TOM WAITS Orphans 3 CD set 11-21-06

Discussion in 'Music' started by Robert_eb, Nov 1, 2006.

  1. Robert_eb

    Robert_eb Supporting Actor

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    Is anyone looking forward to this?? This should be the best release of 2006 in my opinion.

    http://www.anti.com/catalog.php?id=69

    Tom Waits: Orphans

    BRAWLERS
    01. Lie To Me
    02. LowDown
    03. 2:19
    04. Fish In The Jailhouse
    05. Bottom Of The World
    06. Lucinda
    07. Ain't Goin' Down To The Well
    08. Lord I've Been Changed
    09. Puttin' On The Dog
    10. Road To Peace
    11. All The Time
    12. The Return Of Jackie and Judy
    13. Walk Away
    14. Sea Of Love
    15. Buzz Fledderjohn
    16. Rains On Me

    BAWLERS
    01. Bend Down The Branches
    02. You Can Never Hold Back Spring
    03. Long Way Home
    04. Widow's Grove
    05. Little Drop Of Poison
    06. Shiny Things
    07. World Keeps Turning
    08. Tell It To Me
    09. Never Let Go
    10. Fannin Street
    11. Little Man
    12. It's Over
    13. If I Have To Go
    14. Goodnight Irene
    15. The Fall Of Troy
    16. Take Care Of All My Children
    17. Down There By The Train
    18. Danny Says
    19. Jayne's Blue Wish
    20. Young At Heart

    BASTARDS
    01. What Keeps Mankind Alive
    02. Children's Story
    03. Heigh Ho
    04. Army Ants
    05. Books Of Moses
    06. Bone Chain
    07. Two Sisters
    08. First Kiss
    09. Dog Door
    10. Redrum
    11. Nirvana
    12. Home I'll Never Be
    13. Poor Little Lamb
    14. Altar Boy
    15. The Pontiac
    16. Spidey's Wild Ride
    17. King Kong
    18. On The Road

    When I was small I always thought that songwriters sat alone at upright pianos in cramped smoky little rooms with a bottle and an ashtray and everything came in the window blew through them and came out of the piano as a song…and in a weird way that is exactly what happens.

    What’s Orphans? I don’t know. Orphans is a dead end kid driving a coffin with big tires across the Ohio River wearing welding goggles and a wife beater with a lit firecracker in his ear.

    At the center of this record is my voice. I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice, I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer…I can be tribal. Ironic. Or disturbed. My voice is really my instrument.

    Kathleen and I wanted the record to be like emptying our pockets on the table after an evening of gambling, burglary, and cow tipping. We enjoy strange couplings, that’s how we got together. We wanted Orphans to be like a shortwave radio show where the past is sequenced with the future, consisting of things you find on the ground, in this world and no world, or maybe the next world. Whatever you imagine that to be.

    If a record really works at all, it should be made like a homemade doll with tinsel for hair and seashells for ears stuffed with candy and money. Or like a good woman’s purse with a Swiss army knife and a snake bite kit.

    Orphans contains songs for all occasions. Some of the songs were written in turmoil and recorded at night in a moving car, others were written in hotel rooms and recorded in Hollywood during big conflamas. That’s when conflict weds drama. At any rate these are the ones that survived the flood and were rescued from the branches of trees after the water’s retreat.

    Gathering all this material together was like rounding up chickens at the beach. It’s not like you go into vault and check out what you need. Most of it was lost or buried under the house. Some of the tapes I had to pay ransom for to a plumber in Russia. You fall into the vat. We started to write just to climb out of the vat. Then you start listening and sorting and start writing in response to what you hear. And more recording. And then you get bit by a spider, go down the gopher hole, and make a whole different record. That was the process pretty much the last three years.

    Then we met Karl Derfler, a wizard engineer who works at Bay Side Studios in Richmond, CA, in the science fiction part of town. A battlefield medic, he did a Lazarus on a number of the songs and recorded all the new material.

    On Orphans there is a mambo about a convict who breaks out of jail with a fishbone, a gospel train song about Charlie Whitman and John Wilkes Boothe, a delta blues about a disturbing neighbor, a spoken word piece about a woman who was struck by lightening, an 18th century Scottish madrigal about murderous sibling rivalry, an American backwoods a cappella about a hanging. Even a song by Jack Kerouac and a spiritual with my own personal petition to the Lord with prayer…There’s even a show tune about an old altar boy and a rockabilly song about a young man who’s begging to be lied to.

    I think you will find more singing and dancing here than usual. But I hope fans of more growling, more warbling, more barking, more screeching won’t be disappointed either.

    Tom Waits
    August 2006

    Orphans: Brawlers, Bawlers and Bastards is a spectacular musical journey, which visits most every genre of American song tradition.

    The diverse 56-song, 3-disc collection captures the full scope of Tom Waits’ shamanic powers as a vocalist, literary lyricist, romantic melodist, innovative arranger and pioneer of sonic worlds.

    This deluxe limited edition release, written and produced by Waits and his longtime collaborator and wife, Kathleen Brennan contains 30 new and never before heard recordings, plus rare songs taken from collaborations with artists in film, literature and music—complete with a 94-page handmade booklet of lyrics and rare photos. The set, which took over three years to compile and record, is grouped by genre with songs guaranteed to move and shake the heart, the body, the mind and most unquestionably the soul.

    Each of the CD’s are separately arranged and sub-titled – “Brawlers,” “Bawlers” and “Bastards” to encapsulate the full range of Waits’ nomadic scope of musical styles.

    Brawlers is packed with full throated juke joint stomp, boogies and riotous blues. It’s roadhouse Waits,..He chugs, whistles and screams. It’s primal steaming surreal blues. He channels the Stones, Beefheart, Muddy Waters and T-Rex. One new one, “Low Down” is raw garage rock with Waits’ 20 year old son, Casey on drums and San Francisco’s white trash blues icon, Ron Hacker, on guitar.

    Bawlers – Lonesome ballads about the sadness at the end of the road are framed by tender songs of innocence and green hope. The plaintive hill country laments of, “Tell It To Me” and the cautionary tale, “Fannin Street” blend poignantly with saloon songs of betrayal and despair (“The World Keeps Turning”) Celtic waltzes and bitter cabaret torch songs like, “It’s Over” and “Little Drop Of Poison”, all of which explore what the heart gives and what it takes away.

    Bastards – explores the strange and unusual side of Waits, who is peculiar by nature. Contained here is experimental music and scary tales. There are uncategorizable diversions into this dark side. It tunnels beneath the city with spiels, rants, mouth rhythms, including a poignant reminiscence of car ownership, a Ramones cover and a version of Daniel Johnston’s, “King Kong,” a disturbing bedtime story,(not for children faint of heart),and a poem by Charles Bukowski. It has insects, murder, drowning and insanity. Or as ma says, the full dinner menu.
     
  2. kamyiu

    kamyiu Stunt Coordinator

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  3. Henry Gale

    Henry Gale Producer

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    Thanks Robert!
    Just pre-ordered this one. That will make 17 Tom Waits CDs in my collection, or 17, 18 and 19 I guess.
     
  4. Eric Peterson

    Eric Peterson Cinematographer

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    Awesome.

    I can't think of another music release this year that has had me this excited.
     
  5. Stu Rosen

    Stu Rosen Second Unit

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    I couldn't agree more.
     
  6. Russell G

    Russell G Fake Shemp
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    Out of all the titles announced for release in the fall, this is the one that came as a complete surprise to me and made me jump up.

    I'm eagerly awaiting picking this up and just wallowing in it for a weekend.
     
  7. Henry Gale

    Henry Gale Producer

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    Great package, it's really an album, from when that word had some meaning.
    189+ minutes of Tom Waits!
     
  8. Russell G

    Russell G Fake Shemp
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    I've listened to this a few times now and am really enjoying it. doesn't feel like a mash of out takes at all.

    Would be my favorite release of the fall if not for The Beatles.
     

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