Re: A few words about...™ Bram Stoker's Dracula -- in BD
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Originally Posted by Dave Mack
tangent:
The Broadway strike is over! WooHoo! We just moved back to NYC so it looks like I WILL have work! ![]() |
Very cool Dave, what do you do?
Doug
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Originally Posted by Dave Mack
tangent:
The Broadway strike is over! WooHoo! We just moved back to NYC so it looks like I WILL have work! ![]() |
d
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Originally Posted by Dave Mack
Thanks Douglas!
For many years I worked the stage door at a B'way house. Had a ball, met alot of famous celebs, (I literally could write a tell all and make a bundle as I know some decent dirt on some biggies...) Then we moved to Berkeley and I wound up doing all kinds of freelance things and stagehand work at a regional theater. We had a kid, (mini-Mack!) and 3 grandparents to help out back in NYC was too tempting to pass up. d |
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Originally Posted by Dave Mack
pretty sure that's still on. I have some friends in L.A. who are pretty nervous.
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Originally Posted by Douglas Monce
Yeah I have some friends that work on a tv series, they aren't out of scripts yet, but it's getting pretty thin. My guess is that if its not over yet, it probably won't be until the producers run out of scripts.
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Originally Posted by TravisR
Almost every show is out of scripts and shut down now.
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Originally Posted by Douglas Monce
A buddy of mine said they still have enough for a few more weeks. Episodic TV shows like With out a Trace and ER are normally several months ahead of the air dates of the episode being shot. At least this early in the season, when they get to March they sometimes have to run a rerun because the show has fallen behind.
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"All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible. This I did." T.E. Lawrence
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Originally Posted by Michel_Hafner
I finally watched this 'controversial' transfer last night... As far as I'm concerned: Much ado about little to nothing,
Is it soft? Yes. No 1080p detail there. Maxes out at 720p most. Is it dark? Oh yes! Is it perfect? No. There are even some scratches and some dirt at times. Does it look bad and hardly better than the DVD? Hell, no. The transfer is beautiful. It's film like. Black levels are deep. Shadow detail is at times plenty, at times supressed. Images are sometimes very dark and any display without excellent contrast and black levels will strugle, but if the display is up to the job it looks great. I would not want to watch this on any LCD monitor or older plasma though. Ideally you need a CRT with real blacks. Some shots and grading decisions can be discussed endlessly. It's the film makers call how they want things to look. This is not a botched transfer. If it's not to everybody's liking, so be it. Move on to another film or stick to the older versions. |
My midis bring all the Force to the yard; my midis are better than yours!
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Originally Posted by Grant H
I watched it on a direct view CRT and the blacks are still crushed. Too dark and totally different (computer-adjusted) colors that betray the original look of the film IMO.
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"All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible. This I did." T.E. Lawrence
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Originally Posted by Michel_Hafner
The blacks are NOT always crushed, they are sometimes crushed. You are aware that crushed blacks are not something bad per se, are you? It's a stylistic choice, just like no crushed blacks.
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-Jeff Cooper
\"Curse you inspector Dim! You are too clever for us naughty people.\"
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Originally Posted by Jeff Cooper
Has this thread run it's course yet?
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Originally Posted by Romier S
No. The horse doesn't just need to be beaten Jeff. It needs to be poisoned, stabbed, shot, hung, stretched, disemboweled, drawn and quartered.
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Originally Posted by Dave Mack
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| it's not unheard of that someone changes his mind as well concerning some points, years after the original was made. |
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Originally Posted by Cees Alons
But because reportedly the image on the BD copies the one on the official original Answer Print, that's all not applicable: it reflects the intention of the director, whether any viewer likes it himself or not!
Cees |
| "assuming" that the director changed his/her opinion, or or doesn't agree, etc. is a far more unfounded option and not suited for serious discussion at all. |
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Originally Posted by Cees Alons
What could someone else say to those assumptions? Yes he did? No he didn't?
Cees |

). I'm not seeing anywhere near the crushing though on the displays.|
Originally Posted by Garrett Lundy
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Originally Posted by Michel_Hafner
About the intent only the film makers can give definitive answers.
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Originally Posted by Michel_Hafner
Fact is that both versions can serve a purpose. And it's not unheard of that someone changes his mind as well concerning some points, years after the original was made. Especially if new technical means become available. I simply don't agree that the transfer as a whole is botched. There are some shots where it would be interesting to hear Coppola comment why he went this way and not that way. But overall this version works well for me.
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Originally Posted by Robert Harris
Sony's mastering staff is happy. Zoetrope's people are happy. And they should be. They have jointly worked to see that this release is as perfect as possible in recreating the look of the film as it was seen in it's original release, and that effort has been successful.
So here's the bottom line. Not only is there nothing wrong with this release, it is one of the most perfect to come from the Sony vaults. Those of you who know of me, are aware that Sony and I don't always agree. But when they do something correctly, they are to be honored for their efforts. And this time, they are to be honored. Everything here is correct, handled with precision, professionalism and a obvious love for the art that is our cinema. Bram Stoker's Dracula, from FFC and Sony is Extremely Highly Recommended. RAH |
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