theonemacduff
Second Unit
How about "lovingly escorted to the digital party"?
For a film based project, the only difference that one should see viewing digital vs. film, is a lack of movement in the frame and a lack of cue marks. Other than that they should look alike.Originally Posted by 24fpssean /t/323399/while-we-wait-for-a-few-words-about-raiders-of-the-lost-ark-in-blu-ray/60#post_3970496
The DCP I saw of Raiders earlier this year looked horrible, but that may have been the venue. Doug Slocombe's almost three dimensional cinematography is very contrasty, deep dark shadows, glowing highlights (Slocombe also shot The Lion in Winter), and projected digitally just made it look terrible, as if it were being projected, well... digitally. I'd just viewed a 35mm print of the film five months before and it was glorious, even with the occassional green scratch. Anyway, I sat there watching the DCP thinking that it would look much better on Blu-ray.
As far as naming conventions for transfers/harvests/scans, I leave that to the Home Theater Forum parliament. For me there is Watchable... and Unwatchable.
I can't vouch for the info but according to Blu-ray.com it's 5.1 DTS-HD MA.Dave Moritz said:Anyone know what audio mix we can expect from this bluray release?
This sounds a bit similar to the experience I had with the 35mm version of this new...whatever you call it. Very contrasty, in fact the opening title blended back into the sky it was so bright. Colors seem very saturated, almost to the point of the teaser trailer on the DVDs. The snake reflection was gone in the Well of the Souls. Also there were some very thin delicate clear vertical lines running through different parts of the Tanis dig sequences, which if I recall is where the on-set negative damage occurred.24fpssean said:The DCP I saw of Raiders earlier this year looked horrible, but that may have been the venue. Doug Slocombe's almost three dimensional cinematography is very contrasty, deep dark shadows, glowing highlights (Slocombe also shot The Lion in Winter), and projected digitally just made it look terrible, as if it were being projected, well... digitally. I'd just viewed a 35mm print of the film five months before and it was glorious, even with the occassional green scratch. Anyway, I sat there watching the DCP thinking that it would look much better on Blu-ray.
As far as naming conventions for transfers/harvests/scans, I leave that to the Home Theater Forum parliament. For me there is Watchable... and Unwatchable.
I agree, to me, more is always better until it changes the composition. Just don't include the microphone pole.Albion said:Yes I am always a little surprised that the maximum available information on the OCN is not utilised.I hope to that we get a very broad sweep of the OCN,and not a selective extraction.
I've heard this in the past too and people have mentioned this on Super 35 films but I'm not sure about Scope films.FoxyMulder said:As for the info left off the blu ray release at the sides, well i believe 2K is 2048pixels by 858 for a 2.35:1 film, instead of re-scaling which can introduce unwanted artifacts.....
Originally Posted by TomTom /t/323399/while-we-wait-for-a-few-words-about-raiders-of-the-lost-ark-in-blu-ray/60#post_3971439
I've heard this in the past too and people have mentioned this on Super 35 films but I'm not sure about Scope films.
Can anyone out there cite scaling issues on certain titles that didn't maintain this "one to one pixel standard"? I would like to pursue it deeper.
By the numbers -Raiders would be 3656x3112 and then from there they would scale down.
I'm not sure how feature post houses scale scope movies and what their pixel policy is?
I work in commercials where every pixel is eligible for pushing.
2048 by 858 is 1,757,184; 1920 by 804 is 1,543,680. So 1,757,184 minus 1,543,680 equals 213,504. But then 213,504/1,757,184 equals 0,121503497. That means that more than 12% (TWELVE) is cropped, besides the initial cropping (the DCP 2k does not, I believe, show the whole frame). Is this acceptable?FoxyMulder said:As for the info left off the blu ray release at the sides, well i believe 2K is 2048pixels by 858 for a 2.35:1 film, instead of re-scaling which can introduce unwanted artifacts into the image i believe they just crop a little off the sides and top and bottom, a minimal amount, thus 2048 x 858 becomes 1920 x 804, this is why many films have a bit missing from the sides and a tiny amount missing top and bottom of the frame, probably within the intended safe frame composition, it can be jarring when you have seen the DVD version and it has a bit more but since that format already had sharpening applied ( unnecessary and not needed even on DVD ) and many other artifacts then a few more from downscaling doesn't matter. ( or does it )
Originally Posted by antoniobiz1 /t/323399/while-we-wait-for-a-few-words-about-raiders-of-the-lost-ark-in-blu-ray/60#post_3971502
Is this acceptable?
To me it is not even remotely acceptable. I find it insulting. I find it ridicolous that some of us try to do their best to recreate the original theatrical experience (you know, dedicated rooms, projectors and so on) only to find out that there is no way (except going the 35mm route), because the original frame is NOT THERE. But, as it does not seem to be a major concern, I am trying to understand if is considered an acceptable practice. That's all.FoxyMulder said:You tell me.
Originally Posted by antoniobiz1 /t/323399/while-we-wait-for-a-few-words-about-raiders-of-the-lost-ark-in-blu-ray/60#post_3971515
To me it is not even remotely acceptable. I find it insulting. I find it ridicolous that some of us try to do their best to recreate the original theatrical experience (you know, dedicated rooms, projectors and so on) only to find out that there is no way (except going the 35mm route), because the original frame is NOT THERE. But, as it does not seem to be a major concern, I am trying to understand if is considered an acceptable practice. That's all.
(Sorry for the rant)
Well, no. It is the difference between two areas.FoxyMulder said:Isn't the figure more like 6% loss or thereabouts, you don't add all the pixels up you just calculate using 2048 minus the 128 to get to 1920 and then do the same and take 858 and minus the 54 to get the percentage of each, you don't combine the two, i am trying to do the sums using just my head.