Re: Richard Widmark has passed away at 93!
I programmed my own mini-retrospective of Mr. Widmark, a truly magnificent actor. Rest in peace.
03/26/08:
Kiss of Death (1947) Dir: Henry Hathaway




His debut. Pure theatrics, but what a show!
03/26/08:
The Street with No Name (1948) Dir: William Keighley



Here playing the cerebral crime boss building his organization "along scientific lines." Widmark blows the doors off of poor Mark Stevens, Fox's bland Alan Ladd ripoff. I think I read somewhere that the business with the inhaler was his own idea.
03/26/08:
Yellow Sky (1948) Dir: William Wellman




As 'Dude' he has the small but important role of antagonizing Greg Peck. Great film.
03/27/08:
Night and the City (1950) Dir: Jules Dassin




For me, Harry Fabian is one of the most vivid depictions of ineffectualness and desperation ever put on screen.
03/27/08:
No Way Out (1950) Dir: Joseph L. Mankiewicz




Full commitment in a role he obviously found personally distasteful. How many actors would be willing to take something like this on, I wonder? The film still has the ability to shock.
03/27/08:
Panic in the Streets (1950) Dir: Elia Kazan



Best scenes are with him and the excellent Paul Douglas, but even the stuff with the wife and kid (and next-door neighbor) is above average.
03/28/08:
Red Skies of Montana (1952) Dir: Joseph M. Newman



Strictly on assignment in this straight adventure film about Forest Service firefighters in Montana. It's a good idea, the kind of thing Hawks would have somehow made great. Here it's merely good, no fault due to Widmark.
03/28/08:
Pickup on South Street (1953) Dir: Samuel Fuller




Anti-hero Skip McCoy is immune to entreaties based on love or patriotism, he just wants his big score. Watch the sparks between Widmark and Jean Peters, especially their first scene.
03/28/08:
Warlock (1959) Dir: Edward Dmytryk




This one has grown in my estimation over time.
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Originally Posted by Cees Alons
...Thinking it over once again, perhaps his character in Warlock wasn't even "supportive", but really the protagonist...
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I agree. While Fonda and Quinn seemingly have the main roles (interestingly, Widmark was top-billed), it's Johhny Gannon's transformation, and the symbolic reflection in the town of Warlock, that makes up the main story.