Re: Popeye the Sailor: Volume 1 (1933-1938) 7/31
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Originally Posted by Mike Frezon
Anyone know what W-M is charging for this set?
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And Mike, you've got a PM.
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Originally Posted by Mike Frezon
Anyone know what W-M is charging for this set?
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Originally Posted by Mike Frezon
Anyone know what W-M is charging for this set?
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Originally Posted by Steve...O
I'm going to have to space these out between viewings of ...and Chan 3 next week. Great times to be a classics fan.
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Originally Posted by Mike*HTF
Definitely!
So has your Chan set already arrived? |
Columnist for the GOLDEN HOLLYWOOD column on The Digital Bits.
Equipment: Denon 3808 Receiver, ,Epson 1080 projector, 150" screen, PS3, Denon 3930 dvd player, Dish Network.
I've never seen the VCI discs before but I'm even more impressed by Warner's efforts now.
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Originally Posted by BarryM
By the way, I'm surprised that the vault silent cartoons are REALLY silent...no music.
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Movies are: "The Greatest Artform".
HD should be for EVERYONE!
| Also, the commentary on "Sinbad The Sailor" was sure a waste of studio time...lots of giggling and no information. Where was Jerry Beck or Leonard Maltin? |
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Originally Posted by Ed St. Clair
Silent films weren't "silent"!!!
Where's the score??? (how many toons have no score?) |
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Originally Posted by Patrick McCart
They probably didn't want to deal with music rights for whatever they could add to the cartoons. They're just extra cartoons and not really worth paying for the use of music. I really doubt they would think they're supposed to be absolutely silent.
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Originally Posted by Patrick McCart
Here's comparisons for Lil' Swee'pea and Popeye Meets Sindbad:
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Originally Posted by Richard--W
Thank you for posting those captures.
I thought I knew these cartoons, but this restoration is one revelation after another. For me it's the single most important DVD release of the year. I really appreciate that WHV was mindful of the chronological order. All historical cartoon collections should be in chronological order. I would welcome seeing cartoons of this quality and intelligence back in the cinemas again. For that matter, I would welcome seeing these Popeye cartoons back in the cinema again. Can someone offer an informed opinion on the color differences between the VCI and the WHV ? Is it just that the VCI is not restored? The reason I ask is that, not having watched the VCI, I thought the two color cartoons were a brighter than they should be on the WHV. Now that I compare them, it seems that VCI is too dark but the color is more natural, and the WHV is brighter with more pastel color. But I have no idea how the Fleischers intended the contrast and the color pallet to look. I cherish the WHV set either way, but if there are any informed opinions, I would like to hear them. |
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Originally Posted by Michael Elliott
Biograph certainly released a lot of their silents without any type of music score. Edison did too in the early days.
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Originally Posted by Richard--W
Can someone offer an informed opinion on the color differences between the VCI and the WHV ?
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Originally Posted by Lord Dalek
Well clearly the VCI is a transfer from a vhs source utilizing an element that was probably in awful condition, you put two and two together and it becomes unwatchable.
Most public domain AAP prints I've seen of Sindbad usually look heavy on the yellow scale and have a general lack of blues and greens (probably from dupe fading). The WHV is the first one to represent these colors and is probably the most accurate barring a discover of a pristine 35mm dye transfer element from 1937. |
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Originally Posted by BarryM
your high standards are bit too high for a film of this vintage.
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Originally Posted by Richard--W
I hope the popularity of this Popeye collection will encourage King Features and Warner Brothers to restore and release more of the Fleischer Studios cartoons, including the silents. Piano scores or not, I find these samples from "out of the inkwell" interesting. So far as I know, there's isn't a decent collection of Betty Boop's mis-adventures, and in view of her ongoing popularity in toys, dolls and trinkets, I can't believe consumers would not embrace a restored collection. There is still much to see and enjoy from the Fleischer Studio back-catalog.
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