MatthewLouwrens
Senior HTF Member
- Joined
- Mar 18, 2003
- Messages
- 3,034
Good point.
My other problem with Fantasia 2000 is that the images are unrelated to the music.
Look at Fantasia:
* Toccata and Fugue - Abstract animation for an abstract piece.
* Nutcracker - Animation of nature, but chosen to resemble the piece. Russian-looking thistles for the Russian Dance, Chinese-looking toadstools for the Chinese Dance, etc.
* Sorcerer's Apprentice - A retelling of the standard legend intended by the music, only with Mickey.
* Rite of Spring - The ballet piece was set in prehistoric times, the animation expands on that idea to chart all of prehistory.
* Pastoral Symphony - The animation resembles Beethoven's descriptions - just relocated to Mt Olympus.
* Dance of the Hours - Composed as a ballet that moves through morning, afternoon, evening and night, the animation does this but adds ostriches, hippos, elephants and alligators.
* Night on Bald Mountain - Intended to accompany a scene in a play of witches in a black mass, the animated scene of a giant devil surrounded by dancing spirits is pretty similar.
* Ave Maria - A religious piece accompanying images of believers going to church.
So the animation is close to the music's images - just amplified or with cartoony elements added.
Contrast that with Fantasia 2000:
* Beethoven's 5th - Again, abstract to abstract.
* Pines of Rome - Whatever Respighi imagined (something to do with pine trees in Rome, perhaps) it wasn't flying whales. Great animation though.
* Rhapsody In Blue - My favourite segment - they chose an animation style and plot that reflected the time that Gershwin was writing in.
* Piano Concerto No 2 - Great segment, but again, Shostakovich was not imagining The Steadfast Tin Soldier.
* Carnival of the Animals - A silly segment, but at least it had animals. Much much too short though.
* Pomp and Circumstance - Donald Duck? Noah's Ark? To Pomp and Circumstance? It's like they animated it and then chose music to fit the animation.
* Firebird - I don't know much about Firebird, so I won't comment on Stravinsky's idea when composing the piece.
You see? The cartoons and music choice in Fantasia seemed considered - they made sense. In 2000, it seemed much more random - the animation matched the music but not the ideas of the music.
Lets not mention the fact that Fantasia had eight pieces, was 2 hours long, and had a complete Beethoven symphony. Fantasia 2000 had eight pieces (including a recycled Sorcerer's Apprentice), is less than 80 minutes long, and had a single movement from a Beethoven symphony. I felt shortchanged.
My other problem with Fantasia 2000 is that the images are unrelated to the music.
Look at Fantasia:
* Toccata and Fugue - Abstract animation for an abstract piece.
* Nutcracker - Animation of nature, but chosen to resemble the piece. Russian-looking thistles for the Russian Dance, Chinese-looking toadstools for the Chinese Dance, etc.
* Sorcerer's Apprentice - A retelling of the standard legend intended by the music, only with Mickey.
* Rite of Spring - The ballet piece was set in prehistoric times, the animation expands on that idea to chart all of prehistory.
* Pastoral Symphony - The animation resembles Beethoven's descriptions - just relocated to Mt Olympus.
* Dance of the Hours - Composed as a ballet that moves through morning, afternoon, evening and night, the animation does this but adds ostriches, hippos, elephants and alligators.
* Night on Bald Mountain - Intended to accompany a scene in a play of witches in a black mass, the animated scene of a giant devil surrounded by dancing spirits is pretty similar.
* Ave Maria - A religious piece accompanying images of believers going to church.
So the animation is close to the music's images - just amplified or with cartoony elements added.
Contrast that with Fantasia 2000:
* Beethoven's 5th - Again, abstract to abstract.
* Pines of Rome - Whatever Respighi imagined (something to do with pine trees in Rome, perhaps) it wasn't flying whales. Great animation though.
* Rhapsody In Blue - My favourite segment - they chose an animation style and plot that reflected the time that Gershwin was writing in.
* Piano Concerto No 2 - Great segment, but again, Shostakovich was not imagining The Steadfast Tin Soldier.
* Carnival of the Animals - A silly segment, but at least it had animals. Much much too short though.
* Pomp and Circumstance - Donald Duck? Noah's Ark? To Pomp and Circumstance? It's like they animated it and then chose music to fit the animation.
* Firebird - I don't know much about Firebird, so I won't comment on Stravinsky's idea when composing the piece.
You see? The cartoons and music choice in Fantasia seemed considered - they made sense. In 2000, it seemed much more random - the animation matched the music but not the ideas of the music.
Lets not mention the fact that Fantasia had eight pieces, was 2 hours long, and had a complete Beethoven symphony. Fantasia 2000 had eight pieces (including a recycled Sorcerer's Apprentice), is less than 80 minutes long, and had a single movement from a Beethoven symphony. I felt shortchanged.