Re: ROBOTECH - Coming to a big screen near you!!!
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Originally Posted by AaronMan
I'm not going to get deep into this, but I don't consider Robotech "Macross with a few extra episodes." I consider it three independent series forced together. Its the same thing as if somebody took Star Wars, Star Trek 2, and Aliens, completely re-wrote them and passed it off as "new". How would you feel if something you worked on was completely changed and combined with other parts you had nothing to do with?
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The "
Star Wars/Wrath of Khan/Aliens" analogy isn't really a proper one, though -- the three constituent components of
Robotech were all developed in-house by the same studio, and shared many of the same writers, basic storyline structures, and mecha-design principles. The three movies you cite were each respectively developed under vastly different creative circumstances, by different directors, and at different studios.
The commonalities between
Macross, Southern Cross, and
Genesis Climber Mospeada allow them to be combined in a very thematically-harmonious manner, with overlapping philosophies and storytelling techniques. Putting together, say, James Cameron's
Aliens with Tarkovsky's
Solaris, wouldn't be anywhere near as analogous.
Robotech's literary value still has not changed -- and as a story, it is fairly generic. But so are
Macross, Southern Cross, and
Mospeada, by themselves.
It is the happy accident that when the "new" story was created by the compilation of its parts, the literary merit of each component happened to reinforce the merit of the other components.
Robotech is far greater than the sum of its parts, because its parts independently treat the same themes and ideas...but when compiled and combined, they reinforce, foreshadow, and reprise these themes again and again.
Robotech would
*not*, for example, possess this genius had
Orguss been chosen instead of
Southern Cross (as some
Southern Cross-haters have suggested should have occurred), because
Orguss is sufficiently divergent from
Macross's and
Mospeada's themes that it would have been a square peg in a round hole. The themes
Macross initiates, however superficially, would have been interrupted, rather than reinforced, were
Southern Cross substituted for something else.
The same can be said for any great piece of literature that had its origins in a compilation. Take the Bible (not my personal choice, but an accessible example):
By themselves, the individual components are relatively mundane. But in the choice of which stories or documents to compile (as opposed to those that were excluded -- to see these for comparison, see
The Other Bible, ed. W. Barnstone), the work has a thematic and literary unity that far outshadows the individual parts.
Was its literary value the intent of its compilers? No more than was the case in
Robotech. Again, we have the example of a happy accident.
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Originally Posted by AaronMan
Maybe I shouldn't have used the phrase "dumbed down", but Macross was designed for everybody, nothing you couldn't see in a PG movie, but come on, Robotech was written and edited for children.
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I have to (respectfully) disagree with that last bit --
Macross was aimed by Tatsunoko at Japanese 10-12 year-olds.
Robotech's main broadcast demographic when it first aired was actually the 15-16 year-old group.
It's been fairly well documented that the Harmony Gold writers made the decision to tailor the
Robotech adaptation so that it would work on multiple levels for different audiences...they were hoping that children would tune in and be wowed by all the ginchy mecha, but also that the series would have a deeper resonance for whichever adults happened to tune in.
When you look at most of the animated shows on the air in that era (
Voltron, GI Joe, Transformers, et cetera),
Robotech stands out as a breath of fresh air by comparison. I can watch
Robotech in the company of fellow adults to this very day and not cringe...unfortunately, the same thing can't be said about any of those other shows.
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Originally Posted by AaronMan
I used to really like Robotech. Then I saw Macross and thought it was vastly superior. I had the same reaction when I saw the BBC version of The Office.
Just my opinion. Its all a matter of point of view. Personally, just liked the story of the original Macross series.
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In the context of
Robotech, though, the Japanese
Macross was brain candy -- and this was taken to the extreme with DYRL. Long on pretty pictures, soft on story. It was a soap-opera, not a saga. (I still respect your opinion and preferences, though.)
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Originally Posted by AaronMan
Sorry for derailing the thread. This is about the American Robotech movie. All I ask is that they don't redesign those beautifully transforming Valkyries!
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It's cool -- agree that the Valkyrie/Veritechs should be retained as much as possible in the new movie, but if what they're saying now in the past week or so is true, Tatsunoko/Big West might be putting the kibosh even on
that...
(Also, you might give the recent
Robotech:The Shadow Chronicles feature film a look -- extremely adult-oriented, and the audience I saw it with this past winter tore the roof off the theater when it ended. Great flick.)