jimmyjet
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it would sure be nice - might put a little extra heat beneath some of the music holdouts
It has been my experience that anytime digital audio surgery of the type you are describing has been done, the remaining elements suffer greatly. Otherwise, the time and cost to do it "right" would be prohibitive.MishaLauenstein said:I think the postings in my link are quite clear: Mark Ayres had to lift the narration from the combined single track of the original release because he hadn't retained it as a separate track. You create a mask from the known music and remove it from the sound image, leaving just the dialogue and effects.
Perhaps I'm wrong, I don't even know what exactly this CD is, but it doesn't say so at your link that they did what you said they did. So my guess is that they had separate music and narrative tracks for this thing, found a higher quality source for the music years later, and combined it with the old separate narrative track for an enhanced release.MishaLauenstein said:I think the postings in my link are quite clear: Mark Ayres had to lift the narration from the combined single track of the original release because he hadn't retained it as a separate track. You create a mask from the known music and remove it from the sound image, leaving just the dialogue and effects.
The music rights is only part of the problem with WKRP. It is the entire soundtrack that is the problem. Again, just losing a song here or there is not going to be that simple. Ultimately, any music holdouts will have to be replaced with generic music (again the entire audio track for any scene with music replacement will have to be re-recorded from scratch) or scenes will have to be edited out all together. The bottom line cost for the kind of work that would need to be done to simply insert generic music is the other part of the problem. Therefore in order for it to 'make it to the finish line' as you put it just doesn't add up. I really don't see either Fox or Time Life being able to make it work and make it work effectively to satisfy the fans. The fans will be the first ones to cry foul if the job is done poorly.jimmyjet said:you have given me good explanations for the difficulty to overcome.
yet i still highly suspect that it will make it to the finish line !!
when i can see that the only problem is music rights issues, it is something that can be overcome. and i return right back to my original premise - people will pound their fists on the desk for a long time perhaps, but in the end, they will prefer something to nothing. and then get something like timeless, in which there are some restrictions.
Yeah and IF the price is $150 (it could be more and probably won't be less), that would be just under $40 a set. That's high but not crazy. Especially when you consider the amount of music licensing involved.The Obsolete Man said:I'd rather pay $150 for an unedited set than what we got for 20 bucks with season 1.
Yeah, China Beach was $199 for the full four seasons, with virtually all the music intact. Ally McBeal with all music was also $199 for 5 seasons. And when it comes out later this year, I expect The Wonder Years will be somewhere around $199, as well.TravisR said:Yeah and IF the price is $150 (it could be more and probably won't be less), that would be just under $40 a set. That's high but not crazy. Especially when you consider the amount of music licensing involved.
I dunno, Zeppelin has been used in commercials this decade, while Floyd has been used in Cold Case, at the very least.Brian Himes said:Not to put a damper on things, but I'm skeptical that Shout has the clout to get every bit of music licensed. In all honesty, Pink Floyd and Led Zepplin will probably still be holdouts since in the past both groups have refused to allow any licensing no matter what the cost. If Pink Floyd's Dogs can't be licensed then Turkeys Away will have at least one edit in it.
Considering Shout's track record, I'm not going to hold my breath that this will be the stellar DVD release that we have all been wanting forever. I will however try to remain cautiously optimistic and hope for the best.