Re: Genius Press Release: The Little Rascals: The Complete Collection
I looked at Choo Choo. I don’t know what the other reviewer was looking at. The new version is better than the CF version. I noticed a lot of dirt and flickering on the CF DVD that wasn't present on the new version. As with the other shorts, there was more detail, sharpness, contrast.
In regards to the ‘floating head’ in Lazy Days. This was present on the CF version. It is actually a problem with the original process shot. The scene in question has MaryAnne imagining Wheezer with a baby face – which is superimposed. His original face is barely visible, but the two faces are not lined up. This brings up an issue with all films that are visually improved (and will be a bigger issue as Blu-Ray digs into classic titles). Older films ‘cheated’ when it came to effects, makeup, etc. knowing that the projection abilities of the day would hide imperfections. A blurred picture, a fleeting shot would be hidden from the public and give the proper illusion. As technology progresses, and we get clearer and clearer pictures, we see the flaws. Old man makeup looks like makeup instead of wrinkles. Rocket ships flew using wires. A barely visible superimposed face becomes more visible. With these shorts looking better than before, we will see more – which may not always be better.
As for the sound sync problems. Yes, they are there, and they weren't on the CF titles. But, they are not present for the whole short. Some scenes are in sync, some are not.
This makes me feel it is an issue with the restoration. When doing film restoration, the sound and visual are generally done separately. First some facts. Even though the sound and picture are both on the same film stock, they are not in sync. The audio is several frames off due to the way projectors work. The lamp is at a different position than the sound pickup. This means that when a film is damaged, say a scratch or tear, the damage is done at different spots in the picture vs. the sound. As part of the restoration process, sometimes frames are dropped, recreated, or doubled – and the end result is that the restored scene may have a different number of frames than the original. Also due to film shrinkage, the speed of the film can change. Restoration generally restores the picture back to the original speed. Plus, the sound and the picture for different scenes may come from different sources in an attempt to get the best possible source (film “A” may have good sound, film “B” has a good picture). When it comes to re-merging the sound with the picture, the overall lengths of the two may no longer match. There are two ways of re-merging – either shot by shot, or making sure the longest sections are in sync. My guess is they did the second. (or a combination – scene by scene?) That would explain why some scenes are in sync, and others are not. It could be that A Tough Winter and A Lad An’ A Lamp had more issues, and therefore more sync problems. Film restoration can be a very pricey and time consuming venture (I've read a lot of Robert Harris comments to know this), and despite how we feel about these shorts, they are never going to be more than a niche market. A full blown restoration may have been beyond the resources of Genius. They don’t have the production line – economy of scale that WB has or the talents and seemingly unlimited time and budget that RAH gets. These still look better than we've seen before.
As for the booklet. Yes, they were sloppy. They used the wrong pictures (Dickie Moore for Scotty Beckett, Donald Haines for Mickey Daniels). They didn’t suggest that Dickie Moore is dead – the text is clear that Scotty Beckett is the one who died. The quality control for the booklet was lacking. True, the people who were switched did look similar, and I have a feeling that non-hardcore fans wouldn't notice. But yes, it was sloppy.
Another flaw (and I haven’t found many) - even though it is supposed to be in chronological order, they have Canned Fishing following Hide And Shriek. Canned Fishing came out in Feb ’38, and Hide And Shriek came out in June ’38. Another sloppy mistake, but definitely not a deal-breaker.
I may do more side-by-side comparisons, but as of now, I am very satisfied with this product. Other than the missing title cards, and the sync problems (both of which I can live with) it is far superior to the Cabin Fever versions.
David