Re: The Last Emperor on Blu-ray
Quote:
|
Originally Posted by Vincent_P
You "fail to see" how any example that differs from your view has any relevancy to "the topic at hand". I bring up another very popular film that was praised for its cinematography and also was reframed for DVD by its maker with nary a peep of protest being expressed, and you're "not sure... how a discussion of that film is pertinent here". Doug questions the judgment of the Academy, and it "has no relevance" according to you. These are all pertinent issues that deserve to be discussed here, rather than being dismissed because some of the opinions being expressed don't jive 100% with yours.
|
Vincent: That's unfair ...and incorrect.
If you have a problem that Se7en has been altered for home viewing by it's director, you
should be upset by that and you should do what you can to let people know about it and maybe try to have some influence on the situation. That is why I suggested you should start a thread on the subject since one doesn't seem to exist on the HTF. Discussing it
here severely limits your audience when trying to raise awareness on the issue.
I've never seen Se7en (although it sits on my shelf...waiting patiently) but, if what you say is so...and this was a favorite film of mine...I'd certainly be doing what I can to try and understand
why the director is doing what he's doing and, again, raise awareness to those fans who may be unaware.
Based on what you wrote about Se7en, it seems to be as if your thoughts actually jibe with mine on this issue.
But if your point was to come to a thread on The Last Emperor and say that it's a false discussion because there was no similar outcry against Se7en...I do think it's out of place:
Quote:
Should a future HD media versions of SEVEN feature the same reframing, will they incur any uproar? Or is it only wrong when Vittorio Storaro does it?
|
It is NOT only wrong when Vittorio Storaro does it...but we are only talking about Storaro in this thread (and, in particular, TLE). I contend it would be wrong when ANY director alters the image for home viewing (from the theatrical presentation) and I support anyone to try and convince me (and anyone else who is interested) why Storaro thinks it is the right thing to do.
And that's what I encourage you to do about Se7en. And if you think that means I'm trying to "dismiss you," you are in error. By taking up the cudgels of your own example, you would serve to educate me and many others who are ignorant on the topic.
There haven't been too many discussions like this since "Full Frame only" releases have pretty much gone the way of DIVX. When they DO pop up from time-to-time I think there is an added importance placed upon them and trying to understand the motivations of those responsible.
========================
Doug: It seems we also agree on not being able to support Criterion's release of TLE because of the Storaro decision.
I understand your point about the overall import of an Academy Award--the first one that comes to my mind of Gump over Shawshank in '94. But, to me
it only makes sense to bring it up if you have some issues with the cinematography and are trying to say you don't think it should have won the award. And that's all I was trying to say.
I think we all agree the cinematography is gorgeous and deserving of the award...leading to our concern about it being altered.
I guess the Oscar win is just an easy crutch and one that makes for a compelling argument among those who don't have such an insider's view as you. "For gosh sakes, Bob...the damn film won the Oscar for cinematography and none other than the the DP himself wants to cut it up for home viewing!"
============================
Stephen: Really, for me, this whole exercise (and the parallel thread about the Criterion SD release) has been to try and crawl inside Storaro's thread and figure out what he's possibly thinking.
I've read Storaro's paper on Univision along with the Wiki entry and some other easily accessible info (on-line interviews, etc.) If anyone could point me towards anything further , I'd love to know about it!
The biggest issue I have in this whole situation is that Storaro has forgotten more about filmmaking than I ever will know about the subject...yet somehow I still feel like I'm right on this issue. That is disorienting to me.