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| Frankly, I really liked the direction of the action scenes. Putting Batman at the borders, in and out of scene showed the disorientation someone would feel around him, a feeling Batman would WANT. It keeps him safer, in and out of the shadows. |
Exactly. The film's critics seem to bemoan the fact that there wasn't a clearly coreographed, fully lit, wide shot fight with Batman. They don't seem to get that that's not how Batman works; if he tried to fight guys with machine guns like that, he'd get chewed up. It's always been my dream to see a horror film with Batman as the villain, like "Usual Suspects" only with Batman instead of Keyser Scoze as terrifying presence. From the moment the first guy gets sucked suddenly into the darkness, I was hooked. It was the PERFECT representation of Batman for me.
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| Caught a matinee and would have no problems seeing it again and soon! I think reviewers pointing out its "humorless" approach probably go home and enjoy the Batman TV show. |
Amen. This film had as much humor as it could bear without losing its focus on a fairly grim subject matter. All of the one-linears had the audience roaring in my screening. I thought they were some of the best placed bits of humor in a while.
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| Gary Oldman was a bit underused, but his first scene with child Wayne was wonderful. His facial expressions said so much! |
I thought Gordon was utilized perfectly. Even though he didn't have a huge amount of screentime, every moment was perfectly utilized. For instance, when Batman visits him at home, it says so much about the nature of his character; what a warm yet working-class environment in the midst of an urban nightmare.
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| i love how people saw Batman flying over head in their drug induced state- not the way the effect was rendered, but rather the idea that here is the character, finally exposed to a wide swath of people, and the first impression they get of him is as some kind of sentinal demon. |
Me too! I also just liked the idea of Batman soaring effortlessly over his city, only in a more dynamic way that Superman's unburdened flight. He is literally EVERYWHERE in the slums of Gotham.
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| the double slap was great. it felt honest, not just a cliched confrontational move. |
I agree. The Rachel subplot was still the weak link of the film, but never did it detract like the other Batman girls, and at several points (including that one) added to things a good deal as well.
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| in addition to a brain and a heart, this is the first Batman movie to finally possess a soul. |
Not only that, but the first one to give him justification and make him human. Spider-man and Superman have that built into their origins, but Batman didn't have that until now. By the time he took to the streets, I never once questioned why he was doing it.
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| The Ducard angle was perfectly played in the teasers/trailers. I can't believe I didn't see it coming, but it makes the casting MORE brilliant. I had a huge smile when the realization hit (same time as it hit Bruce). I love it when the film works. |
I thought it was another great way the film adapted the spirit of the character rather than the literals. Inserting the Lazarus Pits into this story would have been ridiculous, but by making Ras A'Gul a title instead it makes him in effect immortal.
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| Like Paul, I really want to talk about this, but I need to see it again to collect my thoughts. I admit to being close to the material, but the feeling is like something getting a book that you love deeply (because of the themes and characters) exactly right in an adaptation. |
Indeed, like the first time I read the newest Harry Potter book, it seems at first glance far too long, but while I'm in the middle of it I don't want it to ever end.
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| Prior to viewing the film, I had heard that the Joker left his calling card at the end of the film. I was pleasantly surprised to see that a normal Joker card was used, and not a "cartoon version" of a Joker card. It really ground the film more into reality for me. |
Same here. So much promise, if the sequels keep the same feel and the same world of Gotham.
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| Besides that, why do they always feel the need to kill the villain? |
This should go without saying, but while we saw the train crash, we never saw him get disemboweled. That door is always still open

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Was I the only one who teared up a bit when Alfred took Bruce down the elevator when the mansion was burning and Bruce reiterated "You still haven't given up on me, Alfred?" and Alfred reiterated, "Never." Considering how much Bruce has had ripped away from him over his life, having a relationship that loving and that pure damn near made me weep.