I could not get tickets to Trilogy Tuesday so I watched the EEs of FOTR and TTT then went to the midnight show of ROTK the same day. I was wiped out after. By the time I got home from the theater, it was 4 am and I went to work with about an hour of sleep.
I should have just stayed up. It was worth it, though. The crowd was totally into it but did not misbehave.
Depending on the compressor and how much time you had to spend on compressing it, it might not have been too bad.
I'm making a couple of assumptions, too: 1. DD5.1 only; no DTS, narrations, commentaries, et cetera. Maybe even DD2.0; not everyone has a 5.1 compressor, though even so, that can be fudged around. 2. drop the subtitles - not that it saves much, but just because every bit helps 3. multi-pass variable bit-rate compression.
I'd do it as multiple "titles" on the disc, linking between, just because it'd make the compression side a little easier - being able to work with the individual movies - or parts of movies - rather than having to work with the whole unwieldy mass. Of course, you have to do at least two titles, splitting accross the two layers.
So out of perverse curiosity, what sort of machine did you do the job on, and how long did the compress take?
How come nobody has mentioned the possibility of using AVI? I mean the TV scene standard is 350 megs for 45 minutes. 1.4 gigs for 3 hours. I've been toying with doing this for a while, and I'd be using AVI to do it myself. I've already done an edit of "Grand Prix" which removes all the dialog and just leaves the wonderful car footage.
I watched Fellowship tonight and was noting where I could make edits.