3.5 out of 5.Saving Mr. Banks is really two stories in one. On one hand, there's the tale of Travers, Disney, DaGradi and the Sherman Brothers trying to come up with a mutually agreeable film interpretation. And on the other hand, there's the tale of Mary Poppins' backstory -- that of a young P.L. Travers, before she was known as P.L. Travers and was simply Helen "Biddy" Goff (played by newcomer, Lily Bigham). The intersection of these two stories is what gives the film its heart, for you can't have one without the other. Without Pamela's story, there's no closure to the tale of young Helen; and the story of Helen is integral to Pamela's story because it humanizes her character, letting viewers know how she became the woman that she is. Playing only one side of the story, Thompson is tasked with walking a fine line. There's no real antagonist in the piece, so special attention needs to be paid to ensure that her character doesn't end up coming off as one -- a valid concern since she's single-handedly responsible for obstructing the film's production at every turn. Luckily, Thompson's portrayal of the author lets both her toughness and vulnerability shine through; and as the film progresses and we find out more and more about her early days, we only come to sympathize with her even more. Likewise, Hanks paints his portrayal of Disney with an air of humanity, looking mostly the part and being careful not to let his performance veer into parody by injecting the odd "Hanks-ism" here and there. For the most part, Giamatti, Whitford, Schwartzman and Novak are there to play it for laughs, by being constantly befuddled at Pamela's incessant stubbornness; but that's not to say there isn't a lot of heart in their portrayals as well. The film is not anything if not character-driven, and it owes a lot to these performances.
Here's my full review.