Seth Paxton
Senior HTF Member
- Joined
- Nov 5, 1998
- Messages
- 7,585
This film is a masterpiece, I have no problem saying that. It lingers near or in my top 10 of all time, and I'm quite sincere about that.
One of my favorite aspects is that Leone opens the film ala Kubrick. Several minutes of film/scenes without any dialog...and it flows wonderfully.
The biggest thing I think of with this film is SURREAL. It is not just the old west, it is slightly skewed. Where and why the battles are occuring for example.
The bridge scene is quite similar to the bridge scene in Apocolypse Now (I almost wonder if Coppola was influenced by GBU for this moment).
Another surreal moment is when the Union soldiers come riding up covered in dust so that they look like Confederates.
Moments like those simply don't feel real, they feel dreamlike. Something like an imagined version of the old west, distorted by the subconscious. Morricone has a LOT to do with that as well. Possibly the finest score ever written and I don't just mean the popular theme now associated with Clint. Every piece of music is incredible.
Everything fires on all cylinders - direction, score, acting, script, cinematography
When you first see it you pick up on the "coolness" of these characters. They lend themselves to appeal to all males I think. But there is so much subtext and subtlety to the filmmaking that it's appeal is much deeper than its "cool" surface. In that way GBU reminds me of A Clockwork Orange, another film who's "cool heroes" appeal to college age males everywhere which belies the greater depth of the film.
One of my favorite aspects is that Leone opens the film ala Kubrick. Several minutes of film/scenes without any dialog...and it flows wonderfully.
The biggest thing I think of with this film is SURREAL. It is not just the old west, it is slightly skewed. Where and why the battles are occuring for example.
The bridge scene is quite similar to the bridge scene in Apocolypse Now (I almost wonder if Coppola was influenced by GBU for this moment).
Another surreal moment is when the Union soldiers come riding up covered in dust so that they look like Confederates.
Moments like those simply don't feel real, they feel dreamlike. Something like an imagined version of the old west, distorted by the subconscious. Morricone has a LOT to do with that as well. Possibly the finest score ever written and I don't just mean the popular theme now associated with Clint. Every piece of music is incredible.
Everything fires on all cylinders - direction, score, acting, script, cinematography
When you first see it you pick up on the "coolness" of these characters. They lend themselves to appeal to all males I think. But there is so much subtext and subtlety to the filmmaking that it's appeal is much deeper than its "cool" surface. In that way GBU reminds me of A Clockwork Orange, another film who's "cool heroes" appeal to college age males everywhere which belies the greater depth of the film.