ATTENTION!!! This subject is broken down into about 12 posts back-to-back and says "CONTINUED.." accordingly, to bring up my post count past 10 posts. Otherwise it would not let me post the link below. Apologies, but I could not think of anything else...
According to this passage from the article found here:
http://www.hometheaterhifi.com/volum...pril-2000.html
"With the generous bandwidth and headroom in each digital channel, an appreciable amount of bass can reside in the screen channels themselves. This can spread things out nicely or can be used to enhance directional cues. When the sound engineer wants even more, they can elect to put additional bass information in the LFE channel, tapping into those big 18" drivers and what essentially amounts to more bass headroom. In an all out assault, with deep bass in all channels, the LFE channel makes possible an extra 6 dB of headroom over and above what the three screen channels can deliver as a group. In a nutshell, the LFE track is that extra kick in the pants!
If you are doing the math right now, you may have already concluded that in a text-book Dolby Digital theater, one heck of a subwoofer system is called for! Let me explain.
In a movie theater on the island of Utopia, with ideal hardware, any single screen channel should be capable of a clean 105 dB peak with it's own respectable bass. The LFE channel should be capable of a 115 dB peak. Drive all channels to the max and the system should be able to slam you with approximately 120 dB of bass information. Thank you Dolby."
And so...
CONTINUED...
According to this passage from the article found here:
http://www.hometheaterhifi.com/volum...pril-2000.html
"With the generous bandwidth and headroom in each digital channel, an appreciable amount of bass can reside in the screen channels themselves. This can spread things out nicely or can be used to enhance directional cues. When the sound engineer wants even more, they can elect to put additional bass information in the LFE channel, tapping into those big 18" drivers and what essentially amounts to more bass headroom. In an all out assault, with deep bass in all channels, the LFE channel makes possible an extra 6 dB of headroom over and above what the three screen channels can deliver as a group. In a nutshell, the LFE track is that extra kick in the pants!
If you are doing the math right now, you may have already concluded that in a text-book Dolby Digital theater, one heck of a subwoofer system is called for! Let me explain.
In a movie theater on the island of Utopia, with ideal hardware, any single screen channel should be capable of a clean 105 dB peak with it's own respectable bass. The LFE channel should be capable of a 115 dB peak. Drive all channels to the max and the system should be able to slam you with approximately 120 dB of bass information. Thank you Dolby."
And so...
CONTINUED...


