-
Toddwrtr
- Todd Erwin
-
- offline
- Joined: April 2008
- Location: Newport Beach, CA
- Post Count: 432
Sony divided their presentation in to two parts.
The first was a demo of BD-Live, utilizing the most recent extras on the new Men In Black BD. The first demonstration was of the BD-Live online content. I was a bit disappointed that, currently, most of the online content is download only, and consists mostly of trailers. As a PS3 owner, I found this to be not much different than the Playstation store. Hopefully, Sony will add some streaming content in the future. What I did like was that Sony has a monthly survey, asking what you like and dislike about the BD-Live experience.
Next, we were shown a demo of the MIB online trivia game. This was pretty cool, although we did about as well as the audience did during the Opening Session demo. We lost, miserably.
After the BD-Live demo, we were treated to a demonstration of some catalog titles currently undergoing the restoration process at Sony Studios. The before and after demos were exciting, and can't wait for these titles to be announced and released on BD.
This was one of the top highlights of the show.
BD-Live Tip: To save on storage space, always delete the BD-Live data for any Blu-ray rentals after you return them.
- Joined: October 1997
- Location: Navesink, NJ
- Post Count: 4,662
Re: Sony @ EMA 2008
Agreed all around, I really dug the restoration talk!
Blog: Navesink.net - My Flickr Stream is here - Click here to Email me - Updates at Twitter & FriendFeed
Information Technology Blog: Infotechbuzz - Save The Alamo - Join the HTF Flickr Pool or discuss the pool here
"Buncha Savages in this town"
- Joined: February 2001
- Location: Livonia, MI USA
- Post Count: 5,476
Re: Sony @ EMA 2008
Grover Crisp, who was just promoted to a Senior VP title at Sony the week prior to EMA, is in charge of asset management, film restoration and digital mastering for the Columbia and Tristar libraries. He gave the presentation on the current restoration and video mastering work. He is one of those guys, like Mastering VP Ned Price at Warner, that you want to be in charge of a studio's library. The fact that his responsibilities extend from asset protection through to the digital mastering of their titles can only be good news for home video fans. His background is in film preservation/restoration, he does his homework, and he knows what film is supposed to look like.
Regards,
Ken McAlinden
Livonia, MI USA
-
Toddwrtr
- Todd Erwin
-
- offline
- Joined: April 2008
- Location: Newport Beach, CA
- Post Count: 432
Re: Sony @ EMA 2008
I remember we all laughed when Gordon Crisp noted that he had nothing to do with the first release of
The Fifth Element on BD, although he did work on the re-issue.
BD-Live Tip: To save on storage space, always delete the BD-Live data for any Blu-ray rentals after you return them.
- Joined: October 1997
- Location: Navesink, NJ
- Post Count: 4,662
Re: Sony @ EMA 2008
Agreed totally. I ESPECIALLY found his comments on edge enhancement interesting! I continue to feel that a lot of what many people mistake as artificial EE are things like ring lighting and other effects that are ON THE ORIGINAL print masters.
Mr. Crisp was quite clear, Sony uses NO EE on HD transfers.
Blog: Navesink.net - My Flickr Stream is here - Click here to Email me - Updates at Twitter & FriendFeed
Information Technology Blog: Infotechbuzz - Save The Alamo - Join the HTF Flickr Pool or discuss the pool here
"Buncha Savages in this town"
- Joined: February 2001
- Location: Livonia, MI USA
- Post Count: 5,476
Re: Sony @ EMA 2008
Quote:
|
Originally Posted by Sam Posten
Agreed totally. I ESPECIALLY found his comments on edge enhancement interesting! I continue to feel that a lot of what many people mistake as artificial EE are things like ring lighting and other effects that are ON THE ORIGINAL print masters.
Mr. Crisp was quite clear, Sony uses NO EE on HD transfers.
|
Probably the worst example I have seen of the printed in EE-like artifact Grover Crisp demonstrated appears in the George Stevens film "Giant". Just about every optical in the film suffers from extreme fuzzy ringing around high contrast edges. On top of that, Stevens loved long takes and optical fades, and the lab folks would extend opticals from the cut prior to a fade all the way to the next cut after the fade, which more or less made most of the movie opticals. It is readily apparent on the Warner DVD which was blasted for edge enhancement by most reviewers.
Regards,
Ken McAlinden
Livonia, MI USA