- Joined
- Feb 1, 2007
- Messages
- 9,417
- Real Name
- Scott D. Atwell
[COLOR= black]Several of my children are classically-trained as well (clarinet, flute, guitar, piano, etc.). And I too have a fifteen-year old daughter, and she listens to a lot of the music of today (Lady Ga Ga, Pink, FM Static, TFK, Lacuna Coil, Nevertheless, to name just a few). She has been trained to know that there is often much to appreciate in the music of today, even if it is not on the same level as (e.g.) a Bach, Beethoven, or Scriabin. Although that doesn’t guarantee that she will like the music I grew up with (classical as well as pop-rock), she has as a result of her training gained a greater appreciation for many of the differing styles and genres of music across all historical periods.[/COLOR]
[COLOR= black]For my own part, much of the music of today (and of all historical periods, actually) includes harmonic progressions, melodic patterns, and rhythmic intricacies and figures that are very intriguing, if one is willing to listen for them and take the time to dissect what is occurring in the music. With some pop-rock stars of today, the key relationships, harmonic variety, and instrumentation alone are often times compelling enough to warrant serious analysis and study.[/COLOR]
[COLOR= black]For my own part, much of the music of today (and of all historical periods, actually) includes harmonic progressions, melodic patterns, and rhythmic intricacies and figures that are very intriguing, if one is willing to listen for them and take the time to dissect what is occurring in the music. With some pop-rock stars of today, the key relationships, harmonic variety, and instrumentation alone are often times compelling enough to warrant serious analysis and study.[/COLOR]