Does any one know what titles are included? I presume they will be all existing releases and no new title.
3/20/08 at 5:06pm
Ken
Charles Hoyt
Ken
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Originally Posted by Ken Koc
Just found "James Stewart Collection" at Best Buy. The outer box states that "Anatomy of a Murder" is !.85 and anamorphic./ "Man From Laramie" is 2.35 and anamorphic. Once I took out the individual DVD's, I found they were the old full frame (Anatomy) and non anamorphic. "Man" was 2.35 and not anamorphic. Buyer beware!!! False advertising! Once again, shame on you Columbia!!!!
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Ken
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Originally Posted by Ken Koc
Its very frustrating to look at the $29.95 boxed set advertising "Anatomy of a Murder" in 1.85 anamorphic and when you open the box the disc says fullframe!!!!
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Ken
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Originally Posted by Charles Ellis
I still can't believe Two Rode Together isn't on DVD yet- easily the most emotionally devastating Western this side of The Searchers.....
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Originally Posted by jim_falconer
That's quite a comparison, which I have to say, I completely disagree with. By the time Ford made "Two Rode Together", he had definitely lost his touch with movie making. The film is mostly a sloppy mess, with tedious run-on dialog, uninventive camera set-ups, scenes that could have used more than one take, and a script that didn't know whether to play out a drama or a comedy.
With the exception of 'Liberty Valance', Ford was pretty much on cruise control, at this point in his career |
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Originally Posted by Robert Crawford
There is no question that Ford was in the twilight of his career, but to say he was on cruise control is a bit extreme to me. I found Ford during this time to be quite bold in regards to some of the film topics his films touched on during this portion of his career. The following Ford films made during that time period are some of my favorite films in my over 4000 title collection. Maybe, my opinion is skewed some because as a young boy I actually watched some of these titles in a movie theater during their initial theatrical run, but I still love them today 45 odd years later. I won't mentioned "The Searchers" or "The Man Who Shot Liberty Valance" because their reputations are well-earned and are little questioned today. However, I consider "Two Rode Together" among the films below that I really liked and still appreciate today.
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Originally Posted by jim_falconer
Watching movies like 'Two Rode Together' and 'Sergeant Rutledge' today, it would almost seem like someone besides Ford directed it. Gone are the inventive camera angles used in films like 'Wagonmaster' (the closeup on the faces of the Mormons, when the Cleggs enter the camp) and 'The Searchers' (Ethan's expression when he see's his brother's house burning). Where Ford knew how to interact comedy and drama in the 40s and 50s (think of shaving scene in My Darling Clementine, where Ford has Earp take out the drunken Indian...and then the tense final showdown at the OK Corral), by the 60s he had lost his touch on how to do that properly. Reading numerous books on Ford, it had been said that he became quite bitter and disillusioned by this point...and it seems to be reflected in his films of the time.
However, I do agree with you about Donovan's Reef. Certainly no masterpiece by any stretch, it does have fun interaction between all the principal actors, and it's also enjoyable to watch around Christmas time. |
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Originally Posted by Robert Crawford
Like I said previously in another thread, film appreciation is subjective so we have to agree to disagree because those films still had enough of John Ford in them for me to appreciate as Ford films. Furthermore, don't ignore the point that a filmmaker that changes over time due to age, bitterness, disillusionment or whatever could mean his visions change somewhat and maybe for the better. The film "Cheyenne Autumn" is a good example of that.
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