Re: A few words about...™ Bram Stoker's Dracula -- in BD
I'm no expert and may be taken to task, but since I promised I would weigh in and I got my Netflix Saturday, here's my take, as posted on AVS:
My rental (having canceled the pre-order) came in, and it's the first time I ever watched the film and was BORED.
Oddly, for the first couple of minutes I was prepared to tell the detractors they were crazy. Sure, it looked a bit darker, and the colors more subtle, but the differences seemed to grow as the picture continued.
This is a REVISIONIST version of the film, plain and simple and that should be admitted to. I'm starting to believe that "the colors were altered on the previous VHS and DVD versions because of problems mastering the original colors" line is just a smokescreen being used to disguise the fact the film has been elaborately re-tooled. Remember when rumours were abound that this would be a new Director's Cut? Well, perhaps it is, just not the kind we were expecting.
I'm of the opinion there is NO WAY this BD is closer to how the film looked theatrically (though suddenly on the HTF, it's unimportant what it looked like theatrically? that's wrong too?), because they weren't coloring films like this back in 1992. We weren't seeing this kind of digitally manipulated color until after Schindler's List in 1993, followed by Pleasantville. Unless you count colorized versions of B&W classics. And these methods certainly weren't used when they originally made Bram Stoker's Dracula, nor were they desired. At it's worst this is a botched job, at it's best this is how FFC would have made the film look were he making it TODAY, using today's modern technology, which is a far cry from what he was going for when he made the film.
In fact, I was distracted by being reminded of Pleasantville and sometimes Sky Captain while watching this version of the film.
What's sad is this new digital version goes totally against the ideas behind how the film was made: low-tech, with old fashioned in-camera techniques, and one would presume on-set lighting (lots of gels, like a play).
All those beautiful costume and set designs that won Academy Awards, totally altered (and in many cases dramatically obscured) with this revisionist version. Now that green dress of Winona's is almost a fluorescent lime green standing out in a nearly B&W crowd, just the principles in (too) vibrant color. There is borderline haloing from the digital alteration, and often you'll feel there are pink faces floating around the nearly colorless landscape.
I could almost live with how dark the film is, save obvious errors. Harker's writing is completely invisible in the famed scene exhibited on the forums. I ran it back a few times. Completely undetectable. Other details, like pulsating walls, the hair on Dracula's palms were missed by me until I started re-watching my Superbit version. Even the bottle that dripped up would have been easy to miss had I not known iabout it in advance.
Now it's possible that it's suffering from a Lowry-like treatment: that there was an attempt to preserve scenes' overall contrast and black levels during optical effects and crucial FX were lost because of this, but I'm unsure.
The superbit DVD still has deep, inky blacks, so I thought maybe the old versions had the contrast rather than the brightness amped up. But things like Harker's candle as he explores Drac's castle are still glowing like lightsabers in the BD version. It's just that there's no longer any dynamic range in from darkness to light, nor range in the colors, making it look smeary and digital compared with previous versions. Perhaps Francis has been corrupted by his buddy George Lucas in that BSD now looks like it was shot with a digital camera circa Episode II. Sure, you can zoom an image and say "oh, obviously the BD has more resolution," but when you actually watch the film as intended the superbit DVD has a far more high-definition, film-like appearance.
Though the shot of Harker's carriage approaching Drac's castle (and similar shots) actually looks good in uber-dark mode (far better than screenshots that let one mountain range disappear into another), I tend to think the film originally looked moonlit. For one thing, in the crappy theater I went to at the time, I wouldn't have been able to see anything had the film originally appeared so dark -- the bulbs were so dim there. Batman (1989) sure was fun to see (or, more correctly, not see) there. I'd remember if the film had been too dark to see.
I think it's more likely someone thought it was a good idea to re-work the brightness so the film would look less like it was shot on soundstages and meticulously constructed sets.
That there has been such a dodge by the fillmmakers in admitting this is a revisionist version of the film, makes me doubt an otherwise plausible explanation that previous video versions were colored differently from the theatrical feature. Even if that's true (and those who have attended revivals don't seem to think so), there's no way this new version is closer to the original intent.
If you like this new version, bully for you. Buy it, and enjoy it, despite the obvious errors, like effects lost to blackness and the neo-Lucas-like digital color palette and low resolution (resembling early HD cam rather than film). But for anyone who fell in love with the original version of the film, it's look, it's feel, it's grandiose theatrical charm, prepare to be disappointed.
Rent before you buy. If you're as diappointed as I am, you'll really long for an HD version from the master used for the superbit (or playing on TV), because that's the beautiful film you'll want in the best possible version.
I guess I should say the one good thing is the sound. The PCM track, though dated by today's standards is great, deftly defeating the DTS from the superbit. While the DTS track has ambient sounds that sound a ways away, the PCM track succeeds in making you feel there are sounds coming from antoher room in your house, or perhaps outside. Incredible realism. I really wondered at times. Definitely a far more enveloping and satisfying experience than a lossy track -- but not enough to make up for the revised video.
The DVD is the life!