Re: How The West Was Won, Errol Flynn, Warner Westerns - 26/08/08
Pressing discs is the cheap part of releasing a DVD. It is transferring the film to HD video itself which is the expensive part. It is quite possible that Warner have archived this film to 4K or even 6K. If that is the case they have spent hundreds of thousands on this release, which pales compared to the expense of pressing another couple of discs for the UCE version.
Setting aside the investment for the actual factories, the cost to press a DVD even in 1997 was about $3, and given the speed of duplication, was actually less expensive than the cost to make VHS tapes. That was one of the huge benefits of the format in the first place. Given we are 11 years into the format, it would cost far less now to press discs than it did when it was first introduced. Pressing Blu-ray discs would cost a lot more than pressing DVDs, and they were willing to put two in the Digibook version.
My point is that Warner have already spent all the money preserving, packaging, marketing, and making a HD transfer of this film. It wouldn't cost much more to add two more DVDs to the UCE with a Smileboxed version of the film. In fact, I can't see how they can call it an Ultimate Edition when we know that 3 strip Cinerama films just aren't designed to be viewed as a flat image.
I don't think they were worried about upsetting retailers with multiple versions. They released 4 versions of Bladerunner, 5 if you include the HD-DVD. I see this as just being a cost cutting exercise given that DVD sales continue to fall because of the tanking U.S. economy.
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Originally Posted by Doug Bull
As someone else said, Smilebox is really only suited to super wide curved screen images such as Cinerama. So it is highly unlikely that we will ever get to see much of it anyway.
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All the more reason to release it Smileboxed on DVD, I mean that's the format with an install base of 750 million. How many Blu-ray players are out there now? 2 - 3 million maybe?
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Originally Posted by Doug Bull
Several single strip features shown on the curved Cinerama Screen had a slight image squeeze towards the edges of the film frame to compensate for the curvature of the screen.
Examples of this can be seen on the extended sections of Laserdisc's It's Mad, Mad, Mad, Mad World.
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As far as I know, these rectified prints were only made for films shot in anamorphic processes, i.e. those that had to be put through an optical printing step before release prints were made. It wasn't worth the quality degradation for films photographed in spherical formats like Todd-AO and Super Panavision 70.