Re: Let's Share Some Goth
Zen,
IMO, the definitive Type O is October Rust. Bloody Kisses is probably the closest they've come to commercial success, but to me October Rust will always be their best. But everything the've done since BK is fantastic in my book. I think if you like BK, you should probably try their other original releases since that record, which are October Rust, World Coming Down and Life Is Killing Me.
There's also The Least Worst Of, which is, you guessed it, a compilation record with some unreleased tracks and such.
The two releases they did before BK, Slow Deep & Hard and Origin Of The Feces are interesting, but I don't think it automatically follows that if you like the newer Type O, you'll like them. Type O is also due for a new album towards the end of the year.
Since Skinny Puppy was mentioned, I'll mention Front Line Assembly. Awesome electro-industrial stuff. Bill Leeb, one of the creators of the project, was originally in Skinny Puppy. FLA's last four releases have been awesome. My favorite is Implode, with Epitaph, Civilization and the recently released Artificial Soldier just a hair below them. If you really get into this stuff, check out the Vanished EP for a couple of kick-ass tracks that didn't make the Civilization record for some reason.
Leeb & Fulber's Delerium also did some very nice female-voiced techno albums. Check out clips from Semantic Spaces, Karma, Poem and Chimera. I've been hooked on those records for quite some time. Conjure One (Fulber's project) is another great moody electro-pop project.
With all these female-fronted bands being mentioned, I'll go ahead and say The Gathering is well worth your time if you like any of the others mentioned. Anneke has quite possibly one of the best and most emotive female rock voices I've ever heard. The band started out as sort of a death metal project in the early 90's, but then she joined and they started evolving with each subsequent record. Mandylion is almost a progressive metal record, but very moody. Nighttime Birds is a little more upbeat, and has some great hooks. How To Measure A Planet starts to get away from the metal sound, but also has some very memorable songs. They've gotten increasingly experimental on the last few records, but it's all still great stuff.
I'm sure I'll think of more, but I'll end on sort of a shameless plug.
I was part of a goth-progressive band called Braindance in the late 90's in NYC. The band has been on the verge of securing a good record deal several times, but it just never happened. All of their releases are independent, and they're currently working on their latest, for which I am once again recording the bass parts.
The most rudimentary comparisons are always to Type O, since Braindance's vocalist also has a lower voice, but to me there's always been more to the band making them unique.
You can check out clips from their last record here:
www.progressivedarkwave.com