Re: Star Trek The Next Generation appreciation thread
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Originally Posted by Sam Favate
While the first two seasons are uneven, I think they have some real gems in them, which many people miss by dismissing the first two years. "Measure of a Man" is one of the best of the entire series, and I also enjoy "The Big Goodbye," "A Matter of Honor," and of course, "Q Who."
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Sam,
Count me among those who also believes that the first two seasons have some real gems in them. Among them are the episodes you mentioned (all of them, really!) as well as
Coming of Age,
The Arsenal of Freedom,
Heart of Glory,
Symbiosis (just for the guest actors in that one!),
Skin of Evil (our friend Joseph Stefano of
TOL fame responsible for the story/script), and
The Neutral Zone (the first, albeit cryptic, reference to the Borg). The second season had some wonderful episodes as well:
Elementary, Dear Data,
A Matter of Honor,
Contagion, and
The Royale (a great escapist episode for me). But it also brought us IMO three of the very best episodes the series has to offer:
The Measure of a Man,
Unnatural Selection, and
Q Who.
Nelson,
First, let me also chime in to say that that was an excellent post!

There are many things to write about with regard to what you've written.
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Originally Posted by Nelson_Au
I forgot a lot of little things that changed after the first 2 years. I remember that Riker was promoted by Roddenberry as the Kirk-like character who went on all the away missions and got the girls. Which he did. Data had a tendency to go on about something as he realizes what the definition of a slang word or task is. And this season had the beginnings of Worf’s use of short and descriptive comments; “Nice house, good tea”.
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Or how about (also) Data's usage of "Inquiry." I liked that early 'Data-ism.' He stopped that after a while.
One of my best friends has maintained for years that when
TNG came along, they somehow had to fill some huge shoes, especially with regard to how they were going to replace Spock. He believes that they did this successfully, but that it took
two characters to do it: Commander Riker and Lt. Commander Data. I tend to see this as well. I may elaborate on this a bit later.
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Originally Posted by Nelson_Au
The first half of the first season is rough. And I am surprised by how bad the effects look! Some bad stuff was an attempt to do a Chief Engineer that tried to redo Scotty. A lot of the early stories were very much in the mold of TOS, morality plays like Justice and Angel One to the discovery stories that Humans aren’t so bad after all with The Last Outpost. Where No One has Gone Before was interesting in that it sets-up Wesley as a special person. I liked this episode, it sets into motion Wesley getting the attention his abilities warranted and marks Picard’s change of character from a guy who hates kids to someone with more affinity for kids in later seasons. I know a lot of people hated Wesley because he always saved the day, but he didn’t do it that often.
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Yeah, that uncertainty with the engineer is not a highlight of the series.

For a while you had Argyle, then McDougall, then the guy who wouldn't just shut up when Geordi was put in charge.
Where No One Has Gone Before was an interesting episode musically; perhaps we can discuss that aspect at another time. I also liked how they were "a billion light years from home." Heck, the crew of
VOY should have had it that good.

BTW, I also really like the two other Traveler episodes (especially
Remember Me). And I personally have no problem with Wesley. I just keep in mind why Gene wanted him in the show, and why he was named 'Wesley.'
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Originally Posted by Nelson_Au
I particularly like a lot of the second half of the season. 11001001 is a great episode, we see Riker loosen up and I liked Carolyn McCormick! Good idea for the Bynars and the need to restart their planet. Home soil is a strong episode too, a modern version of Devil in the Dark. Sure the micro computer’s use of “ugly bags of mostly water” was lame dialogue, but I liked the story.
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I thought that what the Binars were up to was hidden from us quite well. Some of the looks they gave Wesley in the episode were borderline chilling.
That's a neat comparison, BTW (
Home Soil with
Devil In the Dark). I've not thought of that before, but I will keep that in mind when I watch this episode again.
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Here are a few random thoughts (and notable quotes) I wrote up for
Where No One Has Gone Before a couple of years ago. I won't do this for too many episodes, but I thought I would at least post one of these synopses to see if they are interesting to some. Maybe some of the thoughts written here will jar our memories to discuss other points in the episode. Enjoy!
Stardate 41263.1. The Enterprise has scheduled a rendezvous with the U. S. S. Fearless. On the Fearless are Kosinski and his assistant, known as the Traveler. Kosinski has been experimenting with different ways to enter warp speed as well as various intermix formulas. He is said to be a propulsion expert, and is being welcomed aboard the Enterprise in order to test some of his propulsion theories on the ship. (Previous tests were carried out on three ships, one of which was the U. S. S. Ajax.)
Kosinski is arrogant, condescending, and rude. Once beamed aboard, he wants to see the Captain, virtually ignoring the presence of Riker, who was gracious enough to have welcomed him aboard in the transporter room. Riker, after having looked over the work of Kosinski at a rudimentary level, believes that Kosinski's specs are gibberish. When Data is asked to comment on the specs and the results of tests on the other ships, he mentions that there were no noticeable improvements in engine performance.
We learn in this episode that Lieutenant Commander Argyle is the current Chief of Engineering. (I wonder what happened to McDougall?)
Tau Alpha C is the homeworld of Kosinski's assistant. His assistant is triple-digited, and is a being of few words. Riker notes that Tau Alpha C is very distant from their current position.
Riker asks Counselor Troi her feelings and impressions concerning the assistant. She mentions that she is quite concerned, and notices that there is an absence of emotion, almost as if he weren't even there.
Wesley alters (or adds to) some of the information input by the Traveler, and the Traveler knows at this point that Wesley is something special. It is possible that the Traveler 'allowed' (or perhaps encouraged) Wesley to make the changes as some sort of test.
Right after the Traveler phases out, the Enterprise disappears before going to warp. It's a neat effect, and it does bring to mind the need for an object to disappear before it exists when traveling at speeds faster than are possible for normal space.
Data informs the Captain that they are a billion light years from home.
I noticed that the soundtrack was quite good in this episode. Parts of it reminded me of
ST: TMP; our eldest son said that segments reminded him of the second Star Wars film.
During the oddities that the crew was experiencing, we see 1) a Klingon targ; 2) Yar's cat; 3) Picard walking out of a door which leads to open space; 4) the rape gangs that pursued Yar years ago; 5) one crewmember participating in a string quartet (performing Mozart's Eine kleine Nachtmusik); 6) two crewmembers being followed by an unknown entity; 7) a crewman participating as a ballerina; 8) Picard's Maman; and 9) a huge fire that is entrapping a crewman. (N.B.: Once Picard et al. have realized that thought is part of the equation, the Captain is able to inform the crewman that he has the power to put out the fire in his mind, which he does.)
We are eventually informed that physical realities and ideas are somehow mixed.
The Traveler phases in and out of time three times in the episode. During the initial phasing, only Wesley sees it. He tries to explain this to Riker, who will not listen to him at that moment. The second time the Traveler phases out, Riker sees it.
When the Traveler phases (the third time) out of their existence after the crew has returned to their space, no one seems to know where he has gone.
Stardate 41263.4. Wesley Crusher is made Acting Ensign. This is a very nice touch. Picard asks Wesley to sit in the big chair, noting the efforts he has contributed with regard to their safe journey back home. Riker reminds Picard that he (the Captain) gave orders that Wesley not be allowed to sit in chairs on the Bridge. Realizing this, Picard sees he has but two choices. He can have him removed, or make him a commissioned officer so that he may remain. He chooses the latter, makes Wesley an Acting Ensign, and Wesley's smile says it all.
Notable lines:
"This doesn't work. Kosinksi's a fraud." (Kosinski). These words are spoken by Kosinski as a preemptive measure. He knows he isn't what he appears to be, so he attempts to use reverse psychology on those present.
"Something troubles you with the way this is configured?" (Traveler). It is possible that the Traveler is testing Wesley at this point. The expression on the face of the Traveler intimates that he is genuinely interested in what Wesley is thinking.
"Captain, we're passing warp 10!" (Geordi). The effects during the warp 10 segment are quite nice at this point.
"The galaxy known as M-33." (Geordi).
"2,700,000 light years, sir." (Data). This is the distance that the Enterprise has traveled relative to its previous position.
"And I calculate that at the maximum warp sir, it would take over ... 300 years to get home." (Geordi).
"Captain's log, stardate 41263.2. This will be a rather unusual log entry, assuming Starfleet ever receives it." (Picard).
"The truth is, Captain, I made a mistake." (Kosinski).
"Can I do something to help?" (Wesley). Apparently, Wesley notices that the Traveler could use some encouragement or aid at this point.
"That space ... and time ... and thought ... aren't the separate things they appear to be?" (Wesley). This is a profound line, and it's interesting to see the reaction of the Traveler to these words. His emotions become relatively agitated, and for one brief moment, he appears to be on the verge of becoming angry. He is quick to suggest that Wesley never repeat this idea to anyone.
"In three centuries of space travel we've charted just 11% of our galaxy ... and then ... we accomplish this." (Kosinski).
"If this guy can't get us back, who will?" (Geordi). Geordi is speaking of the Traveler here, not Kosinski.
"But as they say sir, you're the Captain." (Riker). It is ultimately the Captain's decision whether they try a similar procedure again in order hopefully to get back home.
"He's too tired. Why don't you do it by yourself?" (Wesley). Somehow Wesley knows that Kosinski cannot do this by himself. Kosinski is ready to proceed, and he could have had his bluff called, but we cut quickly to another segment before this could have occurred.
"Stardate 41263.3. Instead of returning to our own galaxy, the Enterprise has gone forward to a place in the universe which is uncharted and unknown." (Picard). I really appreciate this line. I could not help but think that we were somehow nearing Borg space (near system J-25); however, I know that this is nearly impossible. Still, thoughts of Q Who were mulling about in my mind when I saw this.
"Maman, can you tell me where my ship is?" (Picard). This is a particularly poignant moment. Picard is speaking to his mother, and when Riker interrupts him (he sees only the Captain here), the Captain, who is down on one knee in the corridor, responds brashly to his First Officer. Maman Picard has been deceased for quite some time, and her son is obviously savoring the moment to speak with her.
"General Quarters red alert!" (Picard).
"I should have realized it wasn't Kosinski." (Argyle).
"... who's generally humanoid, but with a physiology sufficiently different from our own to create medical problems in caring for him." (Picard). This line refers to the Traveler, who is in Sickbay being cared for by Dr. Crusher. He is weak, and he may not live. They need him well in order to get back home again.
"My name's Wesley, Commander." (Wesley). Wesley is somewhat miffed that a number of people (Picard, Riker, and Worf in various episodes) continue to refer to him as simply 'the boy.'
"There's no specific place I wish to go." (Traveler). I thought this line quite ironic considering who was speaking it.
"I don't know if I can put this in terms you'll understand." (Traveler). Interestingly, I did not think the Traveler to be arrogant when he uttered this line. But when Kosinski voices lines like these, one's blood can often curdle.
"You do understand, don't you, that thought is the basis of all reality?" (Traveler).
"Thought is the essence of where you are now." (Traveler).
"It's only now that your life form merits serious attention." (Traveler). Riker asked why his (the Traveler's) species had not yet contacted Terrans, and he received a rather humbling answer.
"He and a few like him are why I travel." (Traveler). The Traveler is speaking of Wesley, with whom he makes a comparison to Mozart (yet in the arenas of time, energy, and propulsion, as opposed to music). (N.B.: It would have been a pleasant surprise if TPTB had chosen another composer to be used for the comparison. All too often Mozart seems to be the 'waste basket' composer of choice that writers use for genius-like comparisons in their stories.)
"Captain's log. Any time entry would be meaningless." (Picard). The entry denotes the severity of their current situation.
"You need me?" "Yes." (Kosinski and the Traveler). This line refers to the Traveler needing the assistance of Kosinski at some level for the return trip. The viewer doesn't know what Kosinski will contribute; however, the need to be needed (Kosinski) is a nice touch, and it makes up in part for the arrogance he displayed initially.
"He has now left us. Wherever he has gone ... we wish him well." (Picard).