Re: " The Dark Knight" changing Aspect Ratio feels like a Joke
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Originally Posted by Ed St. Clair
Less than half is very little, too me.; certainly for a "IMAX" movie.
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Not really. Comparing "The Dark Knight" to one of the large-format IMAX films isn't really fair, because TDK was never meant to compete with "Ghosts of the Abyss" or "Deep Sea" or even something like "U2 3D". No one ever claimed that the film was shot entirely with IMAX cameras.
For the past few years, select films shot conventionally in 35mm have gotten IMAX releases (Harry Potter 3-5, Superman Returns, Batman Begins, etc.). The point wasn't really to fake people out by calling something IMAX that wasn't; the point was, in this day and age of multiplexes and smaller theaters often run by people who don't even care, to present the audience with the highest possible quality. Seeing a 35mm film presented on an IMAX screen today probably isn't that much different, at least in terms of concept, than when 35mm films were blown up to 70mm for the then-high end theaters. Up until "The Dark Knight", if you went to see a Hollywood film in an IMAX theater, you were getting the movie on the biggest screen possible with the best possible audio and visual quality, and occasionally the studio threw a gimmick in (some sequences presented in 3-D for Superman Returns, for instance), but the film itself hadn't been made for the IMAX screen.
"The Dark Knight" is different. Knowing that the film would show in IMAX theaters (even before they started working on it), the filmmakers decided to try to shoot part of the film with IMAX cameras, something that had never been done before. I don't think it's fair to think of "The Dark Knight" in the same category as films that were made exclusively for IMAX theaters, like all of the nature documentaries done in the format. A better comparison would be to the IMAX presentation of "Batman Begins" -- only the "The Dark Knight", parts were shot with IMAX cameras to enhance the experience.
Now, I agree with you that it would be breathtaking to get an entire feature-length Hollywood movie shot in that format, but I don't hold anything against "The Dark Knight" for not being that film. Before TDK, this sort of thing had never been attempted before, and frankly a lot of people in the industry were skeptical that it would even work. While 30 minutes of IMAX footage might not seem like a big deal, the truth is that it was a major step forward for the format. I don't think you can really blame the filmmakers for not shooting entirely in IMAX - I think they would have if the option had been available, but it wasn't - and since no one had ever tried this before and no one knew if it would work, that they were able to make even that much of the film in IMAX was a major victory.
Because of the success of TDK in IMAX (both technically, artistically and financially), we now probably will see select films shot mostly or entirely in IMAX within the next few years. There are still problems to be solved, like the noise issue (the cameras are very noisy, so if they're used for scenes with dialogue, all of that dialogue would have to be re-recorded and dubbed in during postproduction, and some directors aren't big fans of that), the size issue (the cameras are extremely large and bulky, so they may not be able to fit in every spot the director might want to put one, and some directors may not be willing to make those compromises just to shoot in the larger format), the film length issue (IMAX cameras can only hold a few minutes of film at a time, compared to regular cameras that can hold 10 minutes or longer), not to mention the added costs of using the larger format, that there are only several of these cameras worldwide, etc., etc. Those are all major hurdles that will have to be solved, but before TDK, I'm not sure that there were too many people interested in solving them. Now there are.