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2003 Foreign, Alternative and Independent Films

#1
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This thread will keep track of the independent and foreign films released throughout the year, which often go unnoticed and dwarfed by the more mainstream and big budgeted films. This list will be updated monthly around the early part of each month.

If there are any films, which you have seen and would like to include on the list, please let me know. In addition, feel free to discuss any of these films in this thread.

Jason Seaver will be keeping an index of all films reviewed in this thread immediately following this post:

Index of Films Reviewed In This Thread


Films Scheduled for Nov - Dec:






















~Edwin

DVD Unwind: Paradise Now (Coming) • King Kong - - • KeaneThe Squid And The WhaleA History Of ViolenceHarry Potter and the Goblet of FireThe Best Of Youth (Italy) • Good Night And Good LuckHowl\'s Moving CastleWalk The Line - - • ZathuraNorth Country

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#2
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2003 Alternative, Foreign, Independent and Arthouse Films INDEX
  • Terms
  • Mentioned: A single sentence without much to indicate what the person writing it thought of the movie.
  • Micro-Review: A single sentence that indicates an opinion of the movie
  • Mini-Review: A short review; generally a single paragraph
  • Review: A full, multi-paragraph review.
  • Discussion: Someone enters the discussion of a movie without a previous review
Updated 1 January 2004, through post #404



Jay's Movie Blog - A movie-viewing diary.
Transplanted Life: Sci-fi soap opera about a man placed in a new body, updated two or three times a week.
Trading Post Inn - Another gender-bending soap, with different collaborators writing different points of view.

"What? Since when was this an energy ball...
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#3
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Wow... this is going to be a great year. I've already seen most of these films but I still have to see Intacto, Love Liza, and Nicholas Nickleby this week. I'll post my thoughts after I see them.

A few others will be released soon, so perhaps some of these should be added to the list:
- The Good Thief
- Sweet Sixteen
- Ten
- Blue Car
- The Dancer Upstairs
- Irréversible
- Interstate 60
- People I Know
- House Of Fools
- Open Hearts
- The Man Without A Past
- Shaolin Soccer (?)
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#4
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Michael, it appears that most of the films you listed will be opening in North America after the January time frame. Since the main post will be updated monthly, I shall add them in the appropriate month of their release. Thanks.

~Edwin

DVD Unwind: Paradise Now (Coming) • King Kong - - • KeaneThe Squid And The WhaleA History Of ViolenceHarry Potter and the Goblet of FireThe Best Of Youth (Italy) • Good Night And Good LuckHowl\'s Moving CastleWalk The Line - - • ZathuraNorth Country

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#5
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You're right... I should read websites more carefully next time. For some reason I assumed that they were all coming out in NY/LA this month.
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#6
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Russian Ark-very interesting. I'm not sold on the subject matter, but to see a film that is done in one take...very intriguing.

An aside: any idea when Interview With the Assassin might be released?

Edit: N/M...Feb. 21st., Milwaukee. I guess it pays to visit websites.

Bruce


The Mads are calling
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#7
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Max features the best work John Cusack has done since at least The Grifters. His Max Rothman is a German Jew who lost an arm in World War I and with it his dreams of artistic success as a painter. Now he's trying to live out his artistic urges vicariously as an art dealer, but he's a poor businessman. Max hides his sadness under a flippant exterior, but the disguise doesn't fool the people around him.

Into Max's world comes a young Army corporal who also dreams of being a great artist: Adolph Hitler. One of the creepier aspects of the film is watching Cusack banter with Noah Taylor (very convincing as the young Hitler) about art, politics, race and religion. It's like someone cheerfully talking gourmet cuisine with Hannibal Lecter.

The film makes good use of its Budapest locations to reproduce the crumbled mess that was Munich in the Weimar Republic. If it ultimately has nothing new or profound to say about how a monster becomes what he is (Taylor's Hitler is clearly disturbed from the moment we see him), it's worth seeing just for the exquisite shadings that Cusack brings to Max. I recently read a short interview with Taylor in which he pointed out that Cusack's role was much harder than his. How many actors could get away with a line like, "Come on, Hitler, I'll buy you a lemonade"? Cusack does, and much more besides.

M.
Zoloft and Paxil and Buspar and Xanex, Depacon, Chronaphin, Ambien, Prozac,
Ativan calms me when I see the bills.
These are a few of my favorite pills.
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#8
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Has "City of God" been released throughout North America or just in a few select cities?




Crawdaddy
G.W. McLintock: Camille, you're on your own.
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#9
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Just New York and L.A., I think. It's at two theaters here, and Box Office Mojo says it's playing at five in total. It's supposed to expand next weekend.

I would have gone today, but the schedules didn't fit with the rest of my day. I'm hoping there will be more options next week.

M.
Zoloft and Paxil and Buspar and Xanex, Depacon, Chronaphin, Ambien, Prozac,
Ativan calms me when I see the bills.
These are a few of my favorite pills.
(Next to Normal)              HTF Rules & Regs     My 2009 Film List
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#10
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Michael, why was Taylor convincing as Hitler for you? Taylor's portrayal, though thoroughly intense, was way over the top. When I had heard about the premise of this film I was very excited about the possibilities of seeing a Hitler representation that is more than a madman. Here he is disturbed, untalented (even in the art of propaganda, I'd argue), and uncharismatic. All of which seems impossible for a future leader who was elected into office. As for Cusack, I personally didn't think his performance or the line you cited worked very well in the film (was he trying to do an accent?), nor was the character of Max interesting enough to sustain the movie. Tibits about his marriage and infidelities don't add much to the film. I see the main strengths of this film being able to show the unrest, sorrow, and anger that the war brought upon Germans, with great consequences to come. But that is not the focus of Max, so that minor satisfaction cannot overcome my disappointment.
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#11
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Quote:
why was Taylor convincing as Hitler for you? Taylor's portrayal, though thoroughly intense, was way over the top.

I didn't find it over the top. Taylor played Hitler as a sullen, talentless malcontent, who can't get people to pay attention to him and keeps to himself, nursing his resentments until they build to an explosion. I agree that he doesn't even appear to have much talent for propaganda, but I think that's the point. When you first see him addressing a beer hall, he's ignored. At the subsequent meeting (where he's a last-minute replacement), you see some of the audience starting to respond to him, but they're not responding to his oratorical skill so much as identifying with the anger and frustration he's expressing (the actual words he speaks are almost irrelevant). The sources of that anger are layered throughout the film, e.g., the Versailles treaty, the squalor and poverty in which so many were forced to live.

It's been a while since I read any history of the period, but I believe most historians attribute Hitler's rise to power to forces much larger than any personal talent or charisma on his part. I think that's the approach that Max takes. (So does Cabaret.)

As for Cusack, no I don't think he was trying to do an accent. The line I cited wasn't a particularly important one, just an example of how difficult the role is, given the material. As for whether the character is interesting enough to sustain a movie, I guess we just disagree.

M.
Zoloft and Paxil and Buspar and Xanex, Depacon, Chronaphin, Ambien, Prozac,
Ativan calms me when I see the bills.
These are a few of my favorite pills.
(Next to Normal)              HTF Rules & Regs     My 2009 Film List
Win cool stuff: www.hometheaterforum.com/contest for details!
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#12
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It should be noted that since the 2002 thread has now been archived, Jason Seaver has made a very comprehensive index of all the reviews in that thread. The index and the thread can now be found here and will also remain linked in my sig file.

Thanks Jason for all your work.

~Edwin

DVD Unwind: Paradise Now (Coming) • King Kong - - • KeaneThe Squid And The WhaleA History Of ViolenceHarry Potter and the Goblet of FireThe Best Of Youth (Italy) • Good Night And Good LuckHowl\'s Moving CastleWalk The Line - - • ZathuraNorth Country

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#13
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So all the 2002 hold-overs go here? I'm checking a few of these out in the next month as part of the Film Comment Selects: 2003 series. Here is the program.

I'm planning on seeing these, as time permits:
11'09"01 (compilation with S. Makhmalbaf, Lelouch, Chahine, Gonzalez Iñarritú, Imamura, Ouedraogo, Gitai, S. Penn, Tanovic...)
Happy Here and Now (Michael Almereyda)
demonlover (Olivier Assayas)
The Road (Darezhan Omirbaev)
La Nouvelle vie (Philippe Grandrieux)
Combat d'amour en songe (Raoul Ruiz)
Brief Crossing (Catherine Breillat)
Monrak Transistor (Pen-ek Ratanaruang)
Shadow Kill (Adoor Gopalakrishnan)
Strictly Film School , Senses of Cinema, YMDb Top 20
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#14
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City of God opens Friday in Atlanta. Intacto has been playing for a couple of weeks but I won't get a chance to see it since there's still 6 other movies playing that I'd rather go too, and it will probably either be gone Friday or last one more week.

Talk to Her is a must-see. Almodovar walks a tightrope, taking chance after chance, and they all pay off. It's a beautiful and tender film that takes the viewer through a wide range of emotions.

2002 Sight & Sound Challenge: 318  Last Watched: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles

Last 7 Films Watched: The Nightmare Before Christmas - A- / The Kingdom - B- / The Fury - B+ / From Beyond - B- / Small Potatoes: Who Killed the USFL - B / What Have They Done To Solange? - B+

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#15
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So all the 2002 hold-overs go here?

Considering that the 2002 thread is now archived, its fine to discuss here most of the platform released films just now going wide in most cities.

I would most definitely classify City of God as a 2003 film since I have never seen it released in a non-festival arena during 2002.

Here's another recommendation for Pedro Almodovar's Talk To Her.

~Edwin

DVD Unwind: Paradise Now (Coming) • King Kong - - • KeaneThe Squid And The WhaleA History Of ViolenceHarry Potter and the Goblet of FireThe Best Of Youth (Italy) • Good Night And Good LuckHowl\'s Moving CastleWalk The Line - - • ZathuraNorth Country

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#16
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Considering that the 2002 thread is now archived, its fine to discuss here most of the platform released films just now going wide in most cities.

Hmm...no wide release dates for any of the films that I was planning to see.

Incidentally, I think that Almodovar is definitely heading in the right direction with Talk to Her, incorporating his penchant for the provocative subject matter of his early films, with the tempered kitsch and narrative cohesion of All About My Mother. It doesn't quite make my top ten, but it's not far behind either.
Strictly Film School , Senses of Cinema, YMDb Top 20
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#17
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I saw Talk to Her this afternoon and thought it was terrific. Now, thanks to this thread, I'm eager to go see Max .
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#18
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Irréversible (Spoilers, especially if you don't want to know the movie's gimmick)

Well.

Now, don't get me wrong, I think that Irréversible is a very good, bordering on great, movie. Really, I'm in awe of some of the camerawork (unbroken takes), the honest characterization, and the sheer daring of the screenplay and direction.

But, I also kind of wished that I had the convictions of the people behind me who left halfway through. This is a harsh, NC-17-worthy movie, with some of the most brutal violence captured on film. It is thoroughly unpleasant to watch, and I felt kind of uncomfortable with the idea that the ticket price was part of my entertainment budget.

It's not an easy movie to love. It starts with the ending credits, and digresses a bit before getting to the "aftermath" scene. It's the next scene that starts to push boundaries, as Marcus (Vincent Cassel) and Pierre (Albert Dupontel) tear through a gay sex club, looking for "Le Tenia", spewing out invective and out for blood. The camerawork is handheld, the lighting is dark, and the action is visceral. As horrifying as what I saw on-screen was, I couldn't look away.

What's really amazing, though, is what happens after the second (or is it first) extended scene of violence. Since the movie plays in reverse, it would be expected that these scenes would be full of dread, because you know what sort of terrible things are going to happen to Alex (Monica Bellucci), Marcus, and Pierre. But the effect is almost like watching a different movie, about Alex, her boyfriend, and her ex... Except for a few (somewhat ham-handed) bits of ironic foreshadowing/postshadowing, it feels almost completely disconnected from what we just saw, but has its own tension. And, though it ends with the innocence that later events would destroy, it does, at least, give you something to mull over.

½ - but, you'd better be in the right frame of mind. It's the worst date movie ever.
Jay's Movie Blog - A movie-viewing diary.
Transplanted Life: Sci-fi soap opera about a man placed in a new body, updated two or three times a week.
Trading Post Inn - Another gender-bending soap, with different collaborators writing different points of view.

"What? Since when was this an energy ball...
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#19
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It's the worst date movie ever.
I think that should be the film's official poster tagline.
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#20
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Nice take on the film, Jason. It's a nightmare in reverse, in something like 12 or 14 shots.

As well, Jason, the film certainly will make you look twice at a fire extinguisher.

Jason


Buy National Treasure on DVD today...\"The best movie I saw on Saturday night from 7pm to 9:30. The DTS track is freakin\' awesome!\" --Multiplex Drone
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#21
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On DVD in April

Spirited Away
Castles in the Sky
Kikis delivery service

There are more from this director and worth ordering from USA sites or HK sites with subtitles. Once you've seen one I found that I wanted to get them all.

Its really the Japanese Disney......

Cheers Antony

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#22
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I'll put Super Sucker in here because it is a true independent. Apparently Jeff Daniels started a production company and made an indie comedy in his native state of Michigan that made money even though it may not have played outside of the state. So why not try again?

Daniels is writer, director, and star in a comedy about door-to-door vacuum cleaner salesmen. His distributorship isn't having much success, but when he discovers that his wife is using one of the attachments to pleasure herself, he finds the secret to selling more Super Suckers than he can stock.

My full-length review is here, so I won't go into a lot of detail. The general idea could have made for a good comedy. (I wonder what Christopher Guest might have done with it.) Focusing on the naughty use of the vacuum cleaners, though, would have worked better as a scene or a running gag, not for the conceit of almost the entire movie. The film never has the conviction to follow through all the way. Instead, it's a rather tame comedy despite how it might sound.

There isn't one laugh in it, unless jokes around the words sucks and blows do it for you. The film opened regionally, here in the midwest, but didn't do too well according to the box office numbers I saw. No surprise as two other saps saw it when I did, and neither of them laughed once.

I admire Daniels' effort to make a small, independent comedy in his old stomping grounds. This movie is pretty bad, though. Still, it's an accomplishment of some sort when he can get it on a decent number of screens. The film had no ad campaign aside from a spot in the local paper. I didn't even know it was opening here until the day prior. I wish the multiplexes that took a chance on this would do the same thing with an arthouse film occasionally.

Manna From Heaven also has a nice story behind the production. Five sisters have made three films now, with this being the most recent. Here two of them direct. Their mother wrote the screenplay. All appear in the film, with one of the sisters having a major role. The cast is recognizable, with Shirley Jones, Cloris Leachman, Louise Fletcher, Seymour Cassel, Shelley Duvall, Jill Eikenberry, Frank Gorshin, and Wendie Malick appearing.

It's a feel-good indie comedy. A family gets a "gift from God" one day. Thousands of dollars blow out the back of an armored car and into their lives. Years later, though, they learn it was just a "loan" and that they must pay it back.

Manna From Heaven means well and is generally watchable; however, it's too long and unpolished in ways that local/independent films can be. (The sisters are from Buffalo and shot the film there, but one of the directors lives in this area.) It isn't very clear at the beginning that the "family" is not all related but a collection of people living in this one house. Keeping track of who's who isn't the easiest thing in the world either.

Basically, it's a movie for people who are looking for a nice, clean pic with a good message. (It isn't, per se, a religious film, although Catholicism informs the actions of some characters.) While it may not sound like high praise--it isn't--the film is competently made and should hold some appeal for its intended audience.

The sisters are taking the film city to city on a "whistle stop" tour. They've secured screens at a minimum of four theaters when it opens in Columbus at the end of February. The film is self-distributed. They claim some studios had interest in it, but the sisters felt the film would be best served by building word of mouth in cities rather than opening on a slow platform release starting in the biggest cities. Yes, they'd love to have the same thing happen to them that happened with My Big Fat Greek Wedding. (It won't. As generally ambivalent as I am about MBFGW, it is better and more rewarding.) Good luck to 'em, though.

[size=1.5]Read my reviews at www.dvdmon.com
My blog: Reel Times: Reflections on Cinema[/size]

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#23
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Quote:
It's the worst date movie ever.
--------------------------------------------------------------------------------
I think that should be the film's official poster tagline.
I should probably back off that, since, not having brought a date, I don't actually have empirical (or even anecdotal) data on whether this really is a worse date movie than Titus (which, believe it or not, was her idea).
Jay's Movie Blog - A movie-viewing diary.
Transplanted Life: Sci-fi soap opera about a man placed in a new body, updated two or three times a week.
Trading Post Inn - Another gender-bending soap, with different collaborators writing different points of view.

"What? Since when was this an energy ball...
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#24
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As well, Jason, the film certainly will make you look twice at a fire extinguisher.
Actually, I've been terrified of them for quite a while. Heavy metal containers full of smothering liquid, older models of which have a tube which can be used to strangle you. And public places are required to have these weapons hanging around!

One interesting point I saw on the IMDB was that the carnage that resulted from the use of that fire-extinguisher, as well as the blood on Alex's face after her attack, was added via CGI in post-production. It's a clever application of the technology that I hadn't considered, but with Irréversible's unbroken shots, that's pretty much the only way they could do it. Certainly looked "good" enough for me to believe it.
Jay's Movie Blog - A movie-viewing diary.
Transplanted Life: Sci-fi soap opera about a man placed in a new body, updated two or three times a week.
Trading Post Inn - Another gender-bending soap, with different collaborators writing different points of view.

"What? Since when was this an energy ball...
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#25
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Has "City of God" been released throughout North America or just in a few select cities?

It opened in Dallas this last week. My wife and I saw it Saturday and were both completely blown away. The film takes place (almost) completely in the favelas of Rio (and one in particular, that was orgionaly a government housing project designed to relocate people out of the favelas.

The film is uncompromising in its presentation of its subject matter and it is particularly interesting to have seen this so soon after ‘Gangs of New York’.

The cinematography is brilliant right from the beginning to the end, as it changes to match the ever increasing level of violence as the story progresses. The camera moves are smooth and fluid at the beginning, become hand held and jumpy part way through and towards the end are jerky and frequently out of focus. Interestingly, the beauty of Rio is never used as a backdrop in this film—a couple of shots on a beach (which could well be anywhere) and you can see ‘Sugerloaf’ in the skyline at night a couple of times—but noting glamorous.

Music, as it should, plays an important part of the movie, but it is not (for the most part) a seductive samba soundtrack, but frequently harsh, driving music matching the pace of the film.

This film grips you from the very start and never lets go as you are swept along in a tide of drugs and violence. Along the way we get to know many characters well and many more casually—everyone is well defined, even when they are on the screen for a brief period. Along the way we are given enough humor (and know the characters well enough) that we don’t turn from the screen as the violence escalates, but, rather choose to watch everything closely so that we miss nothing.

A brilliant film.
¡Time is not my master!
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#26
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Tibits about his marriage and infidelities don't add much to the film. I see the main strengths of this film being able to show the unrest, sorrow, and anger that the war brought upon Germans, with great consequences to come. But that is not the focus of Max, so that minor satisfaction cannot overcome my disappointment.
I thought that Max’s private life was included, so that the audience would not be immediately sympathetic with Max, but rather find a number of things to dislike. I presumed that this was done so that a good guy/bad guy setup could be avoided. After all when one lead is Hitler, it is just almost unavoidable that the other lead will be more likable.

It is my understanding that Hitler was indeed untalented as an artist—that his paintings lacked exactly what Max claimed.

I was not at all put off by this portrayal of Hitler. If not accurate, it was certainly consistent with what some observed and have written about. The one thing that bothered me about this movie was the implication that Hitler might have taken a different path, had he been (somewhat) accepted as an artist. Others may view that differently (as did my wife). To be honest, I’m still processing how I feel about this movie.

I watched both this and Cidade de Deus in the same weekend and think that I need a musical relief.
¡Time is not my master!
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#27
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Michael Winterbottom’s 24 HOUR PARTY PEOPLE, which was recently released on DVD, is a bold and electrifying account of the transformation of rock music between 1976 and 1992. During this time, Manchester became the center of pop culture and dance rock music with the birth of Factory Records and artists such as Joy Division, New Order, and Happy Mondays. One’s appreciation of this film will depend on your familiarity with these bands. I happen to be a fan of New Order.

The film bursts with raw energy in capturing the music, sex, drugs and atmosphere of the period heightening its level of authenticity. Steve Coogan plays Tony Wilson who is responsible for creating Factory Records and later the famous Hacienda nightclub. Coogan portrays Wilson with such charm and wit as he brings both humor and a cool demeanor to a character prone to literary quotations and classical allusions.

24 Hour Party People vibrantly captures the story of a man, his passion for music and love for his city and an era in music history that is not far too distant in memory.

~Edwin

DVD Unwind: Paradise Now (Coming) • King Kong - - • KeaneThe Squid And The WhaleA History Of ViolenceHarry Potter and the Goblet of FireThe Best Of Youth (Italy) • Good Night And Good LuckHowl\'s Moving CastleWalk The Line - - • ZathuraNorth Country

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#28
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The Pianist opens this FRI in Indianapolis at the Castleton Arts.

Rabbit Proof Fence also opens this FRI in Indy at the Keystone Arts (Key Cinemas).

Talk to Her has a 3 week run coming up at Key Cinemas in about a month.


2007 film list 2005 film list 2004 film list 2003 film list 2002 film list
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#29
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Michael Winterbottom’s 24 HOUR PARTY PEOPLE, which was recently released on DVD, is a bold and electrifying account of the transformation of rock music between 1976 and 1992.

Absolutely. Edwin, let me just second a shout out for this film. I have been a Joy Division and Factory afficionado for as long as I can remember. The idea of Ian Curtis's story (or at least parts of it) being brought to the big screen was never something I thought I'd see happen.
And it was done with the right fusion of pathos and irony so typical of that era.

Andy Serkis (yes, that Andy Serkis)'s turn as producer Martin Hannett (a genius in his own right) is memorable, boisterous, and shows what a range the actor has.

But make no mistake about it... 24 Hour Party People is not an epic tale a la Goodfellas or Boogie Nights. There is practically no script. Most of the scenes are heavily improvised a la Spinal Tap. So instead of being overly dramatized, you feel as if you are there, eavesdropping on some of the most important events of the era. Some viewers may be turned off by the heavy improvisation (some of which falls very flat and causes the movie to grind to a dead halt).

I was personally entranced, because of my longtime fascination with the Manchester scene and all the wonderful music that came out of it.

Steve Coogan is utterly brilliant in this film. Sean Harris's performance deserved accolade upon accolade... he nailed Curtis's personality and mannerisms exactly. I was impressed that Mr. Harris had read Deborah Curtis's biography of her late husband while researching the role. Bloody brilliant.

For me this film was a must-buy. But for most others not as crazed as I, I recommend at least a rental.

On a side note... there are 2 commentaries on the DVD, one from Mr. Tony Wilson himself, and the other from Steve Coogan and the movie's Producer. There is also a very serviceable DD 5.1 soundtrack that has some great surround effects (listen for the helicoptor noise).

~joseph
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#30
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After all when one lead is Hitler, it is just almost unavoidable that the other lead will be more likable.


This quote makes me want to have a sig file, just so I can put it in there. Thanks, Lew.

Not necessarily on-topic entirely, but I feel like I should say something vaguely related, and even though I didn't see these films in the theater video's the only way one's apt to see any of them in the near future. I've been working through a bunch of recent import R3 discs from DVDShelf, including INUGAMI, AVALON, KAIRO (PULSE), and DARK WATER. All of them are quite interesting and different films. (DARK WATER is from the director of the original RING, and AVALON is from the director of GHOST IN THE SHELL.) Not for all tastes - all four films have their confusing elements, and KAIRO and DARK WATER are both way creepy - but worth checking out, and most of them are dirt-cheap (like around $5 US + shipping) from DVDShelf. (I also brilliantly imported KIKI'S DELIVERY SERVICE, three weeks before BV announced it. Sigh. At least I got the OAR TOTORO as well.)
An Incomplete Education - a weekly column on film I write.
I HAVE ALWAYS BEEN HERE BEFORE - a short movie I shot.
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