Herb Kane
Screenwriter
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Freaks
Studio: Warner Brothers
Year: 1932
Rated: Not Rated
Film Length: 62 Minutes
Aspect Ratio: 1.33:1 Standard
Audio: DD Monaural
Color/B&W: B&W
Languages: English
Subtitles: English, French & Spanish
MSRP: $19.97
Package: Single disc/Keepcase
The Feature:
On August 10th, Warner Brothers released a wave of titles that range from a once banned movie - to horror films - to classic crime drama thrillers. Slated for release, the 1956 Mervyn LeRoy classic The Bad Seed, the Bette Davis thriller Dead Ringer (1964) a double bill feature, Village Of The Damned (1960) paired with the follow up Children Of The Damned (1963) and the feature film, the once forbidden 1932 film, Freaks. The film was directed by Tod Browning and stars Wallace Ford, Leila Hyams, Olga Baclanova and Harry and Daisy Earles.
Typically when you plunk in a 1930’ish disc and the MGM logo pops up, you’d expect a lavish musical production, that is after all, what the studio became so famous for. Not so with Freaks. It’s not very lavish, and it’s certainly not a musical. The film was first released in 1932 and was an abysmal failure and subsequently banned in England for more than 30 years because of the controversial casting and portrayal of real people with grotesque physical deformities.
Not that the plot or the acting is of any real significance, but the story centers around a traveling circus where a pair of midgets Hans and Frieda (played by Harry and Daisy Earles) become embroiled in an interesting love triangle involving Cleo (played by Olga Baclanova) the circus trapeze artist. While Frieda is madly in love with Hans, he has his sights set on the beautiful high wire performer. Initially, Hans shows his affection towards Cleo by offering her trinkets and jewelry but she soon discovers that he is heir to an enormous fortune and realizes this is her ticket out of the circus and so she agrees to marry him.
Frieda has Cleo pegged from the get go, and realizes she is doing nothing more than using Hans while she’s really in love with the circus strongman Hercules (played by Henry Victor). Soon after, Hans becomes desperately ill and Frieda and the rest of the troupe discover Cleo has been poisoning Hans in an attempt to get at his fortune. The rest of the “freaks” also learn what’s been going on and come to the aid of Hans as things suddenly go afoul for Cleo…
In the 1960’s, Freaks developed a huge cult following at midnight shows. However, I can’t imagine the following really has anything to do with the quality of the storyline or the performances that were rendered. Let’s face it, on the surface, the film really does nothing more than to showboat these less fortunate individuals. However, once you scratch the surface you then become suddenly cognizant of the inner feelings for these less fortunate souls through the emotions they display. The troupe consists of several midgets, a living torso, whose main attraction is lighting a match with his teeth, Siamese twins Daisy & Violet Hilton, half bodied Johnny Eck, a bearded woman and numerous microcephalics (“pinheads”). But Browning’s intent was clearly to show the freaks as compassionate people who were indeed real, rather than inhuman grotesque outcasts, void of any real feelings.
The Feature: 3.5/5
:star::star::star:1/2
Video:
It’s obvious the original elements were in rough shape. The end result is a transfer that is very good, but not remarkable.
Black levels are adequate and whites were just on the slightly gray side. Contrast was satisfactory although I found shadow detail to be somewhat lacking. The end result… was a level of grayscale that was rather limited.
Image detail was mostly soft throughout the entire film, though there were examples of sharp image definition. There was one exception, that being the final “happy ending scene”. Obviously the source was in terrible shape resulting in a very poor dupey looking scene, lacking any real definition. Thankfully, this doesn’t last long. Even though there was a moderate amount of medium to coarse film grain present throughout the entire film, it lacked any real depth or dimensionality.
There were significant amounts of dust and dirt blemishes as well as scratches and splices that persisted throughout. There were also frequent light specks as well as shimmer. Compression problems were never an issue nor was haloing.
There are many impressive looking shots here to be found, unfortunately, there are many that appear rather rough as well. Under the circumstances, I’m sure WB did the best they could what the elements they had to work with.
Video: 3.5/5
:star::star::star:1/2
Audio:
Surprisingly, there is a fair amount of hiss present that persists throughout the film and there is occasional crackling as well.
The overall tonal qualities of the track sound rather harsh and even crude at times. Many of the performers have various physical and debilitating abnormalities making their dialogue difficult to understand at the best of times. Unfortunately, I found myself going back a number of times trying to hear and understand what they were saying as it became edgy and shrill at times.
As you might expect, there really is no dynamic range to speak of. Hey, the film is 72 years old, so given the inherent limitations of the period, this track is better than you might expect.
Audio: 2.5/5
:star::star:1/2
Special Features:
Surprisingly, this wave of Warner Brothers horror films contain numerous and substantive special features. Freaks starts off with:
[*] A Special Message Prologue which is a scrolling text message that briefly outlines some of the history surrounding many famous individuals who were featured in circus and carnival type acts and gently warns viewers what they’re about to see. This option also appears on the main menu so you can access it easily without having to enter the special features area. Duration: 2:34 minutes.
[*] Next up is a Commentary By David Skal, noted horror film expert who offers up a treasure trove of information pertaining to the film and many of its characters. He enlightens us with a significant amount of historical data that is indeed interesting. He also discusses the production and public reaction to the film. His commentary is quite informative.
[*] Freaks: The Sideshow Cinema. Skal once again takes the lead here in addition to a number of other contributors such as circus sideshow historians including Todd Robbins who covers the film from start to finish. A number of the film’s characters are discussed. The feature digs pretty deep and turns up a lot of interesting and historical information. Definitely worth your time..! Duration: 63:21 minutes.
[*] And finally, the Alternate Endings segment, Skal narrates through the film’s various endings. Skal describes the various revisions including the two examples where the ending now exists. Skal is obviously an expert when it comes to knowledge of the film and he certainly knows his stuff. Duration: 5:57 minutes.
Special Features: 4/5
:star::star::star::star:
**Special Features rated for the quality of supplements, not the quantity**
Final Thoughts:
Even after 72 years, whether intentional or not, Freaks elicits an uncomfortable feeling. While the film spends more time highlighting the evil of “normal” humans and displaying the morality and integrity of the “freaks”, one can’t help but feel for the characters and feel that a certain amount of exploitation was taking place regardless of Browning’s intent. However, a comment from one of the special features sums this up best; “far be it for us to decide what’s exploitive for others”… The film was certainly ahead of it’s time and was recently selected for the National Film Registry’s archive of “cinematic treasures”.
As for a recommendation, that’s a tough call. This isn’t a film that going to appeal to everyone. However, I do believe it is a film that should be seen at least once. If you are already a fan of Freaks, the extras are terrific and the presentation is better than I expected, so there’s no need to proceed with caution.
Overall Rating: 3.5/5 (not an average)
:star::star::star:1/2
Release Date: August 10th 2004