Re: ***Official 8th Annual HTF October Scary Movie Challenge***
I managed to squeeze in 31 horror films. I just couldn’t countenance a horror only month though.
I didn’t really comment on the films I was watching, so I’ll note that I had two goals (both met) during this challenge. Firstly I wanted to watch an entire horror franchise from start to finish in chronological order. In this case, it was the Nightmare on Elm Street series. I know that I’ve watched some of these films in the past, but for the life of me, couldn’t remember any other than the first. This is apt I suppose, because there isn’t much to distinguish parts 2 through 6. I’ll agree with the critical consensus, in that the first and last (
Wes Craven’s New Nightmare) films are the real standouts and the only entries with significant rewatchability. Although each of the inferior films has something to recommend it, it seems that they exist more like a series of gory vignettes than cohesive, whole films. Freddy, descends to asinine caricature in the sequels and it is Craven’s canny depiction of him as Hollywood creation cum symbol of all that is nightmarish that distinguishes the final film from the others. I don’t know if I’d want to watch most of the films again, but at least that colossal box set no longer feels like a waste of money. I haven’t gotten to the bonus disc yet, but I intend to do so shortly.
My second goal was to focus on a particular theme within the genre, a sub-genre if you will. I decided to explore three gems that might be included under the rubric of dystopian futures. Namely, I watched
Delicatessen,
Brazil, and
Blade Runner. None were first time viewings, but seeing these three superb films in short order gave me a newfound appreciation for their brilliance. Jean-Pierre Jeunet’s
Delicatessen and Terry Gilliam’s
Brazil offer at turns hilarious and harrowing accounts of what the future might hold. Their most marked departure comes in the ways they conclude, presenting disparate visions, which are consistent with the worldview and cinematic ethos of each director. Ridley Scott’s
Blade Runner offers a more sobering tone than the other two films. Despite being limited to the technology of the early 1980’s, it is as (if not more) visually arresting as anything made 20+ years later with the benefit of CGI. This time around I was most struck by Rutger Hauer’s chilling portrayal of the replicant Roy Batty. He spends relatively little time on screen (compared to Deckard) but leaves us with some of the films most indelible images, particularly during the rainy rooftop sequence. I eagerly await the release of the
Blade Runner mega-set.
All told I watched 25 films for the first time, considering my disclaimer about the NoES films, so I consider this to be a successful challenge.
Below is the complete list of films, with first time viewings in
bold.
1. 10/1:
April Fool's Day 

1/2
2. 10/1:
Buffy the Vampire Slayer 

3. 10/2: Scream




4. 10/3:
Scream 2 


5. 10/4:
Scream 3 


6. 10/4:
My Bloddy Valentine 
1/2
7. 10/5:
Homicidal 


8. 10/6: Delicatessen



1/2
9. 10/6:
Plan 9 From Outer Space 

10. 10/9:
Night of the Ghouls 
11. 10/10:
I Bury the Living 

1/2
12. 10/10:
The Stuff 

13. 10/11:
Hellbound: Hellraiser 2 

1/2
14. 10/12: A Nightmare on Elm Street



15. 10/13:
Prom Night 

16. 10/15:
A Nightmare on Elm Street 2: Freddy'd Revenge 

17. 10/16: Carnival of Souls



18. 10/18:
A Nightmare on Elm Street 3: Dream Warriors 

19. 10/18:
Pan's Labyrinth 


20. 10/20:
Shaun of the Dead 


1/2
21. 10/20:
The Tomb of Ligea 

22. 10/21:
The Little Shop of Horrors (1960)



1/2
23. 10/23:
The Wasp Woman 
1/2
24. 10/23:
The Abominable Dr. Phibes 


25. 10/25:
The Devil's Rejects 


26. 10/25: Brazil




27. 10/26:
A Nightmare on Elm Street 4: The Dream Master 
1/2
28. 10/27: Blade Runner (DC)



1/2
29. 10/28:
A Nightmare on Elm Street 5: The Dream Child 

30. 10/29:
Freddy's Dead: The Final Nightmare 

1/2
31. 10/30:
Wes Craven's New Nightmare 
