Re: Does Bram Stoker's Dracula BRD have video issues?
Good lord, maybe I'll have to rent the new dvd and compare..?!?!?!
The blacks certainly didn't look deep on the BD. Except in the scenes in the docs..!



"All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible. This I did." T.E. Lawrence
| Making comparisons to old DVDs, laser discs or VHS tapes is only slightly better than culling one's information from tea leaves. |
- Now that's a worthy quote! This could also easily apply to the Halloween debate.| My fear is that the problems exist not with the disc, but with the methodology of reviewing. |
| One would hope that someone of Mr Harris' status would be able to get the ear of Mr Coppola, and provide a definitive statement about the transfer from the horse's mouth, so to speak! |
" I think it's time we go to plan B". "What's plan B?" "That's the one where we don't do something stupid".
| There are a few things that those critical of the latest Dracula transfer should know. 1. The new transfer was supervised. This means that a representative from Zoetrope was charged we checking the color correction to make sure it met with the intentions of Mr. Coppola. 2. The new transfer and color correction were not done hastily. This title was carefully planned for BD and we were given the full cooperation of Zoetrope to get it done right. 3. The masters used for the DVD versions of this title were not endorsed by Mr. Coppola, the BD version is. The color correction on the DVD releases was not what Mr. Coppola wanted, regardless of the fact that the elevated brightness in some scenes on the DVD can reveal something not seen on the BD. 4. The answer print of the film is darker than the Blu-ray (answer prints are the approved color timed result that release prints are supposed to match). 5. Mr. Coppola intentionally shunned digital special effects techniques on this film in order to get a result that had the look of the classic horror films. The optical effects lead to some dirt and softening of the master. A great deal of time and effort went into the remastering of this film, so it is more than a little disappointing that fans would not just second guess the wishes of the person that made the film, but would judge some of the work as careless or incorrect? From what I have read on the forum, the issue seems to stem from the darkening or color adjustment of a few scenes that leaves the viewer with less discernable picture information than was visible on the earlier unapproved release. If your display is properly calibrated, then rest assured that there is information in the video on most titles that you are not seeing. It is your choice if you want to turn up brightness to reveal some dark detail that is not necessarily supposed to be revealed. I suspect that if we originally released a Dracula with a darker image, then released the Blu-ray with a brighter one, then perhaps these issues would not have been raised. Just remember that the film is supposed to set a mood and tell a story, not dazzle you with the picture details in the shots with a darkened room. __________________ SPE Blu-ray insider |
I\'ve been going to bed early . . .
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Originally Posted by Ronald Epstein
After having this information provided to me, I am under the impression that though this transfer may look vastly different than any previous effort, it does represent the vision of the filmmaker.
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Originally Posted by Robert Harris
I'm afraid that I'm at a loss to understand the path of thought that has gone into some of the current commentaries regarding FFC's Dracula.
Although I haven't yet been able to view the new BD, the correct path for review is clear. Making comparisons to old DVDs, laser discs or VHS tapes is only slightly better than culling one's information from tea leaves. There is but a single source of proper information, yielding a representation of the image not affected by the needs of various video formats. OAP Original Answer Print. RAH |


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Originally Posted by Dave Mack
Fully agreed, Ron. It's just so puzzling that the identical footage in HD in the Docs. DOES look better. There is more detail, it's sharper, better defined. The color "black" actually looks "black" like in Harker's journey to the castle where in the film itself on the BD it is lighter, a greyish black. Information is now lost, I have boosted my Pj's brightness as far it will go, played with the gamma too and things that are easily seen in the doc. footage, like the roof of the inside of the coach are not there. That's the only reason it's so odd. The fact that there are words from Harker's journal CLEARLY superimposed over his image now are virtually invisible and very hard to make out. And I'm sure that when this was in the theaters, (though the last time I saw it was in 1997 at a revival at MOMA in NYC) it had more detail than just a 720x480 dvd blown up to theater screen size.
And I'm sorry, but any transfer that you have to tweak your display that much is botched IMHO. What if every transfer were like that? There is a standard for a reason. So one sees the material the proper way. Otherwise you'd have to keep a list of all your PQ adjustments for each release. Kinda nutty if you ask me... But if they REALLY think that this is the best it could look and this, (as dark and washed out looking as it is now with odd, inconsistant choices of only certain scenes being desaturated and others looking virtually identical to the over the top colorfest that we all (even if mistakenly) got used to all this time then is really how it always should have looked, well... ok. |
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Originally Posted by John H Ross
Although I'm not particularly interested in this BD release I am, or rather was, interested in replacing my Superbit DVD (and Criterion laserdisc) with the new DVD SE. And since I believe that disc will use the same new master as this BD I have been following the discussion about its transfer with interest.
Despite the "official" statements to the contrary I am still somewhat sceptical. Let's not forget that the new Bond sets were supervised and approved by Eon Productions but they're still awash with errors (most of which were denied!). And the Star Wars trilogy was supervised by Lucasfilm (including Ben Burtt) but they still managed to completely **** up the music score on Episode IV (which was also denied!). So the fact that this new print of Dracula was supervised by "a representative from Zoetrope" doesn't necessarily convince me. I'll wait to hear what the official word is from FFC and for Robert Harris' professional comparison. Then again the fact that Dracula's original burned-in captions have been replaced by player-generated ones (presumably on the new DVD too?) already PROVES that this film has been altered from its original theatrical presentation and therefore cannot truly represent FFC's original vision unless those gorgeous captions were forced onto the theatrical print against his will. So based on this fact alone I'm probably sticking with the Superbit after all. |
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Originally Posted by Dave Mack
very true, Douglas.
It's just that so far, the 3 website reviews from hometheaterspot, highdefidigest and another all gave it a pretty lackluster rating with chad only giving it a 3 out of 5 for PQ and that was the BEST it receieved. All the people at AVS who got their copies early also chimed in saying it looked disappointing with a few saying it looked "terrible" and these are not all "I hate film grain, where's my 3-d POP!" types who sometimes kvetch on forums about director's intent. Many of these people sound quite knowledegable. Most like me were BIG fans and were expecting to if not be totally blown away taking shooting style into account, at least be somewhat satisfied with the disc. I went to NYU film school, used to shoot, edit and then actually do my own negative cutting. Used to shoot industrials back in the day, then switched to video but ALWAYS did photography and am generally pretty knowledgable about some things and have been told by friends and clients that I have a good eye and shoot very well. Not trying to boast, (I generally just do music and other things now) but am trying to explain where I'm coming from. Hell, I thought the BD of "Rocky" (first fight scene in the church notwithsatnding because there it just looked like the film was pushed) and "A Christmas Story" looked very good though both were slammed with comments like "It's TOO grainy! Looks TOO soft!" I thought they both looked swell. Just to go to all that reported hard work to come out with something as unremarkable looking (style and intent noted) seems almost like a waste of time. |

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Originally Posted by Dave Mack
Anyone have the LD...?
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"All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible. This I did." T.E. Lawrence

