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Track the Films You Watch (2007)

#181
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Re: Track the Films You Watch (2007)

Body Double

All of De Palma's mystery/thrillers have the same pros/cons. Their Hitchcockian nature leads to a number of great aspects (this one owes most to Rear Window and Vertigo, with a little Dial M for Murder thrown in), but De Palma ain't Hitch, and too often, he ends up relying on blood, cursing and cheese. Still, the good outweighs the bad, and while this will never be more than a poor man's Hitchcock, that's still better than a rich man's Von Trier.

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#182
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Re: Track the Films You Watch (2007)

Out of

Noise 1/2 Indie homage to The Tenant is OK but never reaches the weird and wonderful heights of that film. Notable for an off-the-wall performance from Ally Sheedy.

Rampo Noir Japanese horror anthlogy from the works of Edogawa Rampo is way too arty for its own good (and that's coming from an art-film fan).

Mindhunters Some interesting plot elements but just another below average thriller.

Speedy This is not top-notch Harold Lloyd but is still sweet and funny. Just as worthy as a snapshot of 1920s life in New York especially the sequence at Coney Island which is wonderful.

A Night in Casablanca 1/2 Fans of the Marx Brothers cite this as their best later-period film but I have never really liked it. The brothers are too old and tired by this point. Still, lesser Marx Bros is better than most current comedies.

Coffin Joe: At Midnight I'll Take Your Soul Fascinating Brazilian horror movie offers a unique, charismatic and truly evil villain. The plot is played out as a battle between different belief systems - religious, atheist, and spiritual.
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#183
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Re: Track the Films You Watch (2007)

Quote:
Originally Posted by george kaplan
Body Double

All of De Palma's mystery/thrillers have the same pros/cons. Their Hitchcockian nature leads to a number of great aspects (this one owes most to Rear Window and Vertigo, with a little Dial M for Murder thrown in), but De Palma ain't Hitch, and too often, he ends up relying on blood, cursing and cheese. Still, the good outweighs the bad, and while this will never be more than a poor man's Hitchcock, that's still better than a rich man's Von Trier.


Good assessment George. Body Double is a pretty good one.
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#184
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Re: Track the Films You Watch (2007)

I finally got around to watching Syriana last night. I remember it having some positive Oscar buzz this time last year, and I believe won an award or two?

I'm sad to say it just didn't work for me. I thought the plot was good, and the star power was awesome. Matt Damon and Clooney alone are great in their own rights.

Good acting just was'nt enough to overcome a very jumbled plot for me. IMO this movie had too many things going at once. They tried to bring all the sub-plots together in the end, but it was too little too late for me.

Should have been much better with the base story line and star studded ensemble.

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#185
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Re: Track the Films You Watch (2007)

To Live & Die in LA

A good car chase, but a script with a few too many plot holes, even for an action film, and most of the actors are pretty bland and unmemorable (almost every cop in this film is interchangeable and ultimately forgettable). I don't pretend to fully understand all of the double crosses that took place, but then again, I fully admit that after watching this, I really don't give a damn.

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#186
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Re: Track the Films You Watch (2007)

title: the illusionist
rating: c
comments: a pretty good movie. loved the sepia look and the camera "flicker" effect on some shots. but, if i break the movie down into it's chunks, it just doesn't hold up too well. the ending caught my surprise, but the requisite what-really-happened-montage felt like it was shoved down my throat ... i think a little more subtetly would have gone a long way.

 

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#187
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Re: Track the Films You Watch (2007)

1-19-07:
Accepted (2006)
Kind of dumb at times but also clever too. Some really funny moments with some really good performances. One of the surprise hits of 2006. 8.5/10


1-20-07:
John Tucker Must Die (2006)
Cute movie. Probably more of a chick flick but it was fun. Some of it was really funny and had me hurting from laughter. 8.5/10
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#188
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Re: Track the Films You Watch (2007)

Bombshell

Jean Harlow flick with lots of super fast paced dialogue (think My Girl Friday), ostensibly clever, but not terribly funny. A mild curiosity at best.

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#189
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Re: Track the Films You Watch (2007)

Flirting with Danger (2006)

Another of those cheap movies with a tired premise. The only interesting thing in the movie was CC from Buffy/Angel fame. As my boyfriend says "She's one hot lady."

Blade: Trinity (2005)

I didn't care for the second movie in this series, but this one rocked. Sad to see KK with only a small part. Even though they messed with the Dracula mythos, it was still an interesting story and Drac made an interesting foe.
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#190
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Re: Track the Films You Watch (2007)

Double Indemnity (1973)

About as bad as you'd expect. The music and style was very Columboish, not surprising given when and where it was made, but this was nowhere near as good as a Columbo episode, much less the great original.

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#191
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Re: Track the Films You Watch (2007)

Christmas in July

Another winner from Preston.

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#192
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Re: Track the Films You Watch (2007)

The Hills Have Eyes (2006)

I'm not a lover of horror movies of this kind. Give me a good vampire flick and I'm in seventh heaven. But movies featuring sub-human mutant cannibals - blah. This movie is so predicable from beginning to end and the so called normal people are so stupid. They almost deserve the fate that befalls them.
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#193
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Re: Track the Films You Watch (2007)

01/20/07

Golem, Le (1936)

Sequel to the 1920 German horror classic has a fairly interesting backstory. This sequel was planned to be made in Germany but due to the "pro-German, anti-Jewish" state of the country, the production was moved to France. In this film, the Rabbi from the first film has died and the Germans continue their slaughter of the Jewish. A new Rabbi, when the time is right, will unleash the Golem to save the day. This film is much more a political drama than a horror film since the Golem doesn't show up until the final five minutes of the movie. The film starts off rather interesting but grows very tiresome due to countless dialogue scenes. Most of these scenes are the evil ruler running around scared not knowing what the Golem will do to him. By 1936 standards the film is rather violent with several scenes of torture, hangings and Jews being fed to lions. The look of the Golem doesn't match the first film either. An interesting idea but the end results are highly disappointing.

Queen of the Elephants (1997)

Joe D'Amato flick is a hardcore version of Tarzan but with a beautiful blonde being the one lost in the jungle. Once discovered by men....you know the rest.

Three on a Meathook (1972)

William Girdler directed this horror film, which is another variation of the Ed Gein story. Four girls go camping but their car breaks down. Thankfully a young man named Billy comes by and offers them a chance to spend the night at his house along with his father. To say any more would ruin a few surprises the film has to offer. This low budget film was clearly influenced by Psycho and offers a couple nice homages to the Hitchcock film. However, it's also rather clear that this film influenced two future Gein based films, Deranged and The Texas Chainsaw Massacre. For the most part the film works fine with some nice direction and a couple good performance but even at 80-minutes this thing drags in certain spots. It seems the movie would have only ran fifty-minutes but there are several scenes that just drag on for no reason.

Half Angel (1951)

Incredibly charming and sweet romantic comedy about a shy and ordinary girl (Loretta Young) who doesn't know it but is in love with a lawyer (Joseph Cotten). She's about to be married to another man but she also sleepwalks and this is when she's able to confess her love for the lawyer. When she's awake, she hates him. This film doesn't have the best reputation but I loved nearly every second of it. You've certainly gotta wonder how Young can walk and talk while "sleepwalking" but that minor quibble aside, this is a great little gem. Young and Cotten have great chemistry together and both are very light on their feet and give terrific comedic performances. I've never seen Cotten so funny, although I haven't seen him in too many comedies. Young is a charming as ever and the supporting cast offers nice laughs as well. This Technicolor film is yet another Young film in the vaults of Fox.

Miron y la Exhibicionista, El (1986)

Jess Franco and Lina Romay both directed this hardcore flick, although it seems all Franco with his slow moving camera and constant zoom shots. A woman (Romay) notices a man spying on her from a hotel room across from hers so she gives him something to look at. This is basically three short films, ala three sex acts, put together with a short running time of 54-minutes. You can tell this is one of Franco's quickies that he filmed in a day or two but it features a nice score from Pablo Villa as well as being somewhat erotic. Making this erotic might be Franco's greatest directing work considering Romay certainly wasn't in top form here. She's packing quite a bit a weight, which is rather strange because I've seen other flicks from Franco in 1986 and her look is quite different. Oh well, the crazy world of Franco.

Ojete de LulĂș, El (1986)

Jess Franco and Lina Romay co-directed this film, which is a vile, rather disgusting and lazy "comedy/porno". The American title is Lulu's Talking Ass so that should tell you something. In the film, a talking ass (provided by Romay) tells various sexual stories and we get to see the scenes. Even by Franco standards this thing here is pretty useless and the sex scenes never enter the erotic zone but instead go towards the vile level. Once again it seems this film was shot in the matter of days if not hours and it really shows on screen. I had to view the film in Spanish without any subs so I'm not sure if the "talking ass" has any good dialogue or not. The funniest moment of the film is when one of the male actors goes to switch positions and accidentally falls off the bed. Being Franco, he left it in the film. Franco's opinion of the Academy Awards also gets a special mention since the talking ass comes upon an Oscar and does something to it, which I won't mention here.

Sexorcismes (1974)

Once upon a time (1974 to be exact) in a country far, far away (Spain to be exact) there lived a director named Jess Franco who made a movie called Exorcism. The film dealt with a looney writer (played by Franco) who stumbled upon a sex show with witches and demons. To make them pure, the writer goes on a killing spree. Then, in 1979 Franco decided to remake the film but didn't have enough cash for a full movie so he edited out forty or so minutes of Exorcism and mixed it with about forty-minutes worth of "new" footage. This disasterpiece was called The Sadist of Notre Dame. However, back to 1974's film Exorcism. The French producer's weren't happy that Franco didn't make the film extreme enough so they offered him a tad bit more money to go back and shoot hardcore scenes so that the film could be released into French porn theaters. That end result was released as Sexorcismes and that's the version I watched here.

The Sadist of Notre Dame was a horrible film in my opinion and one (of several) that I gave a BOMB rating to. Exorcism on the other hand is a film I always enjoyed for its surreal and bizarre sexual nature. That film was a straight horror flick with your typical amount of Euro nudity but there wasn't anything hardcore. Several of Franco's films during this period were shot "soft" and "hard" but usually the hardcore versions were nothing more than cheap inserts that really hurt the original film. I had been interested in this French version of Exorcism for quite sometime and it finally arrived and as I suspected the hardcore scenes add nothing to the film but they do take away quite a bit.

The most shocking thing about these new shots is that doubles weren't used, which was normally the case. Most of the original cast are involved in these new scenes and that includes Franco himself! I remember the first time I saw Romay in hardcore scenes I was rather shocked because I always considered her an "actress". Seeing Franco in these scenes just made me laugh my ass off because I couldn't believe what I was seeing. Having seen Franco in countless interviews and other films, to see this here was simply shocking. Either way, none of this stuff is shot too well and it's clear they were filmed differently than the rest of the film. It's also worth noting that the producer's didn't bother to change the soundtrack, which leads to some pretty silly moments. In the "horror" version there are several scenes were women are stabbed and we hear their screams. This soundtrack of screams is also used in this hardcore version, which makes for a few funny moments since these screams don't match up with what's going on in the film.

01/21/07

Lilian (La Virgen Pervertida) (1984)

This Jess Franco film actually become a huge hit and somewhat historical in his country of Spain. While filming this movie Spain finally removed their no porn policy so Franco went and shot some hardcore scenes making this the countries first (legal) porno. To call this a porno is pretty unfair and takes away from the film because the added scenes are really just there to extend the already there sex scenes. Lilian (Katja Bienert) is found in the desert, near death but when she awakens she tells her savior (Robert Foster) of the hell house she escaped from. She was being held captive by a couple (Emilio Linder, Lina Romay) who ran a brothel and forced her into various sexual acts. In the end, this film is basically about child abuse and the label of being the first Spanish porno is probably going to keep most people away from watching it, which is a shame. I personally wouldn't object to an edited version with the hardcore scenes removed because the film is very strong in its technical style as well as its storytelling. The cinematography is top notch, the music score by Pablo Villa is excellent and Franco wonderfully captures that dreamlike nature that only he can build. This was my first time seeing 17-year-old Katja Bienert and she was very good in the role, perfectly capturing the innocence of her character and the eventual innocence lost.

I showed the following four shorts to my father since he was interested in some early NYC stuff plus the SF earthquake.

Blizzard, The (1899)

Short showing the effects of the 1899 blizzard that hit the Northeast. The footage shown here is believed to have been shot on Union Square. Looks like a mess.

Lower Broadway (1902)

Biograph shorts takes place just where the title says. It's rather funny seeing this famous street with so many people on horses.

Beginning of a Skyscraper (1902)

Showing construction workers starting on the new Macy's building on 35th and Broadway.

San Francisco: Aftermath of an Earthquake (1906)

Short showing the aftermath of the infamous earthquake. This is one of my favorite short subjects since it has a wild variety of historical footage.

Mr. Bride (1932)

Hal Roach short with Charley Chase being forced to play a bride so that his boss can practice his upcoming wedding. The whole film centers around the joke that two men have to walk around pretending to be man and wife. There are a few funny moments but not enough for me to rewatch this.
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#194
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Re: Track the Films You Watch (2007)

Mortuary (2006)

Viewed 1/15/2007 (first viewing)

Murky, muddled, Tobe Hooper mishmash about a widow and aspiring
mortician who moves into a dilapidated funeral home with her two
children. Too bad the place was built on cursed ground! The half-
baked plot includes deformed mutants, bile-spewing zombies and dead
teenagers to little effect.

out of


Tamara (2005)

Viewed 1/15/2007 (first viewing)

Middling entry in the revenge of the living dead subgenre adds a dash
of Carrie. A mousy girl with an unpopular anti-drug stance is
accidentally killed by her high school peers during a cruel prank.
She then comes back from the dead, the hottest zombie since Return
of the Living Dead III
, looking to dish out some justice and score
with her hot English teacher.

out of


Near Death (2003)

Viewed 1/15/2007 (first viewing)

A group of parapsychologists investigate the supposedly haunted home
of a murderous movie director and find it inhabited not by ghosts, but
flesh-eating ghouls. Not a bad premise, but laughably cheap.

out of



Psychopathia Sexualis (2006)

Viewed 1/16/2007 (first viewing)

These tales of sexual perversion and repression in Victorian times are
alternately funny, disturbing and sad. Double-bill this with Of Freaks and Men.

out of


The Calamari Wrestler (2005)

Viewed 1/16/2007 (first viewing)

Cult item from Japan has a giant squid mysteriously appearing after a championship wrestling match to defeat the champion in an unscheduled bout. Is this tentacled fighter the reincarnation of a former wrestling champion? Played straight even though it's quite obvious
the squid is played by a man in a suit. Just bizarre.

out of


Topkapi (1964)

Viewed 1/17/2007 (first viewing)

Light-hearted heist flick from Jules Dassin has a motley group of
thieves scheming to steal a priceless bejeweled dagger from a
Constantinople museum.

out of


Action in the North Atlantic (1943)

Viewed 1/17/2007

Humphrey Bogart and Raymond Massey are Merchant Marines battling Nazi
subs on the high seas in this exciting WWII actioner.

out of


Welcome to the Dollhouse (1995)

Viewed 1/17/2007 (first viewing)

Todd Solondz' indie hit about a junior high school girl who is picked
on at school and unsupported at home. Painfully accurate account of
what it's like to be an outcast.

out of


Storytelling (2002)

Viewed 1/17/2007 (first viewing)

Lesser outing from Todd Solondz is told in two parts: in "fiction," a
white college literature student writes an account of her tryst with a
black professor and in "non-fiction," an angst-ridden teen becomes the
subject of a documentary. Engrossing, but it never seems fully formed.

out of


One Wonderful Sunday (1947)

Viewed 1/18/2007 (first viewing)

Early effort from Akira Kurosawa chronicles a Sunday in the life of an impoverished young couple. They tour a house they can ill afford, play baseball with children, try to attend a concert (only to have scalpers buythe last of the tickets) and mull over their future. Entertaining change of pace from the director even has him breaking the fourth wall!

out of


All These Women (1964)

Viewed 1/18/2007 (first viewing)

Ingmar Bergman farce (!) has a stuffy critic visiting the home of a famous cellist in the hope of getting biographical material. Unfortunately the cellist's coterie of lovers prove to be a formidable obstacle, frustrating and humiliating the critic at every turn! Light and frothy, with touches of Fellini and Tati. Lovely photography by Sven Nykvist.

out of


Flesh Freaks (2003)

Viewed 1/19/2007 (first viewing)

Or, Hey Mom! Look What I Did With That Camcorder You Got Me For Christmas! An archaeological expedition in South America accidentally unleashes a plague of alien-spawned zombies. Super cheap production adds elements of Invasion of the Body Snatchers to the usual zombie recipe. If the results are like this, maybe we would be better off controlled by aliens!

out of


SARS Wars: Bangkok Zombie Crisis (2004)

Viewed 1/19/2007 (first viewing)

Wacky, frenetically-paced action comedy about a young hero recruited
to save a kidnapped girl from mobsters. But the apartment building
she's being held in has been infected with a deadly strain of the SARS
virus that turns its victims into flesh-eating zombies! AND there's a
giant snake that meows! Aided by his eccentric master and a hot
female scientist, can he rescue the girl and fight off the badguys,
the zombies and the snake? More importantly, will she put out for
him? Bizarre plot twists, transsexuals, anti-drug messages and the
deux ex machina to end all deux ex machina are just some of the items
on display in this cartoonish Thai outing.


out of


A Little Trip to Heaven (2005)

Viewed 1/20/2007 (first viewing)

Maudlin mystery thriller set in Minnesota but filmed in Iceland by director Baltasar Kormakur. Forest Whitaker (sporting a dubious and inscrutable accent) is an insurance investigator looking into a mysterious death; Julia Stiles is the potential million dollar beneficiary. Not bad, but it never really gels. Stiles isn't quite convincing as trailer trash and I'm not sure what Whitaker was going for with that funky accent.

out of


Blast of Silence (1961)

Viewed 1/20/2007 (first viewing)

Noir gem about a lonely hitman who arrives in New York City to take on a new assignment. But he starts to have doubts - and hopes - when he runs into an old acquaintance. Familiar material is handled in a gritty, realistic fashion. The hard boiled narration is by Lionel Stander!

out of


In My Skin (2002)

Viewed 1/21/2007 (first viewing)

A woman becomes obsessed with a wound on her leg and soon begins mutilating herself in this grisly but
not especially compelling character study. If you think picking scabs is gross, stay far away from this one.

out of


Lovers of the Arctic Circle (1998)

Viewed 1/21/2007 (first viewing)

Spanish romancer about a young boy and girl who fall in love at first
sight only to have their love challenged at every turn by a string of
odd coincidences.

out of
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#195
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Re: Track the Films You Watch (2007)

Stage Beauty (2004)

Surprisingly, I enjoyed this movie. Not as well-crafted as Shakespeare in Love, somehow it seems to have more heart. Claire Danes and Billy Crudup are both wonderful in their parts. I was puzzled by their romantic interest in each other, thinking that Crudup's characters interests laid elsewhere. Overall a fun movie.
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#196
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Re: Track the Films You Watch (2007)

Theatrical Films Watched in 2007:

January
1/1- Charlotte's Web (2006- Second time)
1/3- The Prestige (2006- Second time)
1/5- Little Children (2006- Limited Release)
1/7- Night At The Museum (2006- IMAX)
1/12- Stomp The Yard
1/21- Notes On A Scandal 1/2
1/26- Pan's Labyrinth
February
2/4- Dreamgirls (third time)
2/4- Catch and Release 1/2
2/24- Babel 1/2
2/24- The Queen
2/24- Letters From Iwo Jima 1/2
March
3/9- Reno 911: Miami
3/16- 300
3/23- Zodiac
3/25- Shooter 1/2
April
4/1- Meet The Robinsons (Digital 3D)
4/6- Grindhouse (Planet Terror: & Death Proof )
4/25- Sunshine (2007)
4/28- Hot Fuzz 1/2
May
5/4- Spiderman 3 1/2
5/19- Shrek 3 1/2
5/28- POTC: At World's End
June
6/1- Once
6/2- Knocked Up 1/2
6/3- 28 Weeks Later
6/9- Ocean's Thirteen 1/2
6/25- Evan Almighty
6/29- Live Free Or Die hard 1/2
July
7/1- Waitress
7/8- Ratatouille 1/2
7/13- Harry Potter & The Order Of The Phoenix 1/2
7/16- Hairspray (2007) 1/2
7/27- Hairspray (2007) 1/2
7/28- The Simpsons Movie 1/2
7/29- The Simpsons Movie 1/2
7/31- Hairspray (2007) 1/2
August
8/3- The Simpsons Movie 1/2
8/4- The Bourne Ultimatum
8/5- Hairspray (2007- Sing-along version) 1/2
8/10- Transformers (2007)
8/17- Harry Potter & The Order Of The Phoenix (IMAX) 1/2
8/18- Superbad 1/2
8/19- Death At A Funeral
8/26- The Simpsons Movie 1/2
September
9/17- 3:10 To Yuma (2007)
9/22- Across The Universe 1/2
9/23- Eastern Promises
9/24- In The Valley Of Elah
October
10/21- The Jane Austen Book Club
10/24- The Darjeeling Limited
10/27- Blade Runner: The Final Cut 1/2
10/31- Halloween (2007)
November
11/1- Juno 1/2
11/4- Dan In Real Life
11/22- Enchanted 1/2
11/24- Beowulf (Digital 3D)
11/25- August Rush
December
12/1- American Gangster 1/2
12/1- Elizabeth: The Golden Age 1/2
12/2- No Country For Old Men 1/2
12/6- Juno (second time) 1/2
12/7- The Golden Compass
12/8- Lars & The Real Girl
12/18- Sweeney Todd (2007)
12/21- Sweeney Todd (2007)
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#197
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Re: Track the Films You Watch (2007)

Deadline at Dawn (1946) 5/10
Noir/drama set in New York, where a sailor on leave gets mixed up in a murder. The script isn't constructed very well, and a lot of the dialogue is turgid and silly. Susan Hayward does what she can with her role, as a cynical nightclub hostess who warms up to the young sailor's plight, but Paul Lukas is bizarrely cast as a wisdom-dispensing cab driver. The romance that develops isn't very convincing, and the resolution of the mystery is pretty ridiculous. A few decently effective suspense scenes keep it from being a total dud, and they were probably due mostly to the cinematographer, Nicholas Musuraca, most famous for the iconic noir look of Out of the Past.

The Gay Falcon (1941) 6/10
First in a series of movies about a crime-solving high society ladykiller played by George Sanders. He was well cast for this sort of role, and there are a few amusing scenes as he bounces back and forth between his long-suffering fiancee and the various other women who throw themselves at him. But neither the comedy nor the mystery amount to all that much in the end.

Red Dust (1932) 8/10
The original version of the story that was eventually re-made as Mogambo, both of them starring Clark Gable. Jean Harlow and Mary Astor originate the roles in this one that were played by Ava Gardner and Grace Kelly in the remake. The story seems a bit leaner in this one, with somewhat better balance between all the main characters, and the Gable/Harlow pairing that returned in several other movies generates some very good chemistry here. Astor brings a bit more personality to this role than Kelly did in the remake, although I think Gardner's performance in the later movie is the best out of all of them in either film.

Carmen Jones (1954) 8/10
Dorothy Dandridge's most famous role was in this musical, based on a stage play that re-interpreted Carmen with English lyrics and an all-black cast. I had seen this one on TV some years back, but never on DVD until now. The main characters aren't particularly well-rounded, and I don't think Harry Belafonte did much with his lead role, but the primary appeal is Dandridge's sizzling performance. The supporting cast is great, including Pearl Bailey and Joe Adams, who was Ray Charles' manager for many years, playing an amusingly self-absorbed boxing champion. Most of the singing voices were dubbed, which is sort of incongruous for the songs that Belafonte's characer does, but it was very well done for Dandridge's lead role.

Mike, you've been on a black cinema kick of late, were you planning on seeing this one too? I'd definitely recommend it. Dandridge was incredibly hot and terrifically charismatic in this role.

The Day the Earth Caught Fire (1961) 8/10
British sci-fi classic about apocalyptic weather shifts around the world being caused by out of control nuclear testing. I wasn't all that much into the main romantic storyline, even though Janet Munro was very hot, but the indirect journalism angle on the sci-fi plot -- the details are gradually uncovered by newspaper reporters who see through all the official government denials -- is interesting and very well done. The Anchor Bay DVD has great picture quality but not-so-great sound, which made the dialogue difficult to understand at times; maybe it would have played even better for me with a clearer soundtrack.

Letters From Iwo Jima (2006) 8/10
Review here in the discussion thread.
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#198
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Re: Track the Films You Watch (2007)

Quote:
Mike, you've been on a black cinema kick of late, were you planning on seeing this one too? I'd definitely recommend it. Dandridge was incredibly hot and terrifically charismatic in this role.

I recorded this from TCM a few days (or weeks) ago but will get to it at a later time since I'm trying to go through the 1920s-40s first with a tad bit of 70's blaxploitation whenever the well runs dry. Not to mention my Franco kick, which comes and goes at various times throughout the year.

Outside of the bad transfers from Alpha, I'm having a pretty hard time tracking down some of these films. A book I'm currently reading says that nearly 80% of all "race" films are now lost, which is a shame. The movies of the 20s-40s aren't that good but they are interesting.

Having become a fan of Spencer Williams, I'm going to start on the AMOS 'N ANDY show and a documentary from 1986. I've never seen the show but know about it being canceled due to the NAACP so I'm sure I'll have more to say once I read up on this and view the show and documentary. I've also managed to get in contact via e-mail with some family members of the original cast, which makes me even a bit more outraged at how the show was thrown into a closet and left to die. However, I guess I should hold my comments until I actually view some of this stuff.
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#199
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Re: Track the Films You Watch (2007)

International House

Very much in the spirit of the Big Broadcast films, this is a hodgepodge of different radio personalities (what most of them were mostly known for at the time), with some ridiculously thin plot to sort of hold it all together. Kind of interesting to see Rose Marie as a child singer, and you do get a good sense of Burns and Allen, but it's not much of a movie, and some of if it is good only as a sociological time capsule (every one in this movie knows who Peggy Hopkins Joyce is, the same way you'd know who Britney Spears is).

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#200
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Re: Track the Films You Watch (2007)

I Am Cuba

Visually stunning piece of mid-60's propaganda from Russian director Mikheil Kalatozishvili. It's a bit over the top sometimes in its characterization of Americans, etc., but it's also some of the best cinematography I've ever seen. My neighbour was one of the cameramen during the filming and he told me that Kalatozishvili really had an incredible sense of what he wanted to do on film. He also described the rig they used to handle the famous shot that seems to float out over the funeral crowd (handheld until they reached the window when they slid it into the rig). I can see the wires in place between the buildings now, but it doesn't take a thing away from the beauty. Another influential shot is the one that starts on top of the hotel with a band playing and descends to a pool deck through many other guests to follow a woman straight underwater into a pool. P.T. Anderson name checked this during the commentary of Boogie Nights and said he wanted to go one step further by then continuing the shot out of the pool. The rest is equally as beautiful to watch, but the 4 separate stories won't exactly brighten your day.

Scoop

I'm just not overly impressed with Woody Allen's 2 recent Scarlett Johanssen offerings. While Match Point actually built up to a decently suspenseful ending (though past the point where I really cared what happened), this one just never got off the ground. Much of the problem had to do with Johanssen as her comic timing and overuse of facial expressions didn't click. Of course she wasn't helped by a pretty lame script which only had a couple of good lines (all given to Woody's character).

The President's Last Bang

Pretty spiffy dramatization (actually a black comedy at times) of the 1979 assassination of the leader of South Korea. It's all a bit confusing at times, but the pace is quick and the directing stylish.

Le Mans

Frankenheimer's Grand Prix is still the best racing movie I've seen, but this one's got some great footage as well. Of main interest is the style - it's filmed almost as documentary at times and there's very little dialogue (40 minutes go by before there's any interaction between 2 characters). This is certainly different, but it's at the cost of really caring much about the drivers themselves and so the drama is lessened as the race comes to an end.

Torn Curtain

Quite good late period Hitchcock. I was afraid that some of these later period ones would be duller, but I really got into the story (even though it was a tad overly long). Julie Andrews doesn't quite work for me in her role, but it's not a big detraction. The killing inside the farmhouse is brillantly handled.

The Grudge

I'm a fan of Takashi Shimizu's Ju-On films in Japanese (really effective creepy atmosphere) and since he's at the helm of the American remakes (both The Grudge and the recent The Grudge 2) they both retained much of the spookiness of the originals. I know many people claim they aren't scary...That's fine, but they're looking for something the films aren't. Instead of jump scares, you just gradually curl up into a ball on your couch...

Symbiopsychotaxiplasm

I've always liked the idea of experimental films. Cool concepts that could lead to totally unexpected end results. The reality of course is that they may meet the end goal of the creator, but don't always provide much interest for the viewer outside intellectual dissection. The idea of this film - to film the people filming the film and give them leeway to discuss and comment on the filming - is an interesting one that provides occasional insights (the first meeting of the crew without the director where they question his methods and goals), but it just doesn't end up going anywhere and just eventually stops. The film they are making within the film is just a red herring of sorts as it is extraordinarily lame in its script and direction. Though that's part of the point (a neat idea), it doesn't provide much excitement. The Criterion release includes part 2 of the film made decades later, but I just didn't really care to see it.

Blind Beast

Odd and occasionally fascinating Japanese exploitation flick from the late 60s. A blind sculpter kidnaps a young model in order to intensely study her body to create the ultimate work of art. Eventually, as she is shut away from the rest of the world, she joins his fevered search for new experiences and they end up together in his studio. The last 10-15 minutes are slightly disturbing as we see the depths the characters sink to and it's kind of interesting - but in the end it doesn't really make me want to view it again.
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#201
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Re: Track the Films You Watch (2007)

Quote:
Christmas in July

Another winner from Preston.
Yeah, absolutely...Outside my 2 favourites of his (which aren't in the set - Miracle Of Morgan's Creek and Unfaithfully Yours), this is my favourite Sturges so far. I just watched Great McGinty and though I liked it, it doesn't quite have the sharpness. I still need to see The Great Moment and Hail The Conquering Hero for the first time.
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#202
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Re: Track the Films You Watch (2007)

'The Burbs (1989)

Fun movie about Tom Hanks and neighbours protecting their own in the suburbs. Good editing and effective music makes this fun to watch. Loved seeing Henry Gibson in the part of the evil Doctor.
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#203
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Re: Track the Films You Watch (2007)

1/20: Forbidden Planet (195X) out of

I enjoyed it, and I can see how and why it was influential to the science fiction shows and movies that followed it. However, the story is merely average, and it felt like it was missing that key ingredient that would propel it to true greatness.

1/21: Pan's Labyrinth 1/2 out of

Comments in discussion thread

1/21: The Prestige out of

The nonlinear plotting, acting, costuming, and several other elements combine to make this tale of obsession a joy to behold. My only gripe is that Tesla's device is far too advanced for the 21st century, let alone the 19th, and the movie did not do anything to make that plausible in my eyes.
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#204
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Re: Track the Films You Watch (2007)

I'll be interested Bob, in seeing what you think of Hail the Conquering Hero, one of my faves. I also have not yet seen The Great Moment, though it's in the queue.

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#205
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Re: Track the Films You Watch (2007)

Cold Mountain

Civil War yawnfest. Gets an extra due to the always annoying Zellweger. I am not at all surprised that this was written and directed by the man who wrote and directed The English Patient.

"Movies should be like amusement parks. People should go to them to have fun." - Billy Wilder

"Subtitles good. Hollywood bad." - Tarzan, Sight & Sound 2012 voter.

"My films are not slices of life, they are pieces of cake." - Alfred Hitchcock"My great humility is just one of the many reasons that I...

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#206
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Re: Track the Films You Watch (2007)

Hi, Michael invited me to come, but I'm not sure just what he wants to chat about with me here...
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#207
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Re: Track the Films You Watch (2007)

title: the sentinel
rating: c
comments: standard fare and pretty much what i expected. nothing to really set this apart, but enjoyable to watch. note: there is a scene near the very end that was so ridiculously stupid it took me *completely* out of the movie. it irritated me so much i almost knocked this rating down a grade.

 

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#208
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Re: Track the Films You Watch (2007)

Quote:
Hi, Michael invited me to come, but I'm not sure just what he wants to chat about with me here...

Jump in whenever. You can see how the thread works.
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#209
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Re: Track the Films You Watch (2007)

I don't think this is a thread for me...
I tend to have some patterns in watching the films...
for example:
- I put emphasis on quality, not quantity of watched films,
- I extremely rare watch new films and modern Hollywood blockbusters,
- I'm very interested in a few subgenres/directors, and very often I watch only films of one subgenre/director for a few months, and than I move to the other one...
- I have some favourite films which I sometimes watch every day if I'm in the mood... I could be spending that time watching something new, but I really don't care...
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#210
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Re: Track the Films You Watch (2007)

Actually M, this thread is perfect for you...

Seriously, go back a few pages and you'll see that the range of films being discussed is, well, everything. Some people go on binges of one director or one style at a time.

As far as the quality vs. quantity statement, you've set up a bit of a straw man argument there. We all want quality in our films. Some of us are just trying to get both quality AND quantity.
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