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Need CGI-free film recommendations (1 Viewer)

Sergio Martorel

Second Unit
Joined
Aug 11, 2003
Messages
283
I´m a purist too.
I only watch movies made with hand-cranked cameras and natural lighting.
If it has electricity, I´m out.
Any suggestions?
 

AllanN

Supporting Actor
Joined
Mar 15, 2002
Messages
950
Im going through my DVDProfiler collection, so there might be doubles of what others have recomended.

2001: A Space Odyssey
About Schmidt
American Beauty
American Pie
American Pie 2
Annie Hall
Being John Malkovich
The Big Lebowski
Can't Hardly Wait
Casablanca
Chasing Amy
Citizen Kane
Clerks
A Clockwork Orange
Dead Poets Society
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Election
Full Metal Jacket
Gattaca
Good Will Hunting
The Graduate
Grosse Pointe Blank
High Fidelity
Lawrence of Arabia
Mallrats
Monty Python and the Holy Grail
Mumford
Narc
Office Space
Open Your Eyes (Abre los Ojos)
The Pianist
The Princess Bride
Road to Perdition
Robin Hood
Ronin
Say Anything
Se7en
Seven Years In Tibet
The Shawshank Redemption
Signs
Sneakers
Spaceballs
Spy Game
The Sure Thing
The Talented Mr. Ripley
The Usual Suspects
Vanilla Sky
When Harry Met Sally
Who Framed Roger Rabbit




Movies that have very little CG and is worked in well or movies im not sure about there GG content.

12 Monkeys -Not sure about CG
Amélie - Only a very fiew CG scenes, but they work well and are ment to be a depection of the charecters imagination.
Black Hawk Down - Probiably just the crash scenes.
Chicago -Did they use any CGI? I dont think so but im not sure?
Spy Game - See above response.
 

Jesse Blacklow

Senior HTF Member
Joined
Oct 14, 2002
Messages
2,048
AllanN: I'm pretty sure the following movies in your list do in fact contain CGI to some extent.
American Beauty
American Pie
American Pie 2
Being John Malkovich
The Big Lebowski
Gattaca
Road to Perdition
Se7en
The Shawshank Redemption
Signs
Spy Game
The Usual Suspects
Vanilla Sky
Who Framed Roger Rabbit
 

Lew Crippen

Senior HTF Member
Joined
May 19, 2002
Messages
12,060
I agree with Jesse’s post: very few, if any films today don’t have some type of digital manipulation. This may be hard to tell, because often the change is the erasure of something (like a safety wire to make sure that no harm comes to an actor or stuntman).
 

Robert Floto

Supporting Actor
Joined
Jul 27, 1999
Messages
739
The original Star Wars....................Damn! It doesn’t exist anymore!
Actually, Star Wars had some early computer generated graphics. Particularly the images on computer screens, holograms, and the targeting device during the trench run...


Okay, now I'll really shut up now...:b
 

Nathan V

Supporting Actor
Joined
Jul 16, 2002
Messages
960
Can't believe nobody's mentioned this-

HEAT by Michael Mann. That's as good as it's going to get if you're shutting yourself off of CGI.
Malick's BADLANDS and THE THIN RED LINE are also highly, highly recommended. I would recommend Fight Club, but it has about 30 seconds of CGI, so I guess you won't be seeing that.
 

Kevin M

Senior HTF Member
Joined
Feb 23, 2000
Messages
5,172
Real Name
Kevin Ray
The Dark Crystal & Dragonslayer are both excellent examples of pre-CGI effects work at it's best...as far as them being un-sentimental...well they both have rather dark elements to them under the guise of family films.
 

Sergio Martorel

Second Unit
Joined
Aug 11, 2003
Messages
283
American Pie - it DID used CGI, to retouch the Pie holes. Serious.

Being John Malkovich - It has CGI-created mattes.

Gattaca - The ships going into space, their smoke is CGI.

The Shawshank Redemption - CGI mattes.

Signs - A lot of the crops were CGI, and so´s the ET´s.

Spy Game - Wire removal, CGI fire.

Who Framed Roger Rabbit - CGI environment in some small sequences.
 

Josh Steinberg

Premium
Reviewer
Senior HTF Member
Joined
Jun 10, 2003
Messages
26,358
Real Name
Josh Steinberg


Part of it was, actually.

"Sunrise" was shot by two different cinematographers: Charles Rosher, ASC and Karl Struss (who recieved ASC membership as a result of this film). "Sunrise" was also the first film to win an Academy Award for cinematography. At the time, Rosher and Struss were the very best at what they did.

Struss used a motorized Bell & Howell camera. Rosher operated a hand-cranked Mitchell camera. Apparently which cinematographer worked on which shot was determined by which camera director F.W. Murnau thought was best to capture that particular action.
 

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