20 Million Miles to Earth: 50th Anniversary Edition (Blu-ray)
Studio: Sony/Columbia Year: 1957 Rated: Not Rated Length: 82 minutes Aspect Ratio: 1.85:1 1080p Black & White and Colorized Languages: English Dolby TrueHD 5.1, English Stereo (supplements only), Spanish Mono Subtitles: English SDH, Chinese, Korean, French, Portuguese, Spanish, Thai |
The Program
Why is always so costly for man to move from the present to the future?
That question is posed by 20 Million Miles to Earth, one of the more highly-regarded sci-fi/alien monster films of the fifties. Directed by Nathan Juran (The Deadly Mantis, Attack of the 50-Foot Woman, The 7th Voyage of Sinbad, etc.), the movie is actually the brainchild of Ray Harryhausen, who also played a major role in the production of this Blu-ray disc. Harryhausen was the special effects guru of the motion picture industry in the pre-CGI days, and 20 Million Miles to Earth is one of his earlier efforts. This 50th Anniversary Edition contains two versions of the film – the original black and white presentation which was released in 1957, and a new colorized edition. My comments on the colorized version can be found in the Video section of this review.
A manned space mission to Venus, led by Air Force Colonel Robert Calder (William Hopper), goes out of control during re-entry and crashes into the Mediterranean Sea near Sicily. Two Sicilian fishermen manage to rescue Col. Calder and Dr. Sharman, the mission’s chief scientist, just before the spacecraft sinks into the sea. The two men are cared for by Marisa Leonardo (Joan Taylor), who is in medical school and is “almost” a doctor. Dr. Sharman dies of a strange disease which he contracted on Venus, but Col. Calder survives with not much more than a scratch on his arm.
The spacecraft also has an unwilling passenger – a gelatinous “egg” which was placed in a watertight cylinder. Unbeknownst to Col. Calder, the cylinder washes up on shore and is discovered by Pepe, a young boy who was in the boat with the two fishermen. Instead of telling the adults about what he has found, Pepe takes the cylinder into a cave and opens it. Big mistake! Thinking that he may have found something valuable, Pepe takes the hunk of gelatin to Marisa’s grandfather, Dr. Leonardo (Frank Puglia), who is a zoologist. Dr. Leonardo’s curiosity is piqued and he gives Pepe a few coins. Later that evening, in one of the film’s more memorable scenes, the gelatin hatches and a small lizard-like, bi-ped creature emerges. Dr. Leonardo places the creature in a cage, prompting Marisa to say, “So very ugly – and yet it seems so frightened.”
The next morning, Dr. Leonardo and Marisa are astounded to discover that the creature has doubled in size overnight. [A few words here about the creature: Harryhausen named it “The Ymir,” but the creature is never referred to by name in the film. Harryhausen explains that there was concern that viewers might confuse “Ymir” with “Emir.” Harryhausen still calls it “The Ymir,” as do many fans of the film.] Dr. Leonardo, who has no idea that the creature is an alien, decides to take it to Rome for further study. Along the way the creature gets loose, and havoc ensues.
20 Million Miles to Earth is an intriguing production. Although portions of the movie were filmed in Italy, the only actor who actually went to Italy was William Hopper. The other actors with speaking parts filmed their scenes in Hollywood, often with rear projection placing them in Sicily and Rome. For distant scenes which were filmed in Italy, doubles were used for all actors other than Hopper. William Hopper, the son of Hollywood gossip columnist Hedda Hopper, attained his greatest fame playing the role of private investigator Paul Drake in the television series Perry Mason.
The plot of 20 Million Miles to Earth is reminiscent of King Kong in the sense that it involves a creature taken against it will to a strange and inhospitable new environment. The difference here is that Kong was brought to New York to be put on display, whereas The Ymir was brought to Earth so that scientists could study it and learn how it survives in the atmosphere of Venus.
This film is recommended without qualification for fans of the genre. It is fast-paced, clocking in at 82 minutes, and Harryhausen’s stop animation is amazing, as always.
The Video
Most film purists agree that colorization is an abomination. However, I have no real objection to colorized films as long as the original black and white version of the film is included. Thankfully, that is the case here.
On the other hand, I watched the colorized version of 20 Million Miles to Earth and it is remarkably well-done. In addition, the colorization of the film was done with the blessing and participation of Ray Harryhausen. “I am thrilled that this film is finally being seen in color,” says the 87-year-old Harryhausen. “I had wanted to do the film in color in the 1950s, but our budget was not large enough to accommodate that luxury. Now, thanks to the marvelous advances made in the colorization process by San Diego’s Legend Films and others, audiences will be able to see 20 Millions Miles to Earth as I originally intended.” The colorization process was supervised by Harryhausen, meaning that he ultimately made the choices about what colors to use. The colors here, as rendered by Legend Films, are quite vivid and consistent. Once I got into the film, I was surprised to discover that I was not distracted by the fact that it is colorized.
That said, purists will be happy to learn that the black and white version looks terrific. The picture is consistently sharp, the contrasts are excellent, and the image is free of dirt, splices or other damage. However, many viewers may not find the Blu-ray transfer to be a significant upgrade over the standard-definition DVD which was released in July. While the image is sharper and shows more detail, the film's grain is far more pronounced in this version (I personally have no objection to grain, but keep this in mind if grain is an issue for you). Overall, the film probably has not looked this good since it was released fifty years ago, but even so I have to say that the Blu-ray version does not seem to me to be a huge improvement over the standard-definition DVD.
The Audio
The original mono soundtrack has been re-engineered into Dolby Digital TrueHD 5.1. It sounds very good and there is quite a bit of stereo dimensionality in the action scenes, although I did not hear much activity in the surround channels. The dialogue is crisp and understandable throughout. It would have been nice if the disc offered an option to listen to the film in mono, but I consider the TrueHD soundtrack to be an upgrade over the mono soundtrack on the DVD.
The Supplements
This Blu-ray release of 20 Million Miles to Earth is packed with the same extras that appear on the DVD.
There is an informative audio commentary featuring Ray Harryhausen, visual effects artists Dennis Muren and Phil Tippett, and documentary producer Arnold Kunert. As one would expect, the commentary focuses primarily on the technical aspects of the film.
A featurette entitled “Remembering 20 Million Miles to Earth” covers the transformation of Harryhausen’s original idea for the film into a screenplay and then to a finished movie. Included are comments by film directors Terry Gilliam and John Landis. A major treat is a lengthy interview of Harryhausen by Tim Burton, whose career was greatly influenced by Harryhausen. This is followed by an interview with Joan Taylor, who at the age of 77 demonstrates an excellent recollection of her participation in this film and others (among them Earth vs. the Flying Saucers). She had married writer Leonard Freeman (creator of the television series Hawaii 5-0) in 1953 and in 1958 she turned to television work (she no longer was willing to go on location for films) until her retirement in 1963.
Colorization, that controversial process, is discussed at length in a featurette which describes the technological advances which are now being used by Legend Films. In another segment, Arnold Kunert talks about the film’s marketing and advertising campaign Viewers who are interested in how films of that era were scored will be fascinated by the featurette “Mischa Bakaleinikoff: Film Music’s Unsung Hero.” Bakaleinikoff was musical director, conductor and occasionally composer for Columbia’s B pictures. His credits on IMDB encompass more than 500 films. Also included are a Still and Production Art Gallery and a “sneak peek” of a new comic book entitled “20 Million Miles More.”
The supplemental materials are shown in standard definition with stereo sound and subtitles in Spanish and Portuguese.
Other Features
The main menu allows the viewer to select either the black and white or colorized version of the film. The angle button on the remote control is supposed to allow viewers to toggle between the two versions, but my Blu-ray player does not have an angle button on its remote. I had to press the Display button and then scroll down to Angle to use the toggle function. The audio commentary also can be turned on and off from the main menu.
Packaging
The single disc come is a standard Blu-ray keepcase which has a reproduction of the film’s original promotional artwork on the cover.
The Final Analysis
If you already have the standard-definition DVD of 20 Million Miles to Earth, you may want to try to preview the Blu-ray version to see if the sharper picture and TrueHD 5.1 soundtrack are worth the additional investment to you. On the other hand, I am seeing street prices for the Blu-ray disc which are equal to or even a bit less than the DVD, so first-time buyers will probably want to go for the Blu-ray version. Fans of fifties sci-fi in general and Ray Harryhausen in particular should have no hesitation about picking up this 50th Anniversary Edition.
Equipment used for this review:
Panasonic DMP-BD10A Blu-ray Player
Sharp LC-42D62U LCD display
Yamaha HTR-5890 THX Surround Receiver
BIC Acoustech speakers
Interconnects: Monster Cable
Release Date: December 4, 2007
Sold off the original DVD in preparation. 
