I am eagerly awaiting this. It has already been released in selected theaters on the coasts and will open in other cities in the weeks to come. http://www.eventherainmovie.com http://www.tambienlalluvia.com/en/ Tambien La Lluvia is Spain's official submission for Oscar consideration. It is a movie within a movie that brings up issues of Spanish imperialism and the struggle for basic needs in third world countries in the present day. Plot Outline A Spanish film crew arrives in Bolivia to make a film about Columbus in the New World. Idealistic director Sebastian (Gael García Bernal, The Motorcycle Diaries) wants to denounce the injustices of the past, focusing on exploitation of the indigenous people. Practical producer Costa (Luis Tosar, Cell 211), working on a tight budget, has chosen Bolivia, one of Latin America's poorest countries, to stand in for Santo Domingo because extras will work for only $2 a day. After an open casting call almost degenerates into a riot, Sebastian hires outspoken Daniel (Juan Carlos Aduviri) to play the rebel Indian leader. But when the locals begin demonstrations against a multinational's plans to privatize water -- even the rain -- Daniel is in the thick of them, endangering the film's shooting schedule. The thought-provoking screenplay by Paul Laverty (The Wind That Shakes the Barley) cunningly parallels the Spanish conquest of the Americas with the modern spread of capitalism. This fascinating mixture of past and present, fiction and fact, features spectacular scenes of the period film within a film. Directed by Icíar Bollaín (Take My Eyes). TAMBIEN LA LLUVIA sets up an intriguing dialogue about Spanish imperialism through incidents taking place some 500 years apart, while examining the personal belief systems of the members of a film crew headed by director Sebastian (Gael Garcia Bernal) and his producer Costa (Luis Tosar) who arrive in Bolivia to make a revisionist film about the conquest of Latin America. Set in February and March of 2000 when real-life protests against the privatization of water rocked the nation, the film reflexively blurs the line between fiction and reality in what Variety calls "a powerful, richly layered indictment of the plight of Latin America's dispossessed." Carlos Aduviri is dynamic as a local who is cast as a 15th century native in the film, but when the make-up and loin cloth come off, he sails into action protesting his community’s deprivation of water at the hands of the government. Meanwhile, Gael Garcia Bernal’s Idealist film director is as relentless as Werner Herzog infamously was in making FITZCARRALDO, pushing ahead against all odds, ignoring the prevailing danger about to disrupt at any moment. Despite the devastation emerging around him, Sebastian seems unable to engage with any emotion over than a dogmatic desire to get his film done. And of course, the film also recalls themes in Herzog’s AGUIRRE, THE WRATH OF GOD and the film-within-a-film scenes are as brutal as any in APOCALYPTO.