretty funny as well.

out of 4
-------------------------------------
LEO MCCAREY – “Far Side Of Paradise”
Be Your Age (1926) (short)
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Re: Track the Films You Watch (2009)

May Re-cap

This has been the lightest viewing month for me.

# of movies watched - 11

# of new movies watched - 8

Favourite movie this month - Hard Time: The David Milgaard Story

Notable new movies watched - The Curious Case of Benjamin Button; Dracula

5/12 The Body (2001)
5/13 The Punisher (2004)
5/13 A Man Apart (2003)
5/18 The Curious Case of Benjamin Button (2008)
5/20 Hard Time: The David Milgaard Story (1999)
5/22 Dracula (1979)
5/23 Taken (2008)
5/24 Murder Most Likely (1999)
5/25 Gabriel (2007)
5/29 Critters 4 (1992)
5/31 National Treasure (2004)
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Re: Track the Films You Watch (2009)

Island of Doomed Men (1940) Charles Barton

Nice little "B" picture from Columbia has a secret agent (Robert Wilcox) convicted of a crime he didn't commit but it's all good because he gets sent to an island, which he was about to investigate. On the island he and other men are forced into hard labor by the wicked owner (Peter Lorre) but soon the agent and the owner's wife (Rochelle Hudson) have their own plans for escape. If you're a fan of "B" movies or Lorre then you're going to find a whole lot to enjoy in this fast paced thriller that is pretty much fun from start to finish. What works best here is of course the performance of Lorre who you just can't help but love to hate. He brings so much evilness to his character that there really isn't an actor in history who could do it better. That mono voice, the wicked eyes and the coolness of the evil has never been topped and it's a lot of fun to watch here. The island setting will remind one of THE MOST DANGEROUS GAME and the prison stuff is certainly ripe for something we'd have seen the decade earlier in various Warner films. Wilcox makes for a good, strong supporting player and we also have Don Beddoe and George E. Stone delivering good performances. Barton is best known for his future Abbott and Costello films but he does some nice work here and keeps the film moving at a very good pace. There are many good scenes here but one of the best has to be the scene where we learn Lorre's character is terrified of a little monkey owned by the cook.

Think Fast, Mr. Moto (1937) Norman Foster

San Francisco's Mr. Moto (Peter Lorre) finds himself on a ship for Shanghai where he meets a young man (Thomas Beck) whose father owns the ship. Once in China we start to uncover a smuggling ring and a mysterious woman (Virginia Field) who has started a fling with the young man. The first film in Fox's series is a winning film even though the middle of the movie seems to lose focus on the actual story as we get a tad bit too much romance. For the most part the film moves at a very quick pace and delivers some fun performances. I found the middle of the film to get too bogged down with the romance between Beck and Field but other than that this film is a pretty good success. What works best of all is Lorre and his wonderful characterization of Moto. I'm sure some might be offended by Lorre playing an Asian but we have to remember when the film was made and this type of movie did show him in a very positive light. Lorre has some perfect mannerisms and really has the style of Moto down. I loved seeing Lorre during the fighting sequences because he was very believable even with his short size. Field and Beck were also good in their roles as was Sig Ruman and Lotus Long. J. Carrol Naish has a small supporting role as well.

Thank You, Mr. Moto (1937) Norman Foster

Second film in the series has Peter Lorre returning as Mr. Moto. This time out Moto must battle bad guys who will stop at nothing to get the seven pieces of a map that when put together shows an endless treasure of Genghis Khan. This second film is certainly a major step up from the previous film, which in itself was good. This one here takes everything that worked in the first movie and just builds more fire around it and then pours some gas on it for a real explosion of entertainment. The movie runs an extremely fast 67-minutes and there's really nothing dull throughout the film. The story itself is a very interesting and entertaining one as pieces together a treasure map always makes for many enjoyable situations. Lorre really nails his character down perfectly with some great vocabulary and some even better fighting scenes. Even though there weren't as many fights this time around I can't help but get a huge smile when Lorre goes into action. It's also very refreshing to see Moto kill, which is something other stars of this genre wouldn't do in a million years. Moto will even take it a step further and rub the killings in. The supporting cast of Thomas Beck, Pauline Frederick and Sidney Blackmer are all great as well. John Carradine nearly steals the film in his role as a Chinese art dealer. I'm going through the series one by one so I'm not sure if any of them will eventually top this one but fans of the genre will certainly get a kick out of this one.

Mr. Moto's Gamble (1938) James Tinling

Third in the Fox series has a boxer getting killed inside the ring. What first appears to be a simple accident turns out to be poison and soon Mr. Moto (Peter Lorre) is on the case. This film in the series really doesn't play out like the previous two and that's because this was originally intended to be a Charlie Chan movie but Oland was too ill at the time so the studio simply changed the script to Moto. The change really isn't too bad and this turns out to be another winner no matter who it was originally intended for. The movie contains a nice mystery to work with and there are plenty of possible suspects that pop up throughout the 72-minute running time. The gangsters and gamblers aspect was a nice one and they made for some good villains. Lorre is once again at his very best and we also get some nice supporting performances as well as brief appearances by George E. Stone and Lon Chaney, Jr.. Keye Luke, Chan's son, appears here as a student in Lorre's detective class and delivers a few nice smiles. Maxie Rosenbloom nearly steals the show as another student who can't help but steal things. The movie contains a lot of fun within its short running time so fans of the series will find plenty to enjoy and with the mix of boxing and gambling, those not familiar with the series should enjoy it as well.

Mr. Moto Takes a Chance (1938) Norman Foster

Fourth and so far least entertaining film in the series has Mr. Moto (Peter Lorre) doing some work in the jungles of Cambodia. Soon a female pilot (Rochelle Hudson) crash lands as well as two reporters all of whom are about to witness a high priest perhaps commit a murder. This is certainly the weakest of the first four films, which is something I really wasn't expecting because I thought seeing Moto in a jungle would lead to a lot of entertaining things but it didn't. What really killed this film for me was the supporting characters because I found all of them to be incredibly weak. The two newsreel reporters were added for comic relief but I found them only annoying and not funny. The Hudson character was quite annoying as well. The villain of the film is also poorly written and I found him to be incredibly stupid in the things he tried doing. What makes all of this even stranger is that Moto is pretty much in the background for most of the film and I even wondered at times why he was there at all because there was so little of him. Foster's return to the series isn't anything too spectacular and I couldn't help but wish there was more here than there actually is. The overused stock footage is another issue, although the set design was pretty good.

For Defense for Freedom for Humanity (1951) No Director Credited

This 1951 short is a promotional piece for the Red Cross and their fund drive for the year. Spencer Tracy, sitting at a desk surrounded by the American flag as well as the Red Cross one, narrates a brief story telling why it's so important to donate money to the cause. If you are constantly viewing Turner Classic Movies then you know you get all sorts of great movies as well as various shorts but also from time to time a promotional piece like this shows up. I've seen quite a few over the years with many A-list stars appearing with everyone from Crawford to Davis. Being a die-hard fan of Tracy's it was great seeing him do this piece and I'm sure it's his fans who will most want to check this film out. There really nothing too special done as the film runs just a couple minutes but fans of the star will no doubt still want to check it out.
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Re: Track the Films You Watch (2009)

May recap:

Best new (09) film: Up
Best old film seen for the first time: Ornamental Hairpin
Most improved on revisit: Gone with the Wind


X-Men Origins: Wolverine
3 of 10
Departures
9 of 10
Back to the Future
10 of 10
Airport
5 of 10
La Bete Humaine
8 of 10
Star Trek
9 of 10
Merry Christmas, Mr. Lawrence
6 of 10
Naughty Marietta
5 of 10
Sixteen Candles
4 of 10
100 Men and a Girl
4 of 10
Broadway Melody of 1936
7 of 10
Broadway Melody of 1938
7 of 10
Revanche
8 of 10
Ornamental Hairpin
9 of 10
Big
8 of 10
The Brothers Bloom
7 of 10
Gone with the Wind
10 of 10
Night at the Museum 2: Battle of the Smithsonian 6 of 10
I Shot Jesse James
7 of 10
The Thin Man
10 of 10
Easy Virtue
8 of 10
Up
10 of 10
Back to the Future Part II
9 of 10
Back to the Future Part III
9 of 10
Bringing Up Baby
10 of 10
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#854
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Re: Track the Films You Watch (2009)

Watched the 1971 Dick Cavett interview with Ingmar Bergman on TCM last night. Very interesting, and Bergman seemed to be an extremely likeable man. Funny to learn that he and Cavett both suffered from "restless leg syndrome"!
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Re: Track the Films You Watch (2009)

I watched the interview as well. Was somewhat shocked to see Bergman so "happy" as most of the interviews and documentaries I've seen with him showed a very different person. I thought about watching his THE SERPENT'S EGG this weekend in honor of Carradine but I've heard it was the director's worst film so I'm not sure yet.


Man Who Knew Too Much, The (1934) Alfred Hitchcock

A couple (Leslie Banks, Edna Best) are on vacation when they overhear an assassination plot. To keep them quiet the terrorist kidnap their young daughter and hold her until after the plot gets carried out. Many people will debate whether this film or Hitchcock's 1956 remake is better but to me they are both entertaining if very flawed movies. This one here does benefit from a very good ending, which is certainly the highlight of the movie. I'd say the casting in the remake was better but Banks still delivers a fine performance here as does Peter Lorre who clearly steals the film with his devilish performance as one of the bad guys. The weakest point to this film is Best who I was never too impressed with. I found her performance here to be quite bland and straight-forward and I'd also add that the daughter in the film is quite annoying. For the most part I think Hitchcock does a very good job at directing the film and this includes some rather stylish scenes during a murder at the start of the movie and the build up to the assassination is also handled very well. I think one negative thing was the pacing of the film, which I found to be all over the place and at times it made the 75-minute running time film a bit long. This certainly isn't the director's best movies but it's still a nice little thriller that's certainly worth checking out.

Number Seventeen (1932) Alfred Hitchcock

Extremely strange film from Hitchcock has a tramp (Leon M. Lion) entering an abandoned house where he runs into a detective (John Stuart) and the two bump into a corpse. Soon a girl and a group of thieves show up and everyone starts looking for a stolen diamond necklace. I've seen just about every movie from the director and this is without question one of his strangest and while it doesn't completely work in the end it's still an interesting film. What I really loved is the cinematography and the overall look of the house. The atmosphere early on is brilliantly made by the director with his use of lights and shadows. It doesn't take long for the film to pick up pace and the opening thirty-minutes are very well done and features some nice laughs and the atmosphere can't be topped. What really kills the film is its story, based on a play, which just doesn't contain enough for the 65-minute running time. For a movie so short you'd expect the story to carry it but sadly it doesn't because the story is quite confusing and even after reading various reviews and seeing the film for myself, I still can't quite make out what it's all about. The performances are also a mixed bag but I enjoyed Lion's and his style of comedy especially his stuff early one including one scene where the detective makes him empty his pockets and a few good lines follow. While this certainly isn't a classic or even a good film, I think fans of Hitchcock will want to watch this at least once since it does show some nice stuff, which would eventually mold itself into some of the greatest films ever made.

Rich and Strange (1931) Alfred Hitchcock

Henry Kendall and Joan Barry play a happy couple who win a large inheritance and believe that all their worries are over. The two go on a cruise across the world where he ends up falling in love with a princess and she ends up in the arms of another man. This early film from Hitchcock certainly isn't amongst his best but it is a rather nice blend of drama and some black comedy thrown in. The biggest problem is that even by 1931 standards this thing here is pretty old fashioned and rather bland storywise. Throughout the silent era we saw countless films dealing with happy couples turning sour after money is brought into their lives and the story here really doesn't add anything new. What it does add is a great final fifteen-minutes where we really get to see Hitchcock explode as a director and turn into that "Master of Suspense". The final deals with their cruise ship sinking and the couple must try and find a way to survive. How all of this plays out is extremely well directed and Hitchcock perfectly builds the suspense. I was also quite pleased with the performances especially that of Barry who easily steals the film. Barry didn't have a very long career, perhaps due to her voice, but I found her to be very pleasant here and enjoyed watching her. Overall this movie is certainly flawed but fans of the director will want to check it out at least for the final fifteen-minutes or so. A lot of these early Hitchcock movies are viewed today so people can see early touches of a future legend and they'll see plenty of that here. Also check out the dark comedy in the form of a black cat late in the film.

Juno and the Paycock (1930) Alfred Hitchcock

Hitchcock adapted Sean O'Casey's play but the end results are fairly poor. The film tells the story of a Scotish family who quickly begin to fall apart after getting a large inheritance. It's up to the mother (Sara Allgood) to try and keep everyone together and that includes her drunken husband (Edward Chapman). Outside of some great performances we're left with a pretty bland and forgettable film that certainly wasn't what Hitchcock needed. There's no doubt he's to blame for this mess of a film and I believe he pretty much disowned it later in his life. He certainly isn't right for the material because after about ten-minutes you'll realize that you're in a talking mess of a film. I'm really not sure what Hitchcock was trying to do with the film because the story is so dull and lifeless. The technical side of things is also quite messy as the cinematography is poor and it appears they were trying to make the film look like a play but this certainly doesn't help things. Allgood does give a very demanding performance in the film as does Chapman and Barry Fitzgerald. The supporting players are also quite good but in the end it really doesn't matter because the film is just a downright bore from start to finish. Having seen just about every Hitchcock film there's no doubt this here is the worst of the bunch.
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Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Michael Elliott
I watched the interview as well. Was somewhat shocked to see Bergman so "happy" as most of the interviews and documentaries I've seen with him showed a very different person. I thought about watching his THE SERPENT'S EGG this weekend in honor of Carradine but I've heard it was the director's worst film so I'm not sure yet.

It's not, not by a longshot. It isn't great, but it's definitely underrated.

I remember seeing that interview somewhere, probably on the web. I'll never forget Ingmar saying "jimmy legs".

He's always seemed in pretty good spirits in all the interviews/docs I've seen him in.
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Re: Track the Films You Watch (2009)

East Side, West Side
US 1949 108m bw
MGM (Voldemar Voltinguin)

A high society couple's marriage falls apart through their involvement with other parties.

A potentially soapy plot is turned into irresistible entertainment by MGM's typically glossy production values, generally smart dialogue and a splendid cast in good form.

w Isobel Lennart novel Marcia Davenport d Mervyn LeRoy ph Charles Rosher m Miklos Rozsa

Barbara Stanwyck, James Mason, Van Heflin, Ava Gardner, Cyd Charisse, Gale Sondergaard, Nancy Davis (Reagan), William Conrad, Beverly Michaels


Pandora and the Flying Dutchman
GB 1950 123m Technicolor
Romulus (Albert Lewin)

Pandora, like her counterpart in Greek mythology, has everything at her disposal: much sought-after but unfulfilled, she is intrigued by the legend of the Flying Dutchman - condemned to roam the seas until he is redeemed by a lover's sacrifice - and who may be the brooding captain of a ship that appears mysteriously in port with no other crew.

Pretentious romantic drama with fantasy trimmings, very typical of its maker (especially his Omar Khayyam fixation). Unfortunately, the central relationship does not convince because the actors are clearly overwhelmed by it all; still, the detail is often mesmerizing and the film very good to look at (though, admittedly, not a patch on the similar Portrait of Jennie).

wd Albert Lewin ph Jack Cardiff m Alan Rawsthorne pd John Bryan

Ava Gardner (basically a dry run for her role in The Barefoot Contessa), James Mason, Harold Warrender, Nigel Patrick, Mario Cabre`, Sheila Sim, John Laurie, Marius Goring, Pamela Kellino (Mason)


Taken
France/US 2008 91m color Panavision
TCF/Europacorp/M6/Grive/Canal Plus/TPS Star/All Pictures Media/Papillon/Wintergreen (Luc Besson)

A retired American secret service man rushes to Paris in pursuit of Albanian human traffickers who have abducted his teenage daughter.

Breathless action thriller with hilariously over-the-top violence and a surprisingly convincing star, marred by gaps in the narrative and intermittent mawkishness.

w Luc Besson, Robert Mark Kamen d Pierre Morel ph Michel Abramowicz m Nathaniel Mechaly

Liam Neeson, Maggie Grace, Famke Janssen, Olivier Rabourdin, Gerard Watkins, Holly Valance


Righteous Kill
US 2008 101m color
Overture/Millennium/Emmett-Furla/Grosvenor Park Media/Righteous/In Venture Entertainment/Nu Image/Papillon (Jon Avnet, Rob Cowan, Randall Emmett, Lati Grobman, Avi Lerner, Alexandra Milchan, Marsha Oglesby, Daniel M. Rosenberg)

A cop is behind the killing of criminals who have escaped justice.

The stars' second official teaming, in which they appear as partners instead of rivals, has been universally panned for not being up to the standard of Heat. Still, it is hardly a disaster: interesting (if familiar) plot, exemplary (rather than outstanding) performances and a clever (albeit predictable) twist ending.

w Russell Gewirtz d Jon Avnet ph Denis Lenoir m Edward Shearmur

Robert De Niro, Al Pacino, Carla Gugino, Curtis Jackson (50 Cent), John Leguizamo, Donnie Wahlberg, Brian Dennehy, Melissa Leo


Rome Against Rome
Italy 1964 85m color Totalscope
AIP/Galatea
original title: Roma Contro Roma
aka: War of the Zombies; Night Star: Goddess of Electra

An evil sorcerer revives dead Romans to fight the current Emperor's legionnaires.

Commendable for its atypical (though ultimately underwhelming) fantasy elements, this regrettably proves to be a very minor peplum sparked by a florid villain and the occasional atmosphere but undone by a hazy plot, thoroughly routine handling and less-than-special effects.

w Piero Pierotti, Marcello Sartarelli, Ferruccio De Martino, Massimo De Rita d Giuseppe Vari ph Gabor Pogany m Roberto Nicolosi

John Drew Barrymore, Ettore Manni, Susy Anderson, Evelyn Stewart, Philippe Hersent, Andrea Checchi

+ The low rating for this film had a lot to do with one of the messiest soundtracks I have ever heard: the audio level kept fluctuating, the score dropping in and out, the dialogue not only alternating between Italian and English but sometimes running out of order; small wonder, then, that lip-synch issues were a constant during the presentation.


The Upturned Glass
GB 1947 86m bw
GFD/Triton (Sydney Box, James Mason)

A brain surgeon plots an elaborate revenge when the married woman he is involved with is killed by a jealous relative.

A solid example of British post-war gloominess with an unusual and interesting narrative structure but a rather ambiguous moral viewpoint.

w Pamela Kellino, John Monaghan d Lawrence Huntington ph Reg Wyer m Bernard Stevens

James Mason, Pamela Kellino, Rosamund John, Ann Stephens, Brefni O'Rorke, Henry Oscar, Maurice Denham (bit part)


Tropic Thunder
US 2008 106m color Panavision
Dreamworks/Red Hour/Goldcrest/IFSS/Road Rebel (Stuart Cornfield, Eric McLeod, Ben Stiller, Brian Taylor)

Egomaniacal movie stars shooting an expensive war picture on location are harassed as much by their exacting producers as by a band of Vietnamese dope smugglers whose operation they inadvertently interrupt.

This satire about the film-making process has been lauded for its stars' willingness to hide their features behind unappealing make-up; however, the resulting performances are decidedly overrated. The rest is patchy, with amusing and inspired passages too often countered by tastelessness and self-indulgence (which generates embarrassment more than anything else).

w Ben Stiller, Justin Theroux, Etan Cohen d Ben Stiller ph John Toll m Theodore Shapiro

Ben Stiller, Robert Downey Jr., Jack Black, Tom Cruise, Matthew McConaughey, Nick Nolte, Steve Coogan

AAN: Robert Downey Jr.

GGN: Robert Downey Jr.; Tom Cruise

+ Several actors and personalities appear in uncredited cameos as themselves including Tyra Banks, Tobey Maguire and Jon Voight.

++ The film is also available in an "Unrated" version running 121 minutes.

+++ Rain of Madness is a half-hour "mockumentary" about the making of this film.


Barbarian Queen BOMB
US 1985 71m Metrocolor
Concorde/Ares/Rodeo (Frank Isaac, Alex Sessa)

The few women survivors of a massacred barbarian tribe contrive to exact bloody retribution upon their enemy.

Cut-rate but sexed-up female variant on Conan the Barbarian, one whose sheer incompetence not only elevates the original but even makes the numerous (and otherwise resistible) Italian rip-offs appear in a comparatively good light.

w Howard R. Cohen d Hector Olivera ph Rudy Donovan m Chris Young, James Horner

Lana Clarkson, Frank Zagarino, Katt Shea, Dawn Dunlap

+ A sequel followed in 1989.


The Man Between
GB 1953 101m bw
London (Carol Reed)

Having lived comfortably off the trading of political refugees, an East Berlin operator develops a conscience after getting involved with the idealistic sister-in-law of his former wife in the Western sector.

A follow-up of sorts to the director's previous successes Odd Man Out and The Third Man which, while certainly comparable in technique, rather lacks narrative grip and is a bit too glum for its own good despite ideal casting. In retrospect, the film can be seen to have set the template for innumerable dour Cold War thrillers made throughout the 1960s.

w Harry Kurnitz d Carol Reed ph Desmond Dickinson m John Addison

James Mason, Claire Bloom, Hildergarde Neff, Geoffrey Toone, Ernst Schroeder, Aribert Waechser, Karl John

+ The Region 2 DVD from Optimum wrongly issued the non-widescreen film in a matted version.


Age of Consent
GB/Australia 1969 106m Eastmancolor
Columbia/Nautilus (Michael Powell, James Mason)

A famous painter retreats to a remote island along the Australian coast seeking fresh inspiration, which he finds in the voluptuous form of a spirited waif who dreams of getting away.

Agreeably eccentric comedy-drama, somewhere between mood piece and character study; too slight and low-key for popular success despite the ample nudity involved (mainly for plot purposes) but the incidental detail, notably splendid location work, generally provides sufficient compensation.

w Peter Yeldham novel Norman Lindsay d Michael Powell ph Hannes Staudinger m Peter Sculthorpe

James Mason, Helen Mirren, Jack MacGowran, Neva Carr-Glynn, Andonia Katsaros, Frank Thring, Clarissa Kaye

+ Originally released at 103 minutes with an entirely different score (composed by Stanley Myers); the above rating applies to the newly restored "Director's Cut" available on DVD.


Vicky Cristina Barcelona
US/Spain 2008 97m color
Weinstein/Mediapro/Gravier/Antena 3 (Letty Aronson, Helen Robin, Stephen Tenenbaum, Gareth Wiley)

Despite their differing standards, two American girl tourists in Barcelona are both involved with a rugged painter; then, the volatile ex-wife he still reveres appears on the scene...

The writer-director's over-familiar neuroses and unlikely central concept are considerably atoned for by the freshness of the setting and an appealing triumvirate of leading ladies.

wd Woody Allen ph Javier Aguirresarobe

Rebecca Hall, Scarlett Johansson, Javier Bardem, Penelope Cruz, Chris Messina, Patricia Clarkson

AA/GGA: Penelope Cruz

GGAN: Rebecca Hall; Javier Bardem
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#858
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Re: Track the Films You Watch (2009)

Premonition
This is the second time I watched this movie since I bought a couple years ago. The first time I saw this movie I was less then thrilled with it... and found it more confusing then anything. This time around I found I enjoyed it much more then the first time. It is definitely a movie that demands your full attention. It has a very interesting premise so it is not hard at all to give it the attention it must have. Sandra Bullock was wonderful as always. I personally could have done without Julian McMahon as her husband. Don't get me wrong... he did do a fine job... but there is just something about that actor I just do not like. I don't know what it is... but no matter what I see him in.. his presence somewhat aggravates me. I know... makes no sense... but it is the way I feel about him.
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#859
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Re: Track the Films You Watch (2009)

Two Weeks Notice
Once again... this is only the second time I have watched this movie. It is one I enjoy quite a bit. Though once again the leading man (Hugh Grant) is someone I never really cared for. Matter of fact... out of well over 1.700 DVDs that I have in my collection this is the only thing I have Hugh Grant in. But luckily he didn't bug me in this movie like he normally does... I thought he did a fine job and the character while kinda stupid was likable. Of course Sandra Bullock was great as usual. And the story is fun.
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#860
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Re: Track the Films You Watch (2009)

Quote:
Originally Posted by Martin Teller
It's not, not by a longshot. It isn't great, but it's definitely underrated.

I remember seeing that interview somewhere, probably on the web. I'll never forget Ingmar saying "jimmy legs".

He's always seemed in pretty good spirits in all the interviews/docs I've seen him in.

I think it was that INGMAR BERGMAN: ON LIFE AND FILM doc that formed my opinion of him. Perhaps I'm just mixing up his movie material and his personal life but he always struck me as a very sad and haunted man. Some of the stories he told there were just so incredibly sad that I couldn't help but think this is why his "dark" movies are so masterful and unlike any other filmmaker.

I'll probably try to get EGG on sometime in the next few days.



Immortal Blacksmith, The (1944) Sammy Lee

Another entry in John Nesbitt's Passing Parade series, which took a look at important people who many might have forgotten. This episode takes a look at Tom Davenport (Chill Wills), a poor blacksmith who wound up buying an electric magnet, which eventually led to the first electric motor. This series is quickly becoming one of my favorites due to how well made the films are and how interesting the actual stories are. As with most bios, I'm sure many liberties are taken with the stories but I really don't mind that because of how well told they are here. One big difference in this entry is that the actors get to speak their own dialogue. Most of the times you had Nesbitt's narration being the only thing you heard but that's cut down this time out and we get to see some of the acting. Wills, a character actor, does a very good job here and really captures ones heart with his uneducated, down to earth performance. The supporting players are very good as well and we get Nesbitt doing a good job on the narration he does do. The story itself is one I hadn't heard about before so it was certainly educational and kept me entertained.

Lest We Forget (1937) No Director Credited

MGM tribute to the late Will Rogers is also a promo piece for his hospital. The film starts off on the tribute side as Gary Cooper, Allan Jones and Harry Carey discuss the late star and how important he was. We then get Robert Taylor talking about the hospital and how any donations would be needed. This is another nice gem that pops up on Turner Classic Movies ever so often. The film runs a very short 6-minutes so there's not too much plot or anything like that. It works nice as a tribute and an interesting bit of history to see how stars would sell their pitch for certain organizations. The movie is good enough for what it is and it's nice seeing someone like Cooper talk about Rogers with such kind words.

Eaten Alive (1977) Tobe Hooper

One would think that after the huge success of THE TEXAS CHAINSAW MASSACRE that director Tobe Hooper would have countless producers lining up to give him work but that wasn't the case. Hooper would have to wait three years for his next film and he delivered it in this movie, which tries to stay very close to the previous films formula. A psychotic redneck (Neville Brand) uses his hotel in the swamps of Louisiana to lure people in so that he can feed them to a huge crocodile. A failed prostitute (Roberta Collins) is the first to die and soon her father (Mel Ferrer) and sister show up to look for her with the help of a sheriff (Stuart Whitman). As you can see, the director was able to line up a pretty good cast and we have also Robert Englund, Marilyn Burns and William Finley as well. Seeing all these folks is certainly a joy and while there's a lot of good stuff here, the movie doesn't quite succeed but you can't help but applaud the try. Hooper stays very close to the tone and feel of his previous film and I'm sure a producer was forcing this on him. The redneck character is very close in acting like the hitchhiker from TCM right down to the weird hair and various other mannerisms. The film contains some pretty good kill scenes and several croc attacks but most of them look incredibly fake due to the poor looking creature. The music score is pretty good in an annoying way and Hooper's direction is right on the mark from start to finish. For an exploitation movie this here is pretty good but it runs a tad bit too long and none of the characters are all that memorable. Neville turns in a fun performance but I think his character would have benefited from some better acting. All in all this is a decent movie that horror fans will want to see but others should stay clear of. It should also be noted that Englund plays a character named Buck who delivers the line: "My name's Buck. I'm ready to ****". This of course would later be used in KILL BILL: VOL. 1.

Cat's Meow, The (2001) Peter Bogdanovich

Extremely well acted and marvelously directed drama tells the story of the legendary producer Thomas Ince (Cary Elwes) who boarded a ship owned by Willam Randolph Hearst (Edward Herrmann) and a couple days later was dead. While there are various reports as to what happened, this film follows the most talked about which is that Ince informed Hearst that his girlfriend Marion Davies (Kirsten Dunst) was having an affair with Charles Chaplin (Eddie Izzard). Later that night, in a rage, Hearst went to kill Chaplin but instead shot Ince in the back of the head. I'm sure many people have heard this story but director Bogdanovich has done a marvelous job at putting the story into a film and deliver something that is quite intense but at the same time it will also get your blood boiling. The director was a personal friend of Orson Welles and considering Hearst pretty much ended his career, I'm sure Bogdanovich was happy to show Hearst as a evil S.O.B. and that's pretty much what happens here. The entire movie isn't a hate piece aimed at Hearst because most of the time the director is taking a look at the power of not only Hearst but the media in general as well as Hollywood. The opening sequence showing everyone arriving was great fun as we get to hear the Hollywood gossip, which a lot focuses on Chaplin and his recent film, THE WOMAN OF PARIS, and people joking about it bombing due to him not playing a part in it. There's also a lot of goofing on him in regards to THE GOLD RUSH costing so much money and him getting the 16-year-old star pregnant. This type of stuff was great fun to hear. In the end we see Hearst using his power to keep everyone quiet and to pay off Louella Parsons (Jennifer Tilly) who would eventually get a lifetime contract by Hearst. These scenes will certainly get your blood boiling and you can't help but feel a strong hatred for Hearst and a certain sadness for his mistress. The performances are all quite remarkable with Herrmann really standing out as the media magnet. Dunst and Elwes are also quite good as is Izzard in the role of Chaplin even though he doesn't come close to Robert Downey, Jr.'s performance in CHAPLIN. The entire look of the film from the sets to the costume design are wonderful and everything is brought together perfectly by Bogdanovich. Seeing this wonderful gem just makes you rather sad that he hasn't been able to make more films over the past couple decades because he's clearly very talented.

Be Your Age (1926) Leo McCarey

Charley Chase plays a timid bank clerk who needs $10,000 right away. His boss gives it to him but then makes him promise to woo an elderly woman (Lillian Leighton) who has just inherited a couple million. Along the way Chase begins to have feelings for the elderly woman's secretary (Gladys Hulette). Chase is one of my favorites but this here is pretty middle ground for the comedian. While there are plenty of laughs to be had, the film has a familiar story, which is just too predictable and we really don't get anything too original. One of the better gags in the film has Chase bringing the woman's son a toy drum but not remembering that the kid is actually a grown adult (played by Oliver Hardy). Another funny sequence deals with Chase trying to get a letter out of a mailbox and another one where he runs into a mirror thinking it's a door. A lot of the humor seems uninspired and only works because the cast is so good. Chase and Hardy have a couple good scenes together and Hulette is very cute as the secretary. Fans of Chase will certainly get a few kicks out of this but if you're new to the man then it might be best to start with a different short.

Dog Shy (1926) Leo McCarey

Charley Chase comedy has him playing a man afraid of dogs. A chance meeting on a phone leads him to the home of a beautiful woman whose parents are forcing her into a marriage with a no good nobleman. Chase, and that charm, must try to work over the girl but more importantly, impress her mom with his dog skills. This is a pretty good comedy that features Chase working well with the dog, known as Buddy. The two man quite a few shorts together and were a pretty good team considering how many laughs they could create. Just take a look at the scene where Chase tries to give him a bath and they both end up in the water. I think the majority of their scenes together are extremely funny and certainly more entertaining than the rest of the film. The entire subplot of the woman not wanting to marry the man is pretty boring and doesn't add too many laughs. One good scene is when Chase thinks he's suppose to give the man a bath.

Innocent Husbands (1925) Leo McCarey

Charley Chase comedy has him playing a faithful husband who is constantly being accused of cheating by his jealous wife. One day she goes out and a drunk woman passes out in their apparently, which isn't good for Chase when the wife gets home. I've made it no secret that I find Chase to be the third best comedian of the silent era behind Chaplin and Keaton. I find most of his silents to be very entertaining works and I've even enjoyed a handful of his sound shorts at Columbia. This film here is certainly one of his better works and one I'd highly recommend to those new to the comedian. This film has a pretty good set up and a wonderful cast to really bring it home. Katherine Grant is wonderful as the wife, James Finlayson hilarious as a desk clerk and we've got Lucien Littlefield nearly stealing the film as a house detective. Chase too is very good in his role and you can't help but feel for the man. There is one great scene after another including a seance towards the end of the movie as well as a great scene where Chase is innocently walking home when he begins getting chased by a man.
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Re: Track the Films You Watch (2009)

Practical Magic
This one I have seen a few times before... but it has been quite a while. In this case I have two of my favorite actresses to watch as I also always liked Nicole Kidman. I have to say... even though I have seen this one a few times before I forgot how much I enjoy this movie. I really liked all the characters and the story is a lot of fun. I also like how it just has the slightest touch of horror elements in it... what with the witches having to deal with an evil spirit. No matter how you want to look at it... it is a good love story and a good supernatural thriller... and even has a nice touch of comedy mixed in for a few small chuckles. Or that could just be me and my warp sense of humor.
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#862
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Re: Track the Films You Watch (2009)

Tabu: A Story of the South Seas - I've been playing "Final Fantasy XII" for the past 2 weeks, but I'm taking a break to watch some recent arrivals from Netflix (I need some time away from the game anyway, I've been managing Licenses and Gambits in my dreams). This was Murnau's final picture, and it's my favorite by him so far. Not as purely an ethnographic study as Nanook of the North, whose director Robert Flaherty had significant input on the film (which started as a co-directorship). Nor is it simply a romance with an exotic, exploitative twist like Legong. It incorporates both these aspects but transcends them, and the end result is a work that's beautifully shot, poetically structured, and has a compelling narrative. And the entirely non-professional cast is impressive as well. Rating: 9


La Terra Trema - The photography is very impressive (wonderful sense of framing and some terrific tracking shots) and the story, although the series of tragedies is a bit predictable, held my interest for 2.5 hours, which is no easy feat for neorealism. But there are some problems. The most prominent is the use of voice-over narration, which is scattered liberally throughout the film and adds absolutely nothing, explaining things that are quite obvious. I also didn't buy into Visconti's socialist message. Yes, the deck is stacked against 'Ntoni and his family, but he could have made it if he hadn't made a bone-headed mistake out of stubbornness and over-eagerness. When you take on a risk of this magnitude, one wrong move can sink you. So while 'Ntoni is pouting around feeling sorry for himself, I didn't have much sympathy. And the movie has a frustrating way of dropping plot threads when they're no longer useful. Whatever happened to Cola? All in all, it was okay, but I don't see why it's so highly regarded, except that the critical community seems to have an insatiable fetish for neorealism. Rating: 6


Let the Right One In - There have been a number of movies about vampires and youth: Martin, Lost Boys, Near Dark and of course, "Buffy the Vampire Slayer" and that recent Twilight thing. But those are all teen-angsty stories, whereas this one skews a bit younger and is more of a coming-of-age tale. Which has probably been done before too, but it was new to me. And it's done very well, moody and poetic. I don't really get into the whole vampire thing, but when it's done right it can be an interesting metaphor. Excellent special effects as well, made more effective because they're used so sparingly. I'd probably watch this again sometime. Rating: 8
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#863
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Re: Track the Films You Watch (2009)

28 Days
While this is a good drama (with some romantic comedy elements) and Sandra Bullock did a wonderful job in this movie... I didn't care for this one quite a much as the previous ones I have watched this weekend. I did like most the characters and the storyline is good. But I don't know... while watching this I just get the feeling it could have... and should have been a bit better. I really can't place my finger on why... but something just felt amiss on it.
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#864
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Re: Track the Films You Watch (2009)

Mega Shark vs. Giant Octopus (2009) Jack Perez

In the good tradition of the grindhouse era, if you make a great title people are going to pay to see it. That's pretty much what happened with this horrid film, which became a cult item even before it was released due to the trailer being posted on YouTube and quickly becoming a hit. Once again I was suckered into a rental but hopefully others will stay away. The movie has a prehistoric shark and octopus breaking free, causing destruction and in the end fighting to the death. Oh yeah, Lorenzo Lamas and Debbie Gibson (yes, that one) star. Asylum, the group behind this movie, are experts at ripping off other movies with titles such as THE TERMINATORS, THE DAY THE EARTH STOPPED and STREET RACER. This here must have been their shot at doing something "original" but no matter what they were trying to do the end result is a complete mess of a movie, which features horrible acting and some of the worst CGI effects I've ever seen. This is the type of "B" movie that should make you laugh and at least deliver a good time but instead I walked away from this thing highly mad. Why? Because the thing is so cheap that they don't even include full attacks. We will see the shark jumping out of the water and attacking a plane yet we don't see the aftermath. The octopus attacks a large station yet we don't see what happens. The shark goes after a Navy ship, we see one bite but nothing else. There's a scene where the Golden Gate Bridge is attacked but we don't see it. Even the fight between the two monsters is extremely poorly done and that includes reusing the same footage over and over! The only reason this film avoids a BOMB rating is because of the scene where the shark jumps out of the water and attacks the plane. The sight of this is so incredibly bad that I couldn't help but start laughing. The performances are all really bad and that includes Gibson who seems to be confused by what she's doing. There are plenty of good "when nature attack" movies out there and there are many good "direct to DVD" titles out there but this sucker fails on both levels. This is a complete waste of time but at least the producers were smart enough to come up with a great title to get people like me to lay down their cash.
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Re: Track the Films You Watch (2009)

Next Avengers: Heroes of Tomorrow
This is the first time I ever seen this movie. It is one my daughter picked up for my for my birthday. This is another one I liked a lot. It was fun not only seeing the kids of the Avengers... but also seeing an old Tony Stark/Iron Man and an old Bruce Banner/Hulk. One thing I would liked to know though... which they never said in the movie. I wander who was the mother of the Black Panther's son. He had a cool electricity power... and was wondering how that fit in. But unfortunately it just didn't say. Now I do like this movie... but I must admit I prefer the original Avengers.
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#866
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Re: Track the Films You Watch (2009)

Exposed (1971) Gustav Wiklund

Christina Lindberg fans can rejoice because another one of her films has been released to DVD. In this film she plays a 17-year-old girl who gets taken advantage of by an older man. He took some nude photos of her and is now blackmailing her, which doesn't sit well with a mama's boy that she's currently dating. There are about two other plot lines that could be brought up but, as the director states in the featurette, the story really isn't that important when you've got the beautiful Lindberg running around nude for 60% of the running time. The movie actually manages to be more than just your typical sexploitation film because the story itself isn't too bad and we get some decent performances. The entire subplot of Lindberg's character imagining bad things happening to her might have been a homage to Bunuel's BELLE DE JOUR but it works. These fantasy sequences range from her being raped, to her death with some nudist and various others. Lindberg turns in a good, if certainly not great performance, which is more than enough. She certainly makes us care for her character even though we really don't learn too much about her. The biggest issue with this film and many other sexploitation movies is that there's just not enough going on for a running time over seventy-five minutes. Clocking in at 91-minutes this film runs out of steam towards the final half-hour and there's just way too much added stuff. There's a five-minute sequence, which shows us the movie TARZAN TRIUMPHS but it's not just a clip but an entire five-minute sequence! The print has the Swedish subtitles as well, which was strange to see and I'm curious if Warner knows about it. There are other sequences that could have used some editing as well. With that said, most people are coming to this film to see Lindberg and you get plenty to look out, which is good enough for the film to work.

Cat in the Brain, A (1990) Lucio Fulci

Horror master Lucio Fulci plays himself in this spin on Fellini's 8½, which certainly has plenty of the red stuff. Fulci plays himself, a horror director who after years of filming violent scenes, finds himself losing his mind and seeing things. Soon female bodies start turning up everywhere heavily butchered and the director begins to think he might be the killer. You can either see this as a complete gore masterpiece or a complete hack job. I'm somewhere in the middle because this low-budget film is certainly stupid and silly but at the same time you can't help but be shocked at how violent and gory the film is. There's enough gore here for about six films and the reason for that is because there are nearly six movies rolled into one. The "visions" that Fulci sees in this film are actually clips from other movies including his very own TOUCH OF DEATH and THE GHOSTS OF SODOM. Other films used here include THE BROKEN MIRROR, HANSEL AND GRETEL, MASSACRE and BLOODY PSYCHO. All of the death scenes from those movies are featured here and we get "new" death scenes as well so you can only imagine at how violent this one movie is. We get non-stop decapitations, chopped up arms, mutated faces and various other deaths and this includes a sequence at the end, inside a house, which contains the most violent five-minutes in movie history. The amount of mayhem within this short running time is rather unbelievable. The rest of the film is a complete miss as I'm not exactly sure what the point of the story was. Perhaps you could say it only sets up the violence, which might be true but at the same time you can't help not getting too excited because you're pretty much watching other movies. I've seen the two Fulci films that were edited into this one and I must admit that I liked both of them better. This film certainly isn't boring but it's more of a greatest hits package to show off how much gore there were in Italian horror movies.

Serpent's Egg, The (1977) Ingmar Bergman

If it's true that every great director makes a bad movie then this here is Bergman's bad movie. David Carradine stars as a circus performer in 1923 Berlin who moves in with his sister-in-law (Liv Ullmann) after his brother's suicide. The two make what money they can to survive but they both find it difficult being Jewish and things take an even worse turn when Carradine's character takes a job for a strange scientist. I've read several negative reviews of this film and it appears the movie was originally attacked for being disgusting or hard to watch because of the subject matter. I didn't find anything, even the ending, to be disturbing but I did find the movie hard to watch because it was really, really boring me to death. I really couldn't believe I was watching a Bergman movie because everything in this movie came off as being flat to me. There wasn't a bit of life in this thing and I realized by the ten-minute mark that I was going to be in trouble. One big problem is the entire story structure, which just seems invisible to me. I'm not sure what Bergman was trying to do here and I've heard many say this film has more "story" than most of the director's films but I'd disagree. I didn't find any story here and to make matters worse is that Carradine really seems out of place. Not once did I buy him in this role and I don't think he delivered the power the movie needed especially in the more emotional scenes. I also found Ullmann to be rather bland, which is the first time I've said that about her. The one saving grace is a major one and that's the cinematography by Sven Nykvist. I'd almost recommend this movie because of his work alone and that opening sequence where Carradine discovers his brother's body is certainly a beauty to look at.

Three Strangers (1946) Jean Negulesco

John Huston wrote the short story this is based on and his also co-wrote the screenplay with Howard Koch. In the film, Sydney Greenstreet, Geraldine Fitzgerald and Peter Lorre play three strangers who go to an apartment where they come in front of a Chinese goddess who is said to grant a wish if three people make the same wish at midnight. After making the wish the three go their separate ways and their lives take separate paths but soon they wind up together again with that one wish in common. Some have held this as an unseen masterpiece and while I wouldn't go that far, the movie does have some great performances that make it a must see. We basically get three different stories that are told in different style but are brought together by this magical wish. I enjoyed Lorre's story of a criminal who gets in trouble when a partner gets caught killing a cop. I found this segment to be the best because Lorre is just so cold yet funny in his role. The weakest is without a doubt Fitzgerald's because it just comes off too melodramatic, although she too is great in the film. What happens to Greenstreet's character at the end was a great twist to the film and his breakdown is masterfully done. I'm really not sure if the magical goddess thing should have been in the screenplay at all because it is rather far fetched and makes the film seem campy at times. With that said, if you're a fan of any of the actors then you'll certainly want to check it out. Again, I didn't see it as a masterpiece as some have called it but the film is still quite good for what it is.

Secret Agent (1936) Alfred Hitchcock

John Gielgud and Madeleine Carroll are secret agents who disguise as spies to try and catch up to a mysterious German spy during WW1. Along with the help of a third person (Peter Lorre), the agents must try to overcome certain conflicts with their conscience in order to pull off the mission. Once again here's another British Hitchcock film that has plenty to enjoy but it isn't a completely successful film. I think one of the biggest problems is leading man Gielgud who just seems bored out of his mind. It's hard for the viewer to get too excited in the film when it appears the leading man is just rushing through a take or just bored out of his mind. I found him to be quite distracting in the film and that's not good since he's in just about every scene. Another problem was the mixture of suspense and comedy. Hitch would nail this blend down in the future but here it doesn't work as well. I think some of the comedy is just so over the top that it's hard to get back into a "serious" mode whenever the movie changes tone at the drop of a dime. Lorre has some very funny moments but at the same time these scenes take away from anything serious that happens afterwards. The sequence where Lorre has a fit and tears down a bathroom is very funny but at the same time it's hard to believe a world class secret agent would act this childish. The ending is pretty good and manages to have some nice suspense and even the final few minutes really pay off. Carroll was absolutely delightful and makes the film worth sitting through and Robert Young was also quite good.

Skin Game, The (1931) Alfred Hitchcock

Melodrama from the early Hitchcock filmmography was adapted from a popular stage play, which had previously been filmed in 1921. The film tells the story of rival families who see different futures for their small community. One wants to use the land to move the poor people out so that they can build factories on their land. The other wants to keep the land free so that farmers can raise their families in peace. Hitchcock gave an interview later in his career where he pretty much turned his back on the film saying he forced into making it and there wasn't anything else to be said. That pretty much says all there is to know but old Hitch might have been a tad bit harsh as there are a couple good moments scattered around. There's one masterpiece sequence, which could rank right up there with various classic scenes that we'd get in his future films. Early on there's an auction for the land and this sequence lasts a pretty long time and we get to see various people bidding on it. All the people have their own plans for the land so this helps build some suspense because we know what's at stake. The way Hitchcock keeps the camera moving on the bids and the editing make this a very effective scenes. The rest of the movie is pretty bland as there's way too much talk and none of it is very interesting. The movie features a couple good performances but they can't keep the film afloat as it's rather clear the director wasn't cut out for the material.

Forgotten Treasure (1943) Sammy Lee

Another entry in John Nesbitt's Passing Parade series with this one taking a look at early film preservation a the Museum of Modern Art in New York. Earlier in the series Nesbitt and director Lee made THE FILM THAT WAS LOST and it was a little bit better than this one but this film does offer some clips from some early cinema. Whereas the first film actually talked about the work going into saving films, this one here pretty much just shows us clips and talks about how this footage will be used in the future to look back and see how times were. We get footage of President William McKinley just hours before he was assassinated and we also get to see footage from the 1906 San Fran earthquake and then compare that footage to MGM's SAN FRANCISCO.

Capriccio Italien (1953) No Director Credited

You can tell MGM really loved their symphony orchestra because they didn't shy away from making a short around them. This time out Johnny Green leads the MGM Symphony Orchestra in a performance of the title song and once again, if you're a fan of music, you should get a real kick out of it. I've seen several of these types of shorts and they usually have two things in common. One is that they feature great music but the other thing is that they were poorly shot as the camera is constantly gliding over things but never really picking anything too important up. That's not the case here because the cinematography is actually very good and we get a lot of nice shots of the band playing.
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Re: Track the Films You Watch (2009)

06/03/09

The Search (1948) Dir: Fred Zinnemann
Production: Praesens-Films and MGM

In the aftermath of World War II, a homeless boy, with the help of an American soldier, searches for his mother. The story opens with the arrival by packed train of orphaned and displaced children at a United Nations relief camp. The children are shell-shocked, some liberated from concentration camps, others were left alone to survive among the bombed out ruins of Europe. One particular little boy, Karel Malik (Ivan Jandl), who is too traumatized to remember even his name, runs away when the children are being transported to another camp. After some time living in the rubble of Germany, Karel is found by a solider, Ralph ‘Steve’ Stevenson (Montgomery Clift), who feeds and houses him and teaches him to speak English. When Karel starts to ask about his mother, Steve, unaware the she is not only alive but looking for her son, makes plans to take him back to the United States to live.

Clift’s debut (althouth RED RIVER was filmed first) and Zinnemann’s first big break, both were nominated for Academy Awards. Even in hindsight you can tell there is something new about Clift's presence. Let's say the scene he has with Wendell Corey where Clift is chewing gum while speaking dialogue heralds the arrival of the next step in acting. Some of the picture is incredible, particularly the first half. There is a scene of the children being transported by ambulances to the UN camps that is harrowing (the kids flashback to how they were transported to the concentration camps and they think they’re being gassed). All the child actors, most of whom were actual war victims, are remarkable, Jandl first and foremost. The location photography, of the American zone in Germany, principally Nuremberg, is stunning. However, there is some incredibly lame narration that bedevils this first section and subverts the power of the imagery being shown. The arrival of Clift and Corey (who also plays a soldier) about 40 minutes in changes the film. It loses the documentary ‘bear witness’ feel and becomes a rather conventional story about whether Karel will reunite with his mother through a series of near misses. The ending is weak and dishonest, especially compared to what the film was trying to do (Clift called the whole script “like The Yearling with sugar added” although he did his best to change that by rewriting or improvising nearly all his lines).

out of 4
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FRED ZINNEMANN – “Less Than Meets The Eye”
The Search (1948)




06/07/09

A Miniature: The Old South (1940) (short) Dir: Fred Zinnemann
Production: MGM

A brief history of cotton, with all the good, bad and ugly that it entails. We see the crop boom following Whitney’s invention of the gin, an invention so important, its rapid, widespread, bootlegging left Whitney with nothing but credit for his creation. That same boom also exposed the lack of hands needed to meet demand. This leads to the best scene, which has a horrid glimpse of a slave ship and what the slavers did when caught by the British Navy off the African coast. Nice montage storytelling, with only a cheap watermelon ‘joke’ to mar the mostly sobering treatment of the subject.

out of 4
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FRED ZINNEMANN – “Less Than Meets The Eye”
The Old South (1940) (short) , The Search (1948)




The Story of Louis Pasteur (1936) Dir: William Dieterle
Production: Warner Bros.

In late 19th century France, Louis Pasteur (Paul Muni) endeavors to convince a disbelieving scientific and medical community that microbes cause disease. When even the Emperor of France expresses hostility over his theories, Pasteur leaves Paris and retreats to the country. It is not too long, though, before Pasteur’s work in eradicating anthrax amongst livestock in his small village brings him notoriety yet again. After his next experiments on hydrophobia (or rabies) fail to produce immediate results, Pasteur once more finds himself as a laughingstock in the eyes of an ungrateful French public (fer cryin’ out loud, this after his opening act of discovering what makes wine go bad, then coming up with a cure for anthrax, and they still turn on him!), and he is driven, at the expense of his own health, to find a vaccine.

Fast moving and entertaining, the main draw is Paul Muni’s enjoyable performance as Pasteur. Muni was known for creating these indelible characters and one of the highlights here is his believable aging of Pasteur. His hobbling, his gestures, all kinds of pre-method tics like fumbling with his glasses while in conversation, all together make the role memorable. Pasteur is cantankerous, humble, maniacally focused, weary, convinced he’s right, plagued by doubt, etc. Donald Woods, however, is a cipher as a Pasteur protégé involved in a nothing romantic sub-plot with Pasteur’s daughter, the nonetheless luminous Anita Louise. Frtiz Leiber, as Pasteur’s nemesis, Porter Hall, as a skeptic-turned-convert, Akim Tamiroff, as a Russian doctor seeking help, and Halliwell Hobbes as England’s eminent Dr. Lister, are all fine in support. A critical and box office success, it set off a trend of bio pics and medical stories with Dieterle’s Nightingale bio, THE WHITE ANGEL up next.

Notes: The production was given a relatively small budget by Hal Wallis to punish Muni, who had used his power to retain scriptwriter Sheridan Gibney, who would have otherwise been fired. As such, sets are recycled including a lab set from MYSTERY OF THE WAX MUSEUM. There was a small protest of the film from those notorious wet blankets, the anti-vivisectionists, who were angered at a story honoring Louis Pasteur, who of course was a man who came up with a vaccine TO SAVE MILLIONS OF ANIMALS.

out of 4
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WILLIAM DIETERLE – “Miscellany”
Fashions of 1934 (1934) , The Story of Louis Pasteur (1936)




06/08/09

Vitaphone Varieties: The Hard Guy (1930) (short) Dir: Arthur Hurley
Production: Warner Bros.

Socially conscious short from the studio that commodified social consciousness, the ‘Hard Guy’ is Spencer Tracy, in a very early role, playing an unemployed man named Guy living with his wife and little girl in a decrepit tenement in Hell’s Kitchen. To round out the archetype, he is also a WWI veteran, “a hero once, now a bust”. The drama is whether or not Guy’s desperation will force him to commit crime to put food on the table--played out with a twist. Interesting for fans of the actor, but stagey, like a small snippet from a play.

out of 4




James A. FitzPatrick’s Traveltalks: Monumental Utah (1944) (short)
Production: MGM

We begin by entering Zion National Park to the strains of the Mormon Tabernacle Choir singing 'America the Beautiful'. Fitz wisely takes a step back and lets the awe-inspiring scenery take over, one of the highlights being a trip through the Mount Carmel Highway and Tunnel, a mile long and straight through a mountain. Later we take a tour through Bryce Canyon and its ancient, alien topography. Natural beauty hardly gets any better.

out of 4




I Am the Law (1938) Dir: Alexander Hall
Production: Columbia Pictures

A law professor is surreptitiously drafted by gangsters to be a special prosecutor and take on the rackets. Law professor John Lindsay (Edward G. Robinson) is about to begin his enforced sabbatical year. Dreading a planned vacation with his wife, Lindsay accepts an appointment to become special prosecutor in charge of cleaning up the rackets. The twist is that Lindsay was nominated by Governor’s Civic Committee member Eugene Ferguson (Otto Kruger), not only the father of Lindsay’s one-time best student, Paul Ferguson (John Beal), but also secretly a racketeer himself who proposes to use Lindsay to stave off G-men pressure, eliminate all his competition and consolidate his own power. Meanwhile, with corruption at the highest levels of government, Lindsay’s every move is tipped off and doomed to fail. As the lack of results pile up and the pressure increases, Lindsay’s only hope is to get tough and get someone well connected to talk, and he has his eye on ‘Frankie’ Ballou (Wendy Barrie), a gangster’s girl, to do just that.

Somewhat routine and clichéd story popular enough at the time that it was considered a part of a cycle of films (ex. Bogart in MARKED WOMAN) capitalizing on the notoriety of crusading New York City D.A. Thomas Dewey, who was known for taking on Dutch Schultz and Lucky Luciano among others. But it’s more or less easy to watch thanks to Edward G. Robinson who brings the same energy to the role of prosecuting attorney that he brought to his various gangster roles, literally getting spitting mad in one scene where he exhorts his ex-students to help him fight the rackets. The strangest scene has him arresting three hoodlums and then beating them up one by one in front of assembled police and newspapermen to prove a point on the criminal mindset. Other familiar faces include Marc Lawrence as a hood and Asta as Lindsay’s dog, Habeas. In a film where there are runaway abuses of power from the authorities (and given a kind of weird, approving sheen, no less) as well as pervasive corruption at every level of government, it’s easy to imagine the contributions of Paul (SALT OF THE EARTH) Jarrico.

out of 4




John Nesbitt’s Passing Parade No. 43: Forgotten Treasure (1943) (short) Dir: Sammy Lee
Production: MGM

Companion piece to an earlier Passing Parade, 1942’s THE FILM THAT WAS LOST. After a brief intro that recaps the story of early film preservation from that previous short with some recycled footage, we are treated to another round of recently discovered film treasures. We see President McKinley at the Pan Am Expo in Buffalo, 1901, a day before he was shot; footage of a devastated post-earthquake San Francisco, 1906, which MGM used to construct the sets in SAN FRANCISCO; President Taft arriving at the construction of the Panama Canal; the funeral of Edward VII in 1910 with all the world leaders in the procession who would soon wage war on each other; and the Wright brothers taking flight. We finish with a glimpse into the future, February 1, 1999, where we see a history course on WWII being taught through film, rather than “primitive” book learning.

out of 4
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Re: Track the Films You Watch (2009)

Crime and Punishment (1935) Josef von Sternberg

Dostoyevsky's classic novel turned into a classic film by the legendary von Sternberg. In the film Peter Lorre plays a brilliant but poverty stricken criminalologist who resorts to murder when his mom and sister are threatened with being homeless. The crime seems to go off without a hitch until his conscience begins to haunt him and his fear of a detective (Edward Arnold) starts to cause more panic. This is an extremely impressive version of the novel and also features a terrific performance by Lorre but the real beauty here is the vision by von Sternberg. His stamp is all over this film and it's easy to see early on with the beautiful lighting, which creates some wonderful atmosphere and real tension. The way the cinematography picks up each and every shadow just makes the tension in the story build and build and this is especially true right after the murder when Lorre panics and tries to get away without being seen. This entire segments contains some great suspense and the director gets most of the credit. I found Lorre's performance to be one of the greatest of his career because he's actually got quite a bit too do here. Not only must he play a genius but he also must show fear, panic and even a comic tone. When Lorre's character loses his fear it turns into some comic touches and he delivers on all the notes. Arnold turns in another strong performance and his laid back approach is perfect opposite Lorre's breakdown. The one weak spot in the film for me is the final act, which seems to be drawn out too long due to Lorre's relationship with a poor woman (Marian Marsh). Mrs. Patrick Campbell is downright wicked in her role of the murdered pawnbroker. With a little bit of editing this movie could have been a real masterpiece of the genre but as it stands, this is a perfectly entertaining "B" movie that has plenty going for it.

Verdict, The (1946) Don Siegel

Supt. George Grodman (Sydney Greenstreet) sends an innocent man to the gallows and soon after when the truth is revealed he is asked to resign. Sometime later a new murder done in the same fashion happens so he works the case off the books to see if he can turn up the killer and prove the new Supt. (George Coulouris) wrong. Here is yet another mystery film that really works thanks in large part to the wonderful cast, which includes Peter Lorre as a friend to Greenstreet. It's funny but I thought I had figured out who the killer was within the first fifteen-minutes of the film but the twist at the end really knocked me on the floor because not in my wildest dreams would I have picked out who it turned out to be. We have several red herrings lined up and I must admit that the one it turned out to be would have been my last pick. The film itself is a very moody one as it appears more than one fog machine was working because this is a very dark film with non-stop fog going from start to finish. The movie goes at a nice pace even though some of the middle starts to slow down. Director Siegel handles the material quite nicely and manages to make the twist at the end work. In a lot of films the twist always come off like a cheat but once you go back and think about what happened, it all makes perfect sense. Greenstreet is wonderful in his role and, as usual, has great chemistry with Lorre. The supporting players are equally impressive and in the end this is a very nice little mystery that more people should know.

Hell's Heroes (1930) William Wyler

This early talkie from Universal is the first sound version of "Three Godfathers", which would eventually be remade in 1936 with Chester Morris and again in 1948 by John Ford with John Wayne in this lead. The story here is the same as three ruthless outlaws (Charles Bickford, Raymond Hatton, Fred Kohler) rob a bank and then head out into the desert before losing their horses during a major wind storm. Soon afterwards they stumble onto a baby and the men must decide to let it die or try to walk it back to the town they were just running from. I've ended up watching these sound versions in reverse order as I started off with the Ford one many years ago and then just recently saw the Morris version, which was the better of the two. This one here is clearly the leader of the trio because of how raw it is. This movie is pretty mean spirited from the start up until the end and I really love that Wyler didn't pull any punches. Being the pre-code era we get a few things not available in future versions and that includes one sequence where the men argue about who's going to "take" the mother first. We also get a fairly violent scene involving a suicide, which is shown in a long shot. A lot of people bash American westerns saying they aren't ugly enough but that's not true here. The dirt, grease and ugliness of the characters are all over them and their unshaven faces make them look exactly like what their characters would look like. The three leads turn in wonderful performances but to me it was Hatton who steals the show as the big goon who quickly turns into a softy after finding the baby. Bickford is equally impressive and the final vision of him is quiet haunting and will certainly stay with you for a long time. The film runs a fairly short 68-minutes but there's enough heart and soul in this thing for two movies. Another impressive thing is that this was an early talkie yet you really can't tell as everything is recorded very well and it actually sounded a lot better than the same studio's DRACULA and FRANKENSTEIN, which would follow the next year.

Bob Dylan: Change on the Tracks (2008) No Director Credited

Unauthorized documentary discussing Bob Dylan's landmark album "Blood on the Tracks". Critics and fans Andrew Muir, Andy Gill, Johnathan Wingate, Mick Gold and Clinton Heylin are among those interviewed and giving their opinions on the album. I called this documentary unauthorized for a couple reasons but the biggest is the fact that Dylan or Sony had anything to do with its making. The second is that, unlike a lot of the low-budget Dylan documentaries out there, this one here actually features concert footage as well as footage from movies that I doubt were given permission to be included here. We get "Baby, Let Me Follow You Down" from THE LAST WALTZ, "Tangled Up in Blue" from RENALDO AND CLARA, "Idiot Wind" and "Shelter From the Storm" from HARD RAIN, "I Threw It All Away" and "Girl From the North Country" from The Johnny Cash Show and even clips from the 1965 San Fran press conference. All in all this documentary certainly isn't the greatest but I'm sure die-hard fans like myself will get some entertainment out of it if you enjoy hearing the opinions of others. I didn't agree with everything that was said here but the opinions offered up are nice even though we do get into the familiar trappings of people saying what Dylan was thinking when he did this or that even though it's doubtful the person even ever met Dylan let alone knew what he was thinking at a certain point in time. The documentary also discusses a few of the albums and tours leading up to what many, myself included, feels is Dylan's greatest album. Running at just 52-minutes there's really nothing new here but it's nice seeing the (questionable) footage as well as hearing others speak.

Sinful Dwarf, The (1973) Vidal Raski

Danish/American co-production has a man and wife moving into a run down apartment, which is owned by a strange mother and her dwarf son (Torben Bille). What the couple doesn't know but will soon find out is that mommy and dwarf are holding women hostage, drugging them with heroin and then selling them as prostitutes. Mr. Dwarf has his eye on the new wife knowing she can bring in top dollar. You know you're watching politically incorrect exploitation when a film starts off with a dwarf using a dog to lure in a teen girl to use as a sex slave. As far as dwarfploitation movies go, this one here is certainly as trashy as they come so fans of filth will certainly want to check this out while others don't even want to think about what this thing contains. This is an extremely poor movie but then again it wasn't trying to be CITIZEN KANE. The movie is downright fun if you enjoy trashy movies but the biggest killer is that the pacing is way too slow and the movie goes on way too long at 92-minutes. Cut out fifteen or so minutes and we've got an instant classic of trash but as it is the movie isn't quite a complete winner. There's enough bizarre images to make this a must viewing and that includes all kids of nudity, politically incorrect sex, a Mae West wannabe drunk mother and of course the dwarf. Torben does a pretty good job at playing the sinful dwarf and he certainly has a grin that you won't forget. Anne Sparrow plays the wife in the film and while her acting is horrible is that what we really want to see from her? Of course not. We want something to look at and she delivers highly in that regards because she's drop dead beautiful. Again, this movie isn't going to appeal to everyone but if you even bother renting a movie called THE SINFUL DWARF then you should know what you're getting into. Show this at a movie group gathering and see at least half the people run out of the room.

Soup and Fish (1934) Gus Meins

Pleasant Hal Roach short features Thelma Todd and Patsy Kelly as two hairdressers who accidentally get invited to a high class party. Once there Kelly pulls out various gags, which aren't going over too well with anyone and especially Todd. This is a fairly good short that doesn't have any laugh out loud moments but there are still some smaller laughs and plenty of charm. Billy Gilbert steals the film as a European count who quickly begins to enjoy Kelly's style of comedy and even tries some himself. The scene where he has Todd touch his cheek isn't anything hysterical but Gilbert's delivery is just priceless. The film's biggest problem is that there doesn't seem to have been too much effort put into it. I think they delivered a decent enough of a film but there never seem to be any moments where they tried to do something extra special. One could argue this was a throw away Laurel and Hardy script as it's obvious you could have fit them two into the Todd/Kelly roles.

Hard Guy, The (1930) Arthur Hurley

Spencer Tracy, in his third film, plays a Depression-era father who is tired of seeing his young daughter go without. After reading about a robbery in the newspaper, the desperate father goes out with a gun in his hand leaving his wife to fear the worst. This Vitaphone short runs just six-minutes but fans of Tracy will certainly want to see his early performance here. As far as the film goes there's really nothing too special here as it appears this film was made just to see what type of performances the actors could give. As far as Tracy goes I really enjoyed his work here because it contains that intensity that we'd come to expect from the actor and I found it to be rather impressive. The story itself is nothing too special but I thought it was interesting to see the Depression tale as many watching this film were probably feeling the same way Tracy's character does.

Hollywood Wonderland (1947) Jack Scholl

This Warner short pretty much takes us on a tour of their studio and we get to see several of their musical shorts being put together. We go behind the scenes on GYPSY SWEETHEART, SWINGTIME IN THE MOVIES, THE CHANGING OF THE GUARD and RIDE, COWBOY RIDE. We get to see clips from the movies then we go into the studio to see the songs being recorded and matched up to the lip movement on the screen. I'm sure various other films have shown this but I still got a kick out of watching this short and seeing all the work be done. We also get clips from a film called THE SUNDAY ROUND UP, which is a very good one worth catching on Turner Classic Movies. Look fast for Ann Sheridan and Lauren Bacall photos. Horror fans will also notice Glenn Strange from RIDE, COWBOY, RIDE.

Golden Equator, The (1956) Hamilton Wright

Twenty-minute short shows the various ways that Ecuador is trying to build surroundings for the future. We see how their most valuable crop (bananas) are being traded so that they can get machinery to create roads, railways and help with exports like straw hats. This is a pretty good short from RKO that will remind many people of a TravelTalks episode, although this here is in black and white. The cinematography is actually quite good here as is the narration. One big difference between this and a TravelTalks entry is that this film really does try to tell a story. We learn about the countries troubles but get to see their plans for fixing them in the future. Seeing how much hard work was needed was especially interesting and you can see this just by the sequences where the men are building a new railroad.

Soundman, The (1950) No Director Credited

Nice documentary short talks about the history of sound in film and the new techniques being used today (or 1950). This is a pretty good short as it does a nice job at showing exactly what a sound mixer and designer do. I'm sure everyone has heard of these terms or people when they watch the Oscars but these are probably the awards people go to the bathroom during or just simply tune out. We get some clips of early silent movies and the advances that Edison tries to make in order to get sound on film. We then flash forward to LIGHTS OF NEW YORK and IN OLD ARIZONA, which I just watched a few weeks ago. The short even points out a few of the scenes where the microphone was hidden. We also get to go inside a sound vault to see where they keep all the sound effects and how they are labeled and stored.

Spade Cooley: KIng of Western Swing (1945) Jack Scholl

Warner short takes a look at the rising popularity of Space Cooley who mixed the country and swing genres. I guess we'd call this music bluegrass today but this short delivers us a couple performances as well as some funny visuals. For the most part this is just an extended music video with one setting being a country dance and another having Cooley playing both sides of a political rally. The music itself is pretty good with the catchy "Who Killed the Goose Who Laid the Golden Egg" really standing out. The rest of the tracks on the soundtrack and good but nothing comes close to that title. Cooley and his band members seem very relaxed on the screen and I really look forward to the other shorts they did.
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Re: Track the Films You Watch (2009)

Hellraiser
I thought I would start off my Gore-Fest weekend with one I have not watched in a very long time. The first time I saw this movie I was a teenager... maybe 16 or 17... and this could have been my first taste of a truly gory movie. One thing I like about this movie is it is not just gore for the sake of gore. The gore is actually vital to the storyline. I also liked how the characters in this movie was done. I liked the characters that were supposed to be liked... and I enjoyed disliking the characters that were not meant to be liked. Over-all an enjoyable movie with good effects. Even though by today's standards the gore isn't as plentiful as some of the current movies out there (not that there wasn't enough gore)... What is there is used well.
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Re: Track the Films You Watch (2009)

It's been years since I last watched HELLRAISER but I'm going to try it this October as well as all the sequels.


Joe, just a reminder but that Allen doc is on tonight. I'm not sure if you've seen PURPLE ROSE or INTERIORS but they're on as well.
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