Re: Request for Sticky: Titles on dvd presented 4:3 instead of correct matted ratio
Warner also released The Witches open matte.Universal released Charley Varrick open matte.
Isn't The Black Scorpion pan and scan?
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Originally Posted by James 'Tiger' Lee
Perhaps, or maybe Warners was being cheap back then
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-J. Theakston
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Originally Posted by Michael Elliott
I could also name a few examples were the director thought the film was going straight to VHS but got lucky and it ended up in theaters where it had to be matted. What's the correct thing to do here? It was shot for VHS but ended up going theatrical.
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Originally Posted by AndrewWickliffe
Is Jade really open matte? I thought it was pan-and-scan (it looks pan and scan) and I thought Friedkin just liked 4:3 (Sorcerer, for instance).
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-J. Theakston
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Originally Posted by Charlie O.
GENERAL NOTES:
"Jade" was filmed in an aspect ratio of 1:85:1, but at the request of Director William Friedkin, all home video, DVD, and Laserdisc versions of the film are presented full frame, approximately 1:33:1 in aspect ratio TAKEN FROM Rewind @ www.dvdcompare.net - Jade (1995) |
\"As I looked back over my life, I realized that I enjoyed nothing--not art, not sex--more than going to the movies.\" -- Gore Vidal
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Originally Posted by Michael Elliott
That was my question Jack but everyone bought it at the chat and threads after the chat. I for one believed them because it didn't make any sense that they'd give all the films extras but go cheap on 4 & 5 yet give 6 & 7 (both bombs to fans) widescreen transfers.
Warner could have been lying (as they did with their original Kubrick comments depending on which way you go) but it still doesn't make much sense to cop-out on two fan favorites but then give better treatment to two films even fans hate. Bob, do you know a site I can read up on those "Z" movies Jamie mentioned? I've never seen any promotional stuff for those Ed Wood, Jerry Warren type films so I'd be interested in reading up on them. The few books I've read on Wood never really got into talk about them outside the fact that they didn't play too many theaters and that Weiss couldn't get GOG released at all. I've seen those great photos you posted in the other thread so I was curious if these no-name, no-budget studios went as far as to promote their films in that way. |
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Originally Posted by Jack Theakston
I've never run a print of HEAD before, but doesn't it have hard mattes in it?
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Originally Posted by BillyFeldman
I thought The Train and Inherit The Wind were letterboxed (but non-anamorphic) transfers. So, they are in their OARs but not enhanced for widescreen - is that what you meant, Robert?
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Originally Posted by Robert Crawford
Yes, that's what I mean which bothers me just as much as non-OAR because I want the widescreen presentation to fill the screen as intended without losing any resolution in the process.
To me, letterbox transfers and non-OAR are not giving us, the consumers the best that home video can offer us as we watch our favorite films at home. Crawdaddy |
-J. Theakston
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Originally Posted by Richard--W
Universal:
Charley Varrick Colossus: the Forbin Project |
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Originally Posted by WadeM
Sonny Chiba's Street Fighter movies need anamorphic presentation in R1
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Originally Posted by James 'Tiger' Lee
Aren't we thinking more of films not released in their correct ratio here?
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