trajan
Screenwriter
- Joined
- Jan 1, 2009
- Messages
- 1,198
- Real Name
- lar
Exciting news! Thanks for the info!
Originally Posted by Finn
short answer: yes...
While we can't give specific titles at this time, we are working on bringing these classics to Blu-ray, some earlier than others. Thanks for your continued support and passion!
Originally Posted by GMpasqua
Instead of "50th Year Anniversary Edition" how about "[COLOR= #ff0000]Meticulously Restored Edition[/COLOR]"
Originally Posted by GMpasqua /forum/thread/311351/mr-finn-are-we-getting-more-todd-ao-blurays-in-the-future/30#post_3818520
Originally Posted by GMpasqua
If he said some of the Todd-AO films are coming this fall, then yeah, you could get excited
Originally Posted by JohnMor
You're really telling other people what they can and can't get excited about? What possible difference could it make if others want to get excited about a benign announcement?
Originally Posted by GMpasqua
Thanks Will, it's nice not to be attacked on this forum once in a while
Great idea IF they get someone involved who knows how roadshows should be handled...ahollis said:It would be great if Fox would come out with Blu-ray series called ROADSHOW and include theirs and the MGM owned titles that played roadshow engagements. Make sure the release has the entire roadshow experience from the overture to the exit music. Create a short documentary on the history of the roadshow film from the silent era up to the demise of it in the early 70's. Also create a making of documentary for the film with an emphasis on the release history of it. Some of the films release history is as interesting as the history of making the film, such as Star! Hello Dolly, Doctor Dolittle, The King & I, Cleopatra, Hawaii, Star!, It's A Mad Mad Mad Mad World, The Hallelujah Trail, Exodus, The Great Escape and others would all fit in to this series and have a release every four months, just as a roadshow title would be released. Just a suggestion.
Very good point. Studios seem to have seized onto this word as a marketing ploy without any understanding for what it really means. "Newly Remastered in HD " should be a given when a movie is released on BRD but so often that is not the case, and it's why I stopped re-buying favorite movies when the BRD comes out - often they aren't much - if at all - better than the DVD. BluRay is supposed to be an upgrade, but often the BRD is quite lackluster compared to the previous DVD. PS: mastering from a 65mm negative (for a movie released in 70mm) is still quite rare as there weren't that many movies shot that way, and there hasn't been many places that could transfer from that format (or do it well). If it was on the packaging that a movie was actually transferred in HD from 65mm, that would get my attention. And hopefully no more credit mistakes like the ones on the DVD covers of Hello, Dolly! and Doctor Dolittle.Josh Steinberg said:I'm all for that in theory - the problem is (and this isn't the fault of film restorers but more a marketing fault) is that the term "restore" has been taken from something that was once very specific and now applied to almost anything. What someone like Robert Harris does - that's restoring a film. But unfortunately, many studios will put "restored" on the DVD/BD package when what they really mean is that it's a new scan from the negative, or a new encoding of a previously existing digital master. I think the public has become somewhat skeptical of what "restored" is supposed to mean due to the term being overused and wrongly used on so many releases. And that's a shame; it allows the public to be misinformed and sold an inferior product at times, and it also shortchanges the brilliant work that film restorers like Robert Harris do. I wish there was an accepted standard among marketing people for how these terms should and shouldn't be used.
Originally Posted by GMpasqua
jseabough said:I would love to see the TODD-AO productions make it to blu ray. The idea of roadshow series is a great idea. If only FOX would do something like this. I remember seeing SOUTH PACIFIC and CLROPATRA in TODD-AO during reserved seat engagements in St. Louis. I saw THE SOUND OF MUSIC in New York at the Rivoli when I was a teen and it took my breath away. So much so that I went back to see it again that very same week. What was one of the taglines for this process? Something like 'you'll see ALL the show in TODD-AO." I think that was it.